Download Free Some Of Us Had Been Threatening Our Friend Colby Book in PDF and EPUB Free Download. You can read online Some Of Us Had Been Threatening Our Friend Colby and write the review.

'I said that although hanging Colby was almost certainly against the law, we had a perfect moral right to do so because he was our friend, belonged to us in various important senses, and he had after all gone too far.' Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius. This book includes Some of Us Had Been Threatening Our Friend Colby, The Glass Mountain, I Bought a Little City, The Palace at Four A.M., Chablis, The School, Margins, Game and The Balloon.
Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius.
This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.
A glass mountain sits in the middle of a city and at the top sits a 'beautiful, enchanted symbol'. Seeking to disenchant it, the narrator must climb the mountain. Confronted by the jeers of acquaintances, the bodies of previous climbers and the claws of a guarding eagle he, slowly, begins to ascend. In true postmodernist form, subject and purpose collide as Donald Barthelme uses one-hundred fragmented statements to destabilise a symbol of his own - literature's conventional forms and practices. With a quest, a princess and an array of knights, Barthelme subverts that most traditional of genres, the fairy-tale; irony, absurdity, and playful self-reflexivity are the champions of this short story.
"I Bought a Little City [is] a take on the role that a writer has in writing a story - playing god, in a certain way." Donald Antrim, novelist. 'Got a little city, ain't it pretty'. Galveston, Texas, has been bought. It suits its new owner just fine. So he starts to change it. He creates a new residential area in the shape of a Mona Lisa jigsaw puzzle, shoots six thousand dogs, and reminds those who complain that he controls the jail, the police and the local chapter of the American Civil Liberties Union. But, playing God has its limitations, which he soon discovers when he starts to covet Sam Hong's wife. With Donald Barthelme's unmistakeable ability to blend absurdity and the recognisable details of ordinary life, this is an uncanny tale about urban planning, capitalism and God.
Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.
"The citizens of Plainfield, Texas, have had it with the broke-down United States. So they vote to secede, rename themselves America in memory of their former country, and happily set themselves up to receive tourists from their closest neighbor: America. Couldn't happen? Well, it might, and so it goes in the thirteen stories in Matthew Baker's brilliantly illuminating, incisive, and heartbreaking collection Why Visit America."--Provided by publisher.
“There’s nothing semi about Finn Murphy’s trucking tales of The Long Haul.”—Sloane Crosley, Vanity Fair More than thirty years ago, Finn Murphy dropped out of college to become a long-haul trucker. Since then he’s covered more than a million miles as a mover, packing, loading, hauling people’s belongings all over America. In The Long Haul, Murphy recounts with wit, candor, and charm the America he has seen change over the decades and the poignant, funny, and often haunting stories of the people he encounters on the job.
The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the form The short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories. Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him "the central principle of all art in the twentieth century." Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's "every sentence ... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways."
The Dead Father is a gargantuan half-dead, half-alive, part mechanical, wise, vain, powerful being who still has hopes for himself--even while he is being dragged by means of a cable toward a mysterious goal. In this extraordinary novel, marked by the imaginative use of language that influenced a generation of fiction writers, Donald Barthelme offered a glimpse into his fictional universe. As Donald Antrim writes in his introduction, "Reading The Dead Father, one has the sense that its author enjoys an almost complete artistic freedom . . . a permission to reshape, misrepresent, or even ignore the world as we find it . . . Laughing along with its author, we escape anxiety and feel alive."