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"I'm a connoisseur of the unwanted; a sommelier of deformity; a coveter of the unloved. I am forever chased by the shadow of my ugliness. In darkness, no shadow remains, and it's all diamonds." Buddy Hayes is an ugly, defiant little man, a would-be Don Juan trapped in Quasimodo's body. He lives with his mother and ailing grandfather in a decaying, post-industrial city. The mother is Emily Post with a color changing and a mood-indicating scar. The grandfather is a one-eyed double amputee, who spends his days happily dangling in a hydraulic patient lift. Their life is a working-class hallucination of blueblood extravagance. They luxuriate over gourmet meals and perform dramatic readings. At night, Buddy slips away for covert liaisons with women he meets on the internet. Buddy is at war with his neighbor over a stolen book. There are frequent outrageous acts of casual sex. There's a love interest, a librarian, who tempts Buddy with desires for the "normal" kind of love he knows he cannot have. So it goes, until a new nurse arrives to care for Buddy’s grandfather. Enter Terrance: a tall, impossibly handsome black man, a lapsed Broadway performer, virtuoso singer, and banjo player. Buddy and Terrance strike up an unlikely friendship that drives Yetto's surreal, tawdry, and poignant debut novel.
By the end of 2023 Ukraine is wholly under the control of the Russian Federation, The United States has begun to withdraw from Europe to face a perceived threat from the east leaving exposed to Russian domination. With tensions running high, the appearance of a superyacht off the coast of Ukraine causes British Naval intelligence to take note. They track the vessel to Istanbul where an agent is despatched to observe it. He notes several visitors to the yacht, photographing them arriving and leaving, the images eventually landing on the desk of Anita, an MI6 officer. Her investigation reveals a disturbing connection. One visitor to the yacht in particular, a tall man of Middle Eastern appearance is, she believes, the same man photographed leaving a terrorist training camp in the northern Iraqi desert some years before and alarm bells begin to ring.
This early work by Edith Wharton was originally published in 1932 and we are now republishing it with a brand new introductory biography. 'The Gods Arrive' is a sequel to 'Hudson River Bracketed' in which the characters, Halo and Vance, try to continue their literary relationship. Edith Wharton was born in New York City in 1862. Wharton's first poems were published in Scribner's Magazine. In 1891, the same publication printed the first of her many short stories, titled 'Mrs. Manstey's View'. Over the next four decades, they - along with other well-established American publications such as Atlantic Monthly, Century Magazine, Harper's and Lippincott's - regularly published her work.
The Liars' Club brought to vivid, indelible life Mary Karr's hardscrabble Texas childhood. Cherry, her account of her adolescence, "continued to set the literary standard for making the personal universal" (Entertainment Weekly). Now Lit follows the self-professed blackbelt sinner's descent into the inferno of alcoholism and madness—and to her astonishing resurrection. Karr's longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting blueblood poet produces a son they adore. But she can't outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in "The Mental Marriott," with an oddball tribe of gurus and saviors, awakens her to the possibility of joy and leads her to an unlikely faith. Not since Saint Augustine cried, "Give me chastity, Lord—but not yet!" has a conversion story rung with such dark hilarity. Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr's relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.
A funny, sexy modern romance about two lonely women who bond over the unexpected and fall in love despite their determination to do the opposite. Giselle was having a ero week, in fact, she was having a ero life. Her ex had finally copped to the affair sheÕd been having for months and theyÕd broken up, Giselle had just watched an idiot get the promotion she wanted at work, and her mother had showed up for lunch with a gigolo she is set to marry. Life gets even more complicated when, after drowning her sorrows at her local bar, Giselle finds a newborn baby in a dumpster a block from her house and decides to keep it. Two days later, after sheÕs being calling in sick to work, her best friend Sandy visits, only to discover a fridge full of baby formula and Giselle reading a book on motherhood. Sandy has to act but she doesn't want to get Giselle in trouble, so she gets in touch with a friend who can deal with the situation, Detective Dale Porter. Dale has heard it all before. Nothing surprises her and she has no problem with the idea of picking up a dumpster baby, no questions asked, from a rescuer who got Òcarried away.Ó Only, Giselle seems so distressed when the baby is taken, avowedly single Dale finds herself wanting to make it up to her.
A remarkable collection of essays and reviews on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP—from the national bestselling author of Birds of America and a master of contemporary American fiction. “The kind of book, and the kind of human, you’d want to guide you through the past few decades in letters and culture.... Moore is one of our best documentarians of everyday amazement.” —The New Yorker This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books, The New York Times, Harper’s, The Atlantic, and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.