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In November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series. The essay, titled Profile: Putting Something Over Something Else (using Bearden's words to describe the creative process), brought national focus to Bearden, whose rise had seemed meteoric since the late 1960s. The experience of the interview prompted Bearden to launch an autobiographical collection he called Profiles. He sequenced the project in two parts: Part I, The Twenties, featuring memories from his youth in the South and in Pittsburgh, and Part II, The Thirties, about his early adult life in New York. Bearden collaborated with friend and writer Albert Murray on a short statement to accompany each piece. These appeared scripted onto the walls of the Profile exhibition to lead viewers on a visual and poetic journey. This landmark volume reassembles and reconsiders Bearden's Profile series. Beyond providing the opportunity to explore an understudied body of work, the project will investigate the roles of narrative and self-presentation for an artist who made a career of creating works based on memory and experience. It will also reveal Bearden's own gestures away from the autobiographical and toward a broader view.
Twenty-seven stories by a Serbian writer, many dealing with the destruction of the European Jewish culture in World War II. Others are surrealistic, such as Plastic Combs, whose protagonists are able to talk with inanimate matter.
Looking for wit, wisdom, and inspiration all within the pages of one useful book? Read Something Else. Life is a turbulent journey, fraught with confusion, heartbreak, and inconvenience. This collection of wit and wisdom from New York Times bestselling author Lemony Snicket is unlikely to help. It includes a new introduction filled with curious aphorisms, a handful of never-before-seen-or-heard quotations, and fan favorites from works over the years. These dubious offerings, collected from Snicket’s books, unpublished papers, and more, have been made pleasing to the eye by illustrations, select fan art, and design flourishes.
Dick Higgins and his Something Else Press epitomized the riotous art of the '60s There are few art-world figures as influential--and as little known--as Dick Higgins (1938-98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many--as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others--but it was Something Else Press (1963-74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
Something Else tries to be like the others. But he's different. And no matter how hard he tries, he just doesn't belong. Then Something turns up and wants to be friends. But Something Else isn't sure he's like him at all . . . Kathryn Cave's poignantly simple story is brought to life by Chris Riddell in this enchantingly original picture book. Winner of the first UNESCO Prize for Children's Literature and shortlisted for the Smarties Prize and the Kate Greenaway Medal. 'A gentle, eloquently told story about the meaning of tolerance' - Guardian
Although contemporary art in Indonesia is completely integrated within the global art discourse, the fundamental context of Indonesian artists is in fact quite different from that of the contemporary Western artistic practicein which notions of individuality and autonomy play a key role. Indonesian initiatives tend to include more of an awareness of local networks, and a contextual (as opposed to purely conceptual) way of thinking and acting. This softcover book, Also-Space, From Hot to Something Else, focuses mainly on a Jakarta-based artists initiative called ruangrupa, andto a lesser degreeon a number of other Indonesian artists and initiatives, as case studies of how Indonesian artists organize and manifest themselves individually and collectively. Reinaart Vanhoe (b. 1972, Belgium) lives in both Rotterdam (Holland) and Jakarta (Indonesia); his practice consists of research-based activities that Vanhoe translates into books, exhibitions,
#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.
One of the nation's greatest motivational speakers provides a collection of words of reassurance and hope in this often negative world.
Something Else Press is credited with being among the first publishers of an entirely new genre: integral artworks designed for publication, now widely known as "artists' books." From 1963 to 1974 Dick Higgins & associates presented over sixty publications, including major non-traditional works by John Cage, Merce Cunningham, Claes Oldenburg, Emmett Williams, & Allan Kaprow, among many others. The press also issued anthologies of concrete poetry, artists' unrealizable architectural projects, & many long-out-of-print works by Gertrude Stein. This illustrated critical history features Peter Frank's annotation provides an overview of the operation as well as salient descriptions of each publication, complete with press runs, co-editions, cancellations, & ephemera. There are photographs of each book jacket or cover, & many interior pages. We published this book originally in 1983; it has been out-of-print for a number of years. Last year we discovered about 100 book blocks of the original edition whose covers had been slightly spoiled. These we were able to arrange for a superb rebinding, & now offer the remaining 80 copies for sale, which will be of particular interest for scholars & academic libraries.
Benny Curtis is a twelve-year-old boy with an eidetic memory-the ability to remember almost everything he sees or hears. Benny's grandfather is a retired humanities professor who loves everything historical. So when he starts spending a lot of time with his grandfather, Benny's mind becomes filled with the history of all sorts of subjects-baseball, movies, art, TV, rock and roll, etc. With this historical context and his incredible memory, Benny is able to view the world in a unique way. Last year when Benny was eleven, a number of amazing things occurred, not "supernatural" amazing, but real-life amazing. But in order for you to appreciate these remarkable events, you need to hear what led up to them. Benny's journey is filled with humorous observations, anecdotes, and reflections, as he analyzes the world around him.