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This book examines the idea of the self in Anglophone literatures from British colonies in Africa and the subcontinent, and in the context of intercultural encounter, literary hybridity and globalization. The project examines texts by eight authors across the colonial, postwar and post-9/11 eras – Olaudah Equiano, Sake Dean Mahomet, Henry Callaway, R.C. Temple, Amos Tutuola, G.V. Desani, Tsitsi Dangarembga and Aravind Adiga – in order to map different strategies of selfhood across four fields of literature: autobiographical life writing, folk anthology, postwar fabulism, and contemporary realism. Drawing on historical analysis, psychological inquiry, comparative linguistics, postcolonial criticism and social theory, this book responds to a renewed emphasis on the narrative strategies and creative choices involved in a literary construction of the self. Threaded through this investigation is an analysis of the effects of globalization, or the intensification of intercultural and dialogic complexity over time.
Originally published in 1945, this volume represented the first to classify Bantu languages. This volume does not record all the dialects but makes reference to those in which some grammatical study has been done and classifies them according to mainly geographical zones. Owing to tribal migrations, individual members of a particular zone may be living among members of a different zone (as has been the case with the Ngoni, South-Eastern Zone, who are found among the Eastern Bantu), but the zone label is taken from the habitat of the majority.