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A television genre best known for romantic storytelling, daytime soap operas have for decades spun tales of couples embroiled in passion, lust and adventure. Yet it was not until the early 1980s that star-crossed lovers became standard and the term "super couple" was coined by the media, marking a new era of experimentation and growth in daytime soaps. This book documents the phenomenon, tracing its history, legacy and impact on the soap opera industry and on popular culture at large.
Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.
Provides a complete narrative covering story plots from the beginning of the series, an extensive bibliography, unique information on the actors and their fans, and, most interesting, of all, background on the early days of the soaps.
The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers' attention from cable and the Internet. Yet, soaps' influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries. The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC's General Hospital, CBS's The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.
An A to Z of Who's Who and What's What, from Aerobics and Bubble Gum to "Valley of the Dolls" and Moon Unit Zappa.
They were the first "super couple" of daytime drama. Millions watched as actors Susan Seaforth and Bill Hayes, playing Julie and Doug on Days of Our Lives, fell in love on camera and off- igniting the hottest love story on daytime television in the 1970s and early '80s. Now, this witty, entertaining autobiography tells their fascinating story-from television's Golden Age to hit Broadway shows and soap opera stardom.
Staying Tuned: Contemporary Soap Opera Criticism examines serials. Broadcast first in 1926 on radio and since 1956 on television Monday through Friday 52 weeks a year, soap operas provide a clear promise to continue for as long as mass medicated entertainment exists. Over the last sixty years, billions have happily suffered along with the gallant men and women of the afternoon. A growing body of scholarly literature exists now to provide insights and suggest answers to the question of why so many continually return to the routine tragedies of daytime drama. Each of our chapters explores an aspect of soap opera which contributes to the endurance of the genre.
In #1 New York Times bestselling author Danielle Steel’s riveting novel, a Hollywood wedding sets the scene for a vivid portrayal of a prominent family whose hopes and fears are as real as our own. Simon Steinberg and Blaire Scott are among the most respected couples in Hollywood. Simon, a major movie producer, and Blaire, an award-winning television writer, have defied the Hollywood cliches, keeping their marriage together for decades. Their three children—aspiring teenage model Samantha, pre-med student Scott, and entertainment lawyer Allegra—are successful and happy but must face the challenges we fear for our own children as well. As an attorney for the stars, twenty-nine-year-old Allegra Steinberg is used to handholding her celebrity clients through their tangled lives and loves, negotiating major movie deals, and fielding phone calls at all hours of the day and night. But with a career that consumes so much of her time, Allegra has little time for a private life. Until a chance encounter with a New York writer turns Allegra's life upside down. And suddenly, she finds herself planning a wedding at her parents' Bel Air home. As preparations begin for a September ceremony, the chaos of last-minute arrangements, surprise announcements, and ever-increasing anxiety brings out both the best and the worst in everyone. But as couples in each generation of the Steinberg family struggle with broken vows and new hopes, the real meaning of Allegra's wedding emerges. For the bride, the ceremony is a bridge between her past and her future. For her parents, it is a reminder of the bond that holds them all together. And for both families, it is an opportunity for reconciliation, forgiveness, and new hope for the future, as weddings often are for us all. In a compelling portrait of real people in an unreal world, Danielle Steel uses Hollywood as a backdrop to reveal the dreams, the fears, and the expectations of a ceremony that unites us all—from movie stars to long-married couples to nervous teenagers—and changes the lives of real men, women, and families forever. . . .