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Des mots pour apporter le réconfort dans ces moments de la vie où que l'on croit que plus rien ne fonctionnera jamais et que tout est impossible. Des mots pour se faire du bien. Des mots pour aider. Des mots pour comprendre.
Plus rimailleur que poète, je vous livre ici et sans retenue mes mots d'amour, pour elle,pour lui,mes maux de solitude et de colère,mes joies et mes peines. Voilà trois ans que j'écris et tous mes textes réunis feraient une bonne autobiographie poétique. Dans ce recueil je vous en livre quelques un. Au lecteur de le lire comme bon lui semble, il y trouvera sept chapitres,à lui d'en faire son parcours de mots. Alors bonne lecture..
Ce recueil de poèmes est l'expression d'une colère, d'un ras le bol et d'une révolte vis - à -vis de certains dirigeants africains ; ces guignols qui ont pris les peuples en otage, les raillant, les humiliant, les asservissant, les assassinant. Par des mots dénudés, Les larmes étranges des présidents dénoncent le machiavélisme de ces décideurs, couronné par une attitude tendant à s'alarmer pour des futilités mais à se réjouir devant des calamités.Ainsi, les révolutions populaires doivent avoir lieu, hic et nun. Plus qu'un éveil de conscience, certains poèmes apparaissent ainsi qu'un appel à la prise de responsabilité des masses populaires face au mépris des Ambassadeurs de l'Enfer sur Terre.Cette oeuvre, très engagée, a le mérite de transporter le lecteur dans un univers marqué de méchancetés et d'égoïsme des hommes, principalement des pouvoirs.
Il y a aujourd'hui près de 250 bouquinistes parisiens qui proposent pêle-mêle des livres patinés, jaunis, du vieux, du neuf, des classiques, des raretés, des journaux d'époque, des cartes parcheminées, des disques ... Ce livre, qui invite à une flânerie le long de la Seine, conte la vie des bouquinistes à travers un calendrier imaginaire.
This is a provocative look at writing by and about people with illness or disability—in particular HIV/AIDS, breast cancer, deafness, and paralysis—who challenge the stigmas attached to their conditions by telling their lives in their own ways and on their own terms. Discussing memoirs, diaries, collaborative narratives, photo documentaries, essays, and other forms of life writing, G. Thomas Couser shows that these books are not primarily records of medical conditions; they are a means for individuals to recover their bodies (or those of loved ones) from marginalization and impersonal medical discourse. Responding to the recent growth of illness and disability narratives in the United States—such works as Juliet Wittman’s Breast Cancer Journal, John Hockenberry’s Moving Violations, Paul Monette’s Borrowed Time: An AIDS Memoir, and Lou Ann Walker’s A Loss for Words: The Story of Deafness in a Family—Couser addresses questions of both poetics and politics. He examines why and under what circumstances individuals choose to write about illness or disability; what role plot plays in such narratives; how and whether closure is achieved; who assumes the prerogative of narration; which conditions are most often represented; and which literary conventions lend themselves to representing particular conditions. By tracing the development of new subgenres of personal narrative in our time, this book explores how explicit consideration of illness and disability has enriched the repertoire of life writing. In addition, Couser’s discussion of medical discourse joins the current debate about whether the biomedical model is entirely conducive to humane care for ill and disabled people. With its sympathetic critique of the testimony of those most affected by these conditions, Recovering Bodies contributes to an understanding of the relations among bodily dysfunction, cultural conventions, and identity in contemporary America.
This volume gathers over forty papers by leading scholars in the field of the history of rhetoric. It illustrates the current trends in this new area of research and offers a great richness of insights. The contributors are from fourteen different countries in Europe, America and Asia ; the majority of the papers are in English and French, some others in German, Italian, and Spanish. The texts and subjects covered include the Bible, Classical Antiquity, Medieval and Modern Europe, Chinese and Korean civilization, and the contemporary world. Word, speech, language and institutions are addressed from several points of view. One major topic, among many others, is Rhetoric and Religion.
From the first time Mikael LE ROY wrote a poem and the first poetry competition that gave him the desire to continue, to this book he finally published, he had in his mind that each poem, each sentence, each word he wrote was a part of him and an opened gate through his soul. "To write a poem, that's to engrave its mind wonderfully like an original and unique print... To write a poem, that's to think after pronouncing a name, a word, letter by letter. And to emphasize that name, that word, that's what I call to Love Aloud." ML This poetry comes from his heart, from his soul, from his hopes and his fears and finally, more than everything, from the imagined world of a dreamer that he is: a Poet.
The study of masculinities and gender identity in contemporary literature is relatively new and, with each year of this millennium, gains momentum. Indeed, as the women’s movement becomes forceful in developing nations, the question of tolerance to gays, lesbians, bisexuals, and transvestites undergoes a similar process. At a time when women refuse to be subjected to war crimes, when they begin entering the workforce and realize the need to support their families independently, and when they refuse to remain in abusive marriages or remain silent in countries, where governments ignore their needs, men and women are questioning the meaning of gender in their culture and often seek alternatives to established gender roles. In some countries, this entails organized demonstrations for additional civil rights, while in others, the expression of sexual freedom remains a question of remaining silent or risking public execution. Thanks to the scholarly commitment of its authors, this book examines the range of masculine expression on three continents: Europe, Africa, and the Americas. In this collection, they write about men’s past and present challenges, male friendships, and male immigrants and outcasts. Paralleling the independence movement of France’s former colonies, the goal of this collection is to continue the expression of freedom toward understanding and tolerance of all variances of sexuality.