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“All Souls is the written equivalent of an Irish wake, where revelers dance and sing the dead person’s praises. In that same style, the book leavens tragedy with dashes of humor but preserves the heartbreaking details.”—The New York Times Book Review A 25th anniversary edition of the National Bestselling memoir, with a new afterword from Michael Patrick MacDonald, takes us deep into the South Boston housing projects during one of the city's most tumultuous times in history and tells the story of his family struggling the overcome the poverty, crime, addiction, and incarceration that overtook the neighborhood. A breakaway bestseller since its first printing, All Souls takes us deep into Michael Patrick MacDonald’s Southie, the proudly insular neighborhood with the highest concentration of white poverty in America. Rocked by Whitey Bulger’s crime schemes and busing riots, MacDonald’s Southie is populated by sharply hewn characters. We meet Ma, Michael’s mini-skirted, accordian-playing, single mother who endures the deaths of four of her eleven children. And there are Michael’s older siblings Davey, sweet artist-dreamer; Kevin, child genius of scam; and Frankie, Golden Gloves boxer and neighborhood hero whose lives are high-wire acts played out in a world of poverty and pride. Nearly suffocated by his grief and his community’s code of silence, MacDonald tells his family story here with gritty but moving honesty. All Souls is heartbreaking testimony to lives lost too early, and the story of how a place so filled with pain could still be “the best place in the world.”
Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Peter Farris, Skip Horack, Michael Farris Smith, Barb Johnson, and Jesmyn Ward. In his seminal article, Erik Bledsoe distinguishes Rough South writers from such writers as William Faulkner and Erskine Caldwell. Younger writers who followed Harry Crews were born into and write about the Rough South. These writers undercut stereotypes, forcing readers to see the working poor differently. The next pieces begin with those on Crews and Cormac McCarthy, major influences on an entire generation. Later essays address members of both groups—the self-educated and the college-educated. Both groups share a clear understanding of the value of working-class southerners. Nearly all of the writers hold a reverence for the South's landscape and its inhabitants as well as an affinity for realistic depictions of setting and characters.
Legendary civil rights reporter Karl Fleming was born in North Carolina's flattest, bleakest tobacco landscape. Raised in a Methodist orphanage during the Great Depression, he was isolated from much of the world around him until an early newspaper job introduced him to the era's brutal racial politics and a subsequent posting as Newsweek's lead civil rights reporter took him to the South's hotspots throughout the 1960s: James Meredith's enrollment at the University of Mississipi, the 1963 Birmingham church bombing, the assassination of Medgar Evers, the murders of three civil rights workers in Philadelphia, Mississippi, and more. On May 17, 1966, Fleming was beaten by black rioters on the streets of Los Angeles. Newsweek covered the incident in their next issue, and here's what they wrote: "That he was beaten by Negroes in the streets of Watts was a cruel irony. Fleming had covered the landmark battles of the Negro revolt from Albany, Ga., to Oxford, Miss., to Birmingham, Ala., and numberless way stations whose names are now all but forgotten.... No journalist was more closely tuned into the Movement; once when a Newsweek Washington correspondent asked the Justice Department to name some Dixie hot spots, the Justice man replied, ‘Ask Fleming. That's what we do.'" In Son of the Rough South, Fleming has delivered a stunning, revealing memoir of all the worlds he knew, black, white, violent, and cloistered — and a deeply moving read for anyone interested in any rough South.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.
#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
Will Alexander, sheriff of a small town in southern Appalachia, is baffled by a murder case with no body and no suspect, and sets out to find the truth about what really happened to a local thug.
The story of a young girl's escape from North Korea, based on the life of the authors' mother, Soo Park.
Summer of Deliverance is a powerful and moving memoir of anger, love, and reconciliation between a son and his father. Hailed as a literary genius of his generation, James Dickey created his art and lived his life with a ferocious passion. He was a heavy drinker, a destructive husband and father, a poet of grace and sensitivity, and, after the publication and subsequent film of his novel, Deliverance, a wildly popular literary star. Drawing on letters, notebooks, diaries, and his explicit conversations with his father, Christopher Dickey has crafted a superb memoir of the corrosive effects of fame, a moving remembrance of a crisis that united a family, and an inspiring celebration of love between father and son.
The Shadow of Selma evaluates the 1965 civil rights campaign in Selma, Alabama, the historical memory of the campaign’s marches, and the continuing relevance of and challenges to the Voting Rights Act. The contributors present Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events. By shifting the focus from leaders like Martin Luther King Jr. to the thousands of unheralded people who crossed the Edmund Pettus Bridge—and the networks that undergirded and opposed them—this innovative volume considers the campaign’s long-term impact and its place in history. The volume recalls the historical currents that surrounded Selma, discussing grassroots activism, the role of President Lyndon B. Johnson during the struggle for the Voting Rights Act, and the political reaction to Selma at home and abroad. Using Ava DuVernay's 2014 Hollywood film as a stepping stone, the editors bring together various essays that address the ways media—from television and newspaper coverage to "race beat" journalism—represented and reconfigured Selma. The contributors underline the power of misrepresentation in shaping popular memory and in fueling a redemptive narrative that glosses over ongoing racial problems. Finally, the volume traces the fifty-year legacy of the Voting Rights Act. It reveals the many subtle and overt methods by which opponents of racial equality attempted to undo the act’s provisions, with a particular focus on the 2013 Shelby County v. Holder decision that eliminated sections of the act designed to prevent discrimination. Taken together, the essays urge readers not to be blind to forms of discrimination and injustice that continue to shape inequalities in the United States. They remind us that while today's obstacles to racial equality may look different from a literacy test or a grimfaced Alabama state trooper, they are no less real. Contributors: Alma Jean Billingslea Brown | Ben Houston | Peter Ling | Mark McLay | Tony Badger | Clive Webb | Aniko Bodroghkozy | Mark Walmsley | George Lewis | Megan Hunt | Devin Fergus | Barbara Harris Combs | Lynn Mie Itagaki
This book offers a groundbreaking long-term study of Wilson County, North Carolina. Charting the evolution of Wilson's civil rights movement, McKinney argues that African Americans in Wilson created an expansive notion of freedom that influenced every aspect of life in the region and directly confronted the state's reputation for moderation.