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A semiotic analysis is made of the six major plays by Eugene O'Neill and an attempt is made to yield a systematic analysis towards humanistic interpretations of texts. Theoretical interpretations are enriched with discussions of the plays. Technical matters such as the segmentation of the text are specified in appendices. Six semiotic dimensions have been studied: motifs, theatrical semiotic systems, their use in communicational functions, role function of the dramatis personae, their levels of awareness, and aristotelian divisions.
This book offers a much needed reassessment of F.R. Leavis. Gary Day argues that post-structuralist theory has defined itself in opposition to Leavis when in fact there are certain parallels between the two types of criticism. Day also draws attention to the connections between Leavis's early work and the emergent discourses of consumerism and scientific management. In particular he notes how at the centre of each is an image of the body and he analyses what this means for Leavis's conception of reading. By situating Leavis in relation to the concerns of post-structuralism and by locating him firmly in his historical context, Day is able to chart how far criticism can justly claim to be oppositional. At the same time, Day is able to recuperate from Leavis's work a notion of value; a topic which is becoming increasingly important in literary and cultural studies today.
One of the more creative Old Testament scholars of our time, David Clines offers an enjoyable and provocative set of studies on ideology. The title of a keynote essay, 'Why is There a Song of Songs, and What Does It Do to You If You Read It?', hints at the twin focus of the volume: the ideology of the writers, who bring the biblical texts into being, and the ideologies of the readers, who are shaped by the text at the same moment as they are shaping it in their own image. Among the essays are 'The Ten Commandments, Reading from Right to Left'; 'Metacommentating Amos'; 'David the Man: The Construction of Masculinity in the Hebrew Bible'; and 'Psalm 2 and the MLF (Moabite Liberation Front)'.
This Book Attempts To Clarify The Concept Of Literary Classification, First Within The Larger Framework Of Aesthetic Classification And Then With Reference To Literary Theories.
Originally published in 1986. William Faulkner’s major novels represent one of the earliest American explorations into the paradoxes inherent in both literary discourse and racial segregation in the American South. Figures of Division demonstrates that these works reject conventional divisions and a social and linguistic deception, and discover a reality where people merge across social boundaries. This analysis of Faulkner’s narrative discourse shows for the first time that the mechanisms of social division profoundly affect both the content and the form of his major novels.
Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of `indigenization? whereby West African writers have made their literary English or French distinctively `African'. Through the apt metaphor of the palimpsest ? a surface that has been written on, written over, partially erased and written over again ? the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro?Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo, Maninka, Yoruba, Wolof and other African languages, the book also clarifies the vital interface between Europhone African writing and the new outlets for African artistic expression in (auto-)translation, broadcast television, radio and film.Hailed as a classic in the 1990s, The African Palimpsest is here reprinted in a completely revised edition, with a new Introduction, updated data and bibliography, and with due consideration of more recent theoretical approaches.'A very valuable book ? a detailed exploration in its concern with language change as demonstrated in post-colonial African literatures? Bill Ashcroft, University of New South Wales ?Apart from its great documentary value, The African Palimpsest provides many theoretical concepts that will be useful to scholars of African literatures, linguists in general ? as well as comparatists who want to gain fresh insights into the processes by which Vulgar Latin once gave birth to the Romance languages.' Ahmed Sheikh Bangura, University of California, Santa Barbara ?As Zabus? book suggests, it is the area where the various languages of a community meet and cross-over ? that is likely to provide the most productive site for the generation of a new literature that is true to the real linguistic situation that pertains in so much of contemporary urban Africa.' Stewart Brown, University of Birmingham
Dr. K. P. Krishnan Kutty, a bilingual author, writes in Malayalam, his mother tongue, and in English. As a cultural activist and as a member of the Kerala Sasthra Sahithya Parishath, he campaigns for the propagation scientific temper and environmental values. A Sun and Many Realities (1989), Theviyundu Chirithookiyippozhum (2013) and K.Purathu Vakkaattu Kunhappu (2013) are his collections of poems. Nishedhikalude Guru (2007) and Enthanu Idathupaksha Bhavana? (2012) are two collections of essays in Malayalam. Jesus, I Am not a Christian, a collection of essays in English, was published in 2014. The present volume, the Dialectics of Literary Consciousness, is a collection of academic discussions on the processes of writing, reading, interpretation, and translation. Nature and Environment: Poetic Imprints of Shifting Perspectives, Matthew Arnold: The Voice and the Victim of Bourgeois Culture, The Dialectics of Interpretation: Aspects of Linguistic and Semantic Convergences, Barthes and Bakhtin: Monologic and Dialogic Searches for Meaning, The Reader and Sahrudaya, and The Political Philosophy of Translation are the essays included in this volume. They provide rational answers to the questions of literary creation and criticism. They are substantial contributions to Marxian literary aesthetics as they strive to substitute the misty abstractions of philosophical idealism with the lucid logic of dialectical and historical materialism.
Focusing on British and American novels, Rogers takes a sociological look at the business of literature, the book industry, and the experiences of novelists and readers. Viewing the novel as a vehicle of cultural meaning, the author shows how the literary canon overlooks substantial similarities among novels in favor of restrictive codes based on social as well as literary considerations. She emphasizes the kinship between the social sciences and humanities in her analysis, by reinvigorating affection for the novel and also establishing its rich cultural significance.