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Cold Comfort Farm is a comic novel by English author Stella Gibbons, published in 1932. It parodies the romanticised, sometimes doom-laden accounts of rural life popular at the time, by writers such as Mary Webb. Following the death of her parents, the book and 's heroine, Flora Poste, finds she is possessed "of every art and grace save that of earning her own living". She decides to take advantage of the fact that "no limits are set, either by society or one and 's own conscience, to the amount one may impose on one and 's relatives", and settles on visiting her distant relatives at the isolated Cold Comfort Farm in the fictional village of Howling in Sussex. The inhabitants of the farm – Aunt Ada Doom, the Starkadders, and their extended family and workers – feel obliged to take her in to atone for an unspecified wrong once done to her father.
As the amoral art dealer heads to the Isle of Jersey, the author’s “comic invention and lacerating, politically incorrect humor are in brilliant form” (Publishers Weekly). The Honorable Charlie Mortdecai—degenerate aristocrat and seasoned epicurean—has managed, somehow, to tarnish his already questionable reputation. Thanks to a few shady art deals, he’s been exiled from London. Together with his gadabout wife Johanna and his ex-con butler Jock, Mortdecai takes refuge in a country estate on the Channel Island of Jersey. But what begins as a hedonistic interlude turns into a macabre manhunt. Through the haze of drunken locals and loathsome tourists, Charlie is out to expose a local rapist whose modus operandi bears a striking resemblance to that of a warlock from ancient British mythology known as “The Beast of Jersey.”
A school reader for secondary pupils, in the OXFORD BOOKWORMS. BLACK SERIES STAGE 6. This new series offers students at all levels the opportunity to extend their reading and appreciation of English.
When a middle-aged gentleman advertises his wish to meet a gentlewoman of independent means with a view to matrimony, various feminine hearts may flutter. Sometimes, too, the roving eye of a detective will momentarily light up with keen anticipation, and the innocent-looking advertisement might even be filed away for future reference. Here, then, is the history of a matrimonial advertisement, an extraordinary and baffling story, written with distinction by Anthony Gilbert, and featuring, of course, that favourite character, Arthur Crook.
Charlie Mortdecai is a louche art dealer with some distinctly dubious friends in the London underworld and some great connections to the British upper classes. He features in the three brilliant black-comedy thrillers originally published in the 70s and collected in this volume: DON'T POINT THAT THING AT ME, AFTER YOU WITH THE PISTOL, and SOMETHING NASTY IN THE WOODSHED. 'A writer capable of a rare mixture of wit and imaginative unpleasantness' Julian Barnes
In the suspenseful and darkly funny sequel to Don’t Point that Thing at Me, married life only compounds the danger facing art dealer Charlie Mortdecai. Art dealer and degenerate aristocrat Charlie Mortdecai has gotten himself into a spot of trouble over a certain stolen Goya. In order to save himself, he must marry the beautiful, sex-crazed and very, very rich Johanna Krampf. The fly in the ointment is that Johanna thinks nothing of involving poor Charlie in her life-threatening schemes such as monarch-assassination, heroin smuggling and - worst of all - survival training at a college for feminist spies. In After You with the Pistol, British author and art dealer Kyril Bonfiglioli continues the exploits of his immortal, amoral art dealer Charlie Mortdecai. Picking up where the previous novel, Don’t Point that Thing at Me, leaves off, this sequel offers twice the twists, quips, and hair-raising schemes.
Available for the first time since its original publication more than fifty years ago, Christmas at Cold Comfort Farm is a charming collection whose hilarious title story features Christmas dinner with the Starkadders before Flora's arrival. With Adam playing Santa while draped in Mrs. Starkadders's shawls, the family shares their traditional "Christmas pudding"-a mélange containing random objects of doom foretelling the coming year: a coffin nail for death, a bad sixpence for financial ruin, and a menthol cone to indicate that the lucky recipient will go "blind wi' headache." These lively tales will delight anyone who loves Stella Gibbons and her signature wit.
“Lynsey G. is an intrepid explorer, boldly going where few reporters have gone with such a critical eye: deep inside the real world of commercial sex.” —Tina Horn, host of the Why Are People Into That?! podcast Lynsey G. never imagined that she would ever work in porn, but at twenty-four years old, with a degree in English literature and an empty bank account, she found herself reviewing the film East Coast ASSault for an adult magazine in New York City. One interview later and it was official: she was a porn journalist. The job was supposed to be temporary—just a paycheck until she could spark her legitimate writing career—but she loved it and spent nearly a decade describing the nuances of money shots and the effectiveness of sex toys. As both a porn consumer and a porn critic, she was not quite an insider, not quite an outsider, but came to know the industry intimately. She found it so fascinating that she co-founded WHACK! Magazine. Finally, she had a platform to voice her thoughts and observations of the adult film world, as well as educate the rest of us about what really goes on behind the scenes. Eventually, Lynsey was thrust back into the “real” world, but not before realizing that one of the most diverse and nebulous—and profitable—industries on the planet isn’t so quite as different from the rest of the world as she thought. Tantalizing, eye-opening, and witty, Watching Porn is a provocative book about an average girl’s foray into the porn industry and the people who make it what it is, both in front of and behind the camera. “Marvelous.” —The New York Times Book Review
Don't Point That Thing At Me by Kyril Bonfiglioli - Book 1 of the Mortdecai Trilogy, now a major motion picture starring Johnny Depp Introducing the Hon. Charlie Mortdecai, art dealer, aristocrat and assassin, in the first of the Mortdecai novels Portly art dealer and seasoned epicurean Charlie Mortdecai comes into possesion of a stolen Goya, the disappearance of which is causing a diplomatic ruction between Spain and its allies. Not that that matters to Charlie ... until compromising pictures of some British diplomats also come into his possession and start to muddy the waters. All he's trying to do is make a dishonest living, but various governments, secret organizations and an unbelievably nubile young German don't see it that way and pretty soon he's in great need of his thuggish manservant Jock to keep them all at bay ... and the Goya safe. First published in the 1970s, this hilarious novel is part Ian Fleming part P G Wodehouse. It is now a major motion picture starring Johnny Depp as Mortdecai, Ewan McGregor as Jock and Gwyneth Paltrow. 'A rare mixture of wit and imaginative unpleasantness' Julian Barnes 'You couldn't snuggle under the duvet with anything more disreputable and delightful' Stephen Fry 'The jokes are excellent, but the most horrible things keep happening... Funny and chilling' Sunday Telegraph Kyril Bonfiglioli was born on the south coast of England in 1928 of an English mother and Italo-Slovene father. After studying at Oxford and five years in the army, he took up a career as an art dealer, like his eccentric creation Charlie Mortdecai. He lived in Oxford, Lancashire, Ireland and Jersey, where he died in 1985. He wrote four Charlie Mortdecai novels, and a fifth historical Mortdecai novel (about a distinguished ancestor).