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Over one million copies of the book, a LA Critic's award for best foreign film starring Rutger Hauer, and presently a record-breaking musical ... here is the new US edition,(of Soldier of Orange) with the original foreword from HRH Prince Bernhard of the Netherlands.When the Germans bombed Rotterdam to rubble in May,1940, Erik Hazelhoff was a carefree student. After being imprisoned by the Gestapo, he escaped from Nazi-occupied Holland, was recruited by the British Secret Service to land agents for the Dutch underground, joined the RAF, earning Dutch and British DFC's for his many missions as a Pathfinder pilot. (His chapter on a Mosquito raid to Berlin is so detailed that one feels being with him in the cockpit!) He returned at the end of the war, knighted with Holland's highest military order by Wilhelmina, the Queen of the Netherlands. As her post-war ADC he brings one into her daily life with its challenges and surprises.'Soldier of Orange' is a riveting story. Its focus is on choices in time of war. Acts of heroism, friendship, and deceit form the fate of his early fellow students and war-time comrades. (Those wanting to know more of Erik Hazelhoff's entire life ("a hundred lives'" according to Len Deighton) should look for 'Win A Few' , his autobiography from birth in Java, through international intrigues and American adventures, to his final resting place at 90, in Hawaii)
When Sam Aronow decided to move from the US to Israel, the only travel books he could find about it were more interested in religion or politics than an actual place. Naturally, he would have to write his own. The result is an eclectic and irreverent journey to almost every corner of his adopted homeland, from major cities to forgotten wildernesses, from battlefields to blizzards, and from ancient artifacts to the annoyances of modern life.
“The book's teenage protagonists and their bravery will enthrall young adults, who may find themselves inspired to take up their own causes.” —Washington Post An astonishing World War II story of a trio of fearless female resisters whose youth and innocence belied their extraordinary daring in the Nazi-occupied Netherlands. It also made them the underground’s most invaluable commodity. May 10, 1940. The Netherlands was swarming with Third Reich troops. In seven days it’s entirely occupied by Nazi Germany. Joining a small resistance cell in the Dutch city of Haarlem were three teenage girls: Hannie Schaft, and sisters Truus and Freddie Oversteegen who would soon band together to form a singular female underground squad. Smart, fiercely political, devoted solely to the cause, and “with nothing to lose but their own lives,” Hannie, Truus, and Freddie took terrifying direct action against Nazi targets. That included sheltering fleeing Jews, political dissidents, and Dutch resisters. They sabotaged bridges and railways, and donned disguises to lead children from probable internment in concentration camps to safehouses. They covertly transported weapons and set military facilities ablaze. And they carried out the assassinations of German soldiers and traitors–on public streets and in private traps–with the courage of veteran guerilla fighters and the cunning of seasoned spies. In telling this true story through the lens of a fearlessly unique trio of freedom fighters, Tim Brady offers a fascinating perspective of the Dutch resistance during the war. Of lives under threat; of how these courageous young women became involved in the underground; and of how their dedication evolved into dangerous, life-threatening missions on behalf of Dutch patriots–regardless of the consequences. Harrowing, emotional, and unforgettable, Three Ordinary Girls finally moves these three icons of resistance into the deserved forefront of world history.
Ambitious and raw, Becoming Magic: A Path to Personal Reconstruction is Antuan Magic Raimone's chronicle of life as a performer in the most influential artistic feats of our time, such as 11x Tony Award-winning Hamilton and 4x Tony Award-winning In the Heights, over the course of his twenty-year career. But before magic, there was mayhem. Antuan endured childhood sexual abuse, along with the fragmentation of growing up without a father. His revelations about identity, intimacy, family, and ultimately, self-love and acceptance as a gay Black man, equally color a story of a dancer from Blue Springs, Missouri bound for Broadway as soon as he sung the first note in a high school production of Annie. Humanized and enlightened at every life stage by the relationships he forges and the courage to seek help, Antuan's journey is nothing less than magical. In an unsparingly blunt voice, he inspires readers to embark on their own path of personal reconstruction and soar to unimagined heights. With more than 20 years of professional performance experience, Antuan is currently with the Pulitzer Prize and 11x Tony Award-winning Hamilton as a Universal Swing, covering the six male ensemble members for the five U.S. companies. Additional credits include the 4x Tony Award-winning In the Heights (Broadway, Off-Broadway and First National Tour-Graffiti Pete U/S, Associate D/C and Vacation Swing), and six years with the Radio City Christmas Spectacular (Ensemble). His career as a performer has also allowed him to travel around the world once, visiting six out of the seven continents. Select Regional credits include Kiss Me Kate (Bill Calhoun/Lucentio, Paul, D/C), Hairspray (Seaweed U/S, Assistant Dir./Chor., D/C), Sweet Charity (Big Daddy Brubeck U/S), Smokey Joe's Café (Ken Ard), and Schoolhouse Rock LIVE (Willis). As an Assistant Choreographer, Antuan worked on the Second National Tour of In the Heights, as well as The Wizard of Oz, at both Starlight Theatre and the Fox Theatre. His Assistant Choreography work on Dreamgirls at Dallas Theatre Center with Rickey Tripp garnered them the first-ever Irma P. Hall Black Theatre Award for Best Choreography in 2016. He is a member of Actors Equity Association.
Rome's Vengeance In the year A.D. 9, three Roman Legions under Quintilius Varus were betrayed by the Germanic war chief, Arminius, and destroyed in the forest known as Teutoburger Wald. Six years later Rome is finally ready to unleash Her vengeance on the barbarians. The Emperor Tiberius has sent his adopted son, Germanicus Caesar, into Germania with an army of forty-thousand legionaries. The come not on a mission of conquest, but one of annihilation. With them is a young legionary named Artorius. For him the war is a personal vendetta; a chance to avenge his brother, who was killed in Teutoburger Wald. In Germania Arminius knows the Romans are coming. He realizes that the only way to fight the legions is through deceit, cunning, and plenty of well-placed brute force. In truth he is leery of Germanicus, knowing that he was trained to be a master of war by the Emperor himself. The entire Roman Empire held its collective breath as Germanicus and Arminius faced each other in what would become the most brutal and savage campaign the world had seen in a generation; a campaign that could only end in a holocaust of fire and blood.
Films from the Netherlands, Belgium and Luxembourg have long been regarded as isolated texts. The Cinema of the Low Countries points to the interconnectedness between these national cinemas from the point of view of genre, language and format, and their local and international importance by explicitly focusing on 24 key feature films and documentaries from the region. Building on each film's relationship with its particular cultural context, this volume presents twenty-four specially commissioned essays that explore the particular significance and influence of a wide range of exemplary films. Covering the work of internationally acclaimed directors such as Joris Ivens, Henri Stock, Paul Verhoeven and the Dardenne Brothers and featuring the films Turkish Delight, The Vanishing, Daughters of Darkness, Rosetta, Soldiers of Orange and Man Bites Dog, this collection offers an original approach to the appreciation of a diverse and increasingly important regional cinema.
When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation years ago. But the past and present are inextricably entwined, particularly in a scrapbook of recipes and memories that Framboise has inherited from her mother. And soon Framboise will realize that the journal also contains the key to the tragedy that indelibly marked that summer of her ninth year. . . .
A young aesthete from a privileged Roman family, Alexandro Giuliani, found his charmed existence shattered by the coming of WWI. Highly recommended.
An apocalypse of race, class, and culture, fanned by the media and the harsh L.A. sun.