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The second volume in a trilogy on the Spanish Civil War. The protagonists are two teenagers, Manuel and Marta. They are brought together by the death of a Republican fighter who was his friend and her husband. The novel chronicles their growing involvement against the background of the war.
The Confederation of Indian Industry (CII) has played an integral role in developing India-China trade partnerships over the years. It believes that the mutual cooperation of two of the biggest economies in the world would be key to the progress of the two countries on their respective development paths.
Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.
My Luck, a West African boy solider who has not spoken for three years, fights in a senseless war and embarks on a terrifying yet beautiful journey to find his lost platoon.
Every story has a beginning, a journey, and an end. Author Vera Leinveberss story begins in her beloved homeland of Latvia, just prior to the outbreak of World War II. Her early childhood is filled with joy and music, but this idyllic, carefree existence is irrevocably silenced by the advancing drumbeats of war. The journey that follows proves so intense and harrowing that in order to fi nd the emotional separation necessary to face her traumatic childhood memories, Leinvebers fi lters her experiences through the eyes of a young Latvian girl called Lara. No Time to Cry tells the story of Laras harrowing ordeal in war-ravaged Europe. It is a story about brutality, hatred, and unimaginable loss, but it is also a lasting testament to one little girls indomitable will to survive. When she loses nearly everything she holds dear, Lara desperately clings to the all that remainsthe music indelibly etched in her memory and a small, smooth stone that she retrieved from the charred remains of her former home. That small stone became her symbol of strength. If it could survive the inferno and devastation, so could she. Join Lara as a traveller on the path of her war-ravaged childhood, a path that clearly proves that no matter how much one might suffer, when the goal is to survive there is simply no time to cry.
Amid the fearsome battles of the Civil War, both Union and Confederate soldiers were urged onward by song. There were songs to wake them up and songs to call them to bed, Songs to ready them for battle and to signal their retreat, Songs to tell them that their side was right, and the other wrong . . . And there was one song that reminded them all of what they hoped to return to after the war. Defeated in the battle of Fredericksburg, Virginia, the Union soldiers retreated across the river. There, a new battle emerged as both armies volleyed competing songs back and forth. With the Christmas season upon them, however, Federals and Confederates longed for the same thing. As the notes of "Home, Sweet Home" rose up from both sides, they found common ground for one night. Interwoven with soldiers' letters and journal entries, this is a true story of duty and heartbreak, of loyalty and enemies, and of the uniting power of music. Debbie Levy's moving text and Gilbert Ford's vibrant, layered illustrations come together to create an unforgettable tale of American history.
This volume examines the ways in which trauma alters women’s identities. While some of the chapters look deeply at individual experiences, many of the contributions look to national traumas and the consequences of political abuses, including colonial subjugation and genocide for women. The book shows that language has a transformative power to change us, to give us a great capacity for inner and outer dialogues and for healing and self-love. As shown here, women have historically employed autobiography and memoir to free themselves and others; rather than seeing the limit of form, they reinvent the parameters to offer a new relationship with language.