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Page proofs with ms. corrections by E. V. Lucas.
The text of the book consists of some 150 letters (out of a corpus of 2,500) written by the late nineteenth-century poet, critic, editor and journalist W.E. Henley, to various figures of the period, e.g. R.L. Stevenson, H. G. Wells, J.M. Barrie, William Archer, Rodin, Wilde, Kipling, Arthur Morrison, Alice Meynell, and Edmund Gosse. Letters are also included to other figures within Henley’s immediate circle, his wife Anna, his financial backer Fitzroy Bell, Charles Baxter the arbitrator in the quarrel between Henley and Stevenson, and his Edinburgh art collector friend Hamilton Bruce. Each letter is fully annotated. An introduction places Henley within the period and provides a biographical account of his life and literary work which is reflected in his letters. Of particular importance is the role of Henley as editor of London, the Magazine of Art, the Scots Observer and later the National Observer and the New Review.
The scholar Charles Whibley was born in 1859 and died in 1930, straddling the end of the Victorian age, the new century, and the Great War and its aftermath. After completing his studies at Cambridge, his early journalistic experiences were with the critic, poet and editor William Ernest Henley, known for his mentoring of young writers on the Scots, later National Observer, and Whibley was to a great extent the mainstay of the journal. After his grounding with Henley, he moved to Paris for a few years as the correspondent of the Pall Mall Gazette. Here, he became friends with Paul Valéry, Stéphane Mallarmé and Marcel Schwob, and married Whistler’s sister-in-law Ethel Birnie Philip in July 1895. While in Paris he wrote for Blackwood’s Magazine and was an advisor for Fisher Unwin’s Library of Literary History. Returning to England, Whibley became friends with Lord Northcliffe, Lady Cynthia Asquith, and later T. S. Eliot. The friendship with William Blackwood resulted in Whibley’s monthly “Musings without Method” from February 1900 to December 1929, a contribution which Eliot called “one of the best sustained pieces of literary journalism that I know in recent times”. Northcliffe was a close friend, as was Sir Frederick Macmillan of the publishing firm. From 1906 until October 1920, Whibley contributed a Saturday column in Northcliffe’s Daily Mail, and for many years was a reader for Macmillans. His friendship and infatuation with Cynthia Asquith lives strongly in his letters, although there is hardly any mention of his wife Ethel. Much of his literary work was with biographical essays of literary and political persons. After the death of Ethel in 1920, Whibley visited Brazil sending back reports to Cynthia Asquith. Whibley contributed to Eliot’s Criterion and also helped Eliot to acquire British citizenship. Apart from his continued journalism, Whibley worked as a consultant for the Royal Literary Fund later becoming a committee member. In 1927, he married his Goddaughter Philippa Raleigh. Whibley’s death in France in March 1930 robbed the literary world of his biography of W.E. Henley. Many of his letters deal with his literary work with the Macmillans, Blackwood’s Magazine, and his friendship with Cynthia Asquith, and in some letters to Northcliffe he parades his Tory views. He was a supporter of the Great War, though little appears in his letters.
The twenty-six essays collected in Notes on Life and Letters (first published 1921) offer a kaleidoscopic view of Joseph Conrad's literary views and interest in the events of his day, including the Titanic disaster, First World War, and the re-emergence of his native Poland as a nation state. The introduction gives the history of the gathering of these diverse pieces into a single volume, traces the book's reception, and offers new perspectives on its relationship to Conrad's other writings. His essays underwent multiple layers of unauthorized intervention by typists, compositors and editors: this history is set out in the essay on the text and in the apparatus. The notes explain literary and historical references, identify places mentioned, and gloss foreign terms. Two maps supplement the explanatory material. This edition, first published in 2004 and established through modern textual scholarship, presents Conrad's essays and reviews in an authoritative form.