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DigiCat Publishing presents to you this special edition of "Some Old Time Beauties" (After Portraits by the English Masters, with Embellishment and Comment) by Thomson Willing. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This expanded edition of Wendy Ewald's now-rare book, first published in 1985, offers a view of the rural south over the past thirty five years. It includes pictures and stories by eight of Ewald's students, now grownups. Their visions, old and new, illuminate the present and the past.
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
Discusses the life and work of Hans Holbein the Younger, the artist most responsible for preserving in his portraits the court of King Henry VIII.
Reproduction of the original: Old Portraits and Modern Sketches by John Greenleaf Whittier
Gray, W. Forbes. Some Old Scots Judges: Anecdotes and Impressions. New York: E.P. Dutton and Company, 1915. xii, 317 pp. Frontispiece. Thirteen plates. Reprint available April 2005 by The Lawbook Exchange, Ltd. ISBN 1-58477-496-7. Cloth. $85. * Gray [1874-1950] draws on "anecdotes and contemporary testimony" to illuminate the personalities of Kames, Monboddo, Gardenstone, Braxfield, Hailes, Eskgrove, Balmuto, Newton, Hermand, Eldin, Jeffrey and Cockburn. As he states in the preface, he attempts "to show what manner of men those old Scots jurisconsults were--to present a conspectus of their philosophy of life. Accordingly, much space is devoted to setting forth their ideas and ideals, to recording their habits, their daily walk and conversation, their studies, their recreation, their manner of comporting themselves in the various relationships of life. In short, every effort has been made to shed as much light as possible upon their morals and their manners, their wit and their wisdom" (vi). A pleasure to read, this book contains a good deal of information that is not available elsewhere.
From the enlightened smile of the Holy Buddha to the lewd leer of the seventeenth century Dutch chicken groper, from the sociological to the scatological, Angus Trumble presents a uniquely readable and erudite insight into the cultural, physiological, artistic and literary history of that most universal of human expressions, the smile.;