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A hilarious story of one man’s obsession and a brilliant reckoning of a nation’s cultural confusion—from a master Japanese novelist. When twenty-eight-year-old Joji first lays eyes upon the teenage waitress Naomi, he is instantly smitten by her exotic, almost Western appearance. Determined to transform her into the perfect wife and to whisk her away from the seamy underbelly of post-World War I Tokyo, Joji adopts and ultimately marries Naomi, paying for English and music lessons that promise to mold her into his ideal companion. But as she grows older, Joji discovers that Naomi is far from the naïve girl of his fantasies. And, in Tanizaki’s masterpiece of lurid obsession, passion quickly descends into comically helpless masochism.
Kaname's father-in-law plans to save Kaname's marriage by involving the couple in the classic traditions of Japan, especially the puppet theater
Jun'ichirō Tanizaki's In Black and White is a literary murder mystery in which the lines between fiction and reality are blurred. The writer Mizuno has penned a story about the perfect murder. His fictional victim is modeled on an acquaintance, a fellow writer. When Mizuno notices just before the story is about to be published that this man’s real name has crept into his manuscript, he attempts to correct the mistake, but it is too late. He then becomes terrified that an actual murder will take place—and that he will be the main suspect. Mizuno goes to great lengths to establish an alibi, venturing into the city's underworld. But he finds himself only more entangled as his paranoid fantasies, including a mysterious "Shadow Man" out to entrap him, intrude into real life. A sophisticated psychological and metafictional mystery, In Black and White is a masterful yet little-known novel from a great writer at the height of his powers. The year 1928 was a remarkable one for Tanizaki. He wrote three exquisite novels, but while two of them—Some Prefer Nettles and Quicksand—became famous, In Black and White disappeared from view. All three were serialized in Osaka and Tokyo newspapers and magazines, but In Black and White was never published as an independent volume. This translation restores it to its rightful place among Tanizaki's works and offers a window into the author's life at a crucial point in his career. A critical afterword explains the novel's context and importance for Tanizaki and Japan's literary and cultural scene in the 1920s, connecting autobiographical elements with the novel's key concerns, including Tanizaki's critique of Japanese literary culture and fiction itself.
Quicksand is a silkily nuanced novel of erotic gamesmanship and obsession. Sonoko Kakiuchi, an Osaka lady of a good family, married to a dully respected lawyer, tells a story of temptation and betrayal. Sonoko is infatuated with the beautiful art student and femme fatale Mitsuko, a woman so seductive and heartless she can even turn Sonoko's husband into her own accomplice. Filled with intrigue and treacherous romance, readers will be entranced by Tanizaki’s seminal novel. At once savagely funny and timorously exact in its portrayal of sexual enthrallment, Quicksand is “beautifully and mysteriously contrived.”—Newsday
Jun’ichirō Tanizaki is one of the most eminent Japanese writers of the twentieth century, renowned for his investigations of family dynamics, eroticism, and cultural identity. Most acclaimed for his postwar novels such as The Makioka Sisters and The Key, Tanizaki made his literary debut in 1910. This book presents three powerful stories of family life from the first decade of Tanizaki’s career that foreshadow the themes the great writer would go on to explore. “Longing” recounts the fantastic journey of a precocious young boy through an eerie nighttime landscape. Replete with striking natural images and uncanny human encounters, it ends with a striking revelation. “Sorrows of a Heretic” follows a university student and aspiring novelist who lives in degrading poverty in a Tokyo tenement. Ambitious and tormented, the young man rebels against his family against a backdrop of sickness and death. “The Story of an Unhappy Mother” describes a vivacious but self-centered woman’s drastic transformation after a freak accident involving her son and daughter-in-law. Written in different genres, the three stories are united by a focus on mothers and sons and a concern for Japan’s traditional culture in the face of Westernization. The longtime Tanizaki translators Anthony H. Chambers and Paul McCarthy masterfully bring these important works to an Anglophone audience.
Six short stories by Tanizaki Jun'ichiro (1886-1965), capturing the breadth of his literary oeuvre
“A raw, tender portrait of adolescent misery, reminiscent of Elena Ferrante’s fiction.” —NPR From the bestselling author of Breasts and Eggs, a sharp and illuminating novel about the impact of violence and the power of solidarity. Tormented by his peers because of his lazy eye, Kawakami’s protagonist suffers in silence. His only respite comes thanks to his friendship with a girl who is also the victim of relentless teasing. But what is the nature of a friendship if your shared bond is terror? Unflinching yet tender, intimate and multi-layered, Heaven is yet another dazzling testament to Kawakami’s uncontainable talent. “An argument in favor of meaning, of beauty, of life.” —The New York Times Book Review “If you enjoyed Mieko Kawakami’s brilliant Breasts and Eggs, you’re certain to be astonished by her latest novel exploring violence and bullying with fierce, feminist and damning candor.” —Ms. Magazine “This is the real magic of Heaven, which shows us how to think about morality as an ongoing, dramatic activity. It can be maddening and ruinous and isolating. But it can also be shared, enlivened . . . and momentarily redeemed through unheroic acts of solidarity.” —The New Yorker “Quietly devastating.” —TIME Magazine “Keen psychological insight, brilliant sensitivity, and compassionate understanding.” —Publishers Weekly, starred review “Raw and eloquent. . . . An unexpected classic.” —Kirkus Reviews, starred review “An incredible literary talent.” —Booklist, starred review “Kawakami writes with jagged, visceral beauty.” —Oprah Daily “Kawakami never lets us settle comfortably, which is a testament to her storytelling power.” —Los Angeles Review of Books “One of Japan’s brightest stars.” —Japan Times
A major discovery: Tanizaki's wonderful final novel--now in English