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"Ursula K. Le Guin, loved by millions for her fantasy and science-fiction novels, ponders life, death and the vast beyond in So Far So Good, an astute, charming collection finished weeks before her death in January, 2018. Fans will recognize some of the motifs here—cats, wind, strong women — as well as her exploration of the intersection between soul and body, the knowable and the unknown. The writing is clear, artful and reverent as Le Guin looks back at key memories and concerns and looks forward to what is next: 'Spirit, rehearse the journey of the body/ that are to come, the motions/ of the matter that held you.'"―Washington Post "Le Guin’s farewell poetry collection, contains all that created her reputation for fiction—sharp insight, restless imagination, humor that is both mordant and humane, and, above all else, that connection to all creation, that 'immense what is'."—New York Journal of Books “It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin.” —Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley Legendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection—completed shortly before her death in 2018—Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career. From “How it Seems to Me”: In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . . Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.
As Far as I Know is a wonderful new book of poems by Roger McGough, the nation's favourite poet Take comfort from this You have a book in your hand not a loaded gun or a parking fine or an invitation card to the wedding of the one you should have married Roger McGough's new book of poems shows him writing as fluently and inventively as ever. There may be a stronger strain of melancholy than before (the death of a regular in the local pub; the news that a daughter might be moving abroad), as well as a distinct sense of menace, small but insistent, which inhabits many of the poems. But there is plenty of McGough's characteristic wit and wordplay too, including a scintillating series of haiku inspired by a London tube strike and a striking reworking of his famous 1960s poem 'Let Me Die a Youngman's Death', this time entitled 'Not For Me a Youngman's Death'. Who but McGough would characterize the butcher's window as 'the friendly face of the abattoir', or imagine the almost limitless ways in which we might go to bed? A new book of poems by Roger McGough is always an event. Published just ahead of his 75th birthday, As Far As I Know is truly cause for celebration. 'The patron saint of poetry' Carol Ann Duffy Roger McGough was born in Liverpool. During the 1960s he was a member of the group Scaffold which had an international hit with 'Lily the Pink'. He has won two BAFTAs and a Royal Television Award for his broadcasting work, and presents the popular Radio 4 programme Poetry Please. He has published many books of poems for adults and children, and both his Collected Poems (2003) and Selected Poems (2006) are bestselling poetry titles on the Penguin list. He was made a Freeman of the City of Liverpool in 2001, and received a CBE in 2004 for his services to literature.
Poems are made to read OUT LOUD! A wittily illustrated anthology of poems, designed to be read aloud. 20 poems by the award winning ​Joseph Coelho will arm children with techniques for lifting poetry off the page and performing with confidence. Perfect for confident children and shy readers alike, this book teaches all sorts of clever ways to performing poetry. Children will learn 20 techniques for reading aloud by trying out 20 funny and thoughtful original poems by the much loved and award winning performance poet, Joseph Coelho. There are tongue twisters, poems to project, poems to whisper, poems to make you laugh. There are poems to perform to a whole class and others to whisper in somebody's ear. Richly textured, warm and stylish illustration by Daniel Gray-Barnett bring each page to life. "Poetry for children is dead. Really? Not when there are young poets like Joseph Coelho" ~ Books for Keeps
"A marvelous book of generous, giving poems." —Yusef Komunyakaa, author of Everyday Mojo Songs of Earth Far District, the transporting debut by the author of House of Lords and Commons, charts the spiritual path of a poet-speaker caught between two spheres: the culture of bush people and a luminous, dangerous sea of myth. Crafting an impressionistic portrait of his youth in Jamaica, Ishion Hutchinson explores the West Indian distrust of European literature and mythology. The speaker fears the land of myth because he is loyal to the bush people, but he also desires to transcend his physical and intellectual poverty. Little by little, the two cultures come together as the speaker begins grafting childhood memories onto the realm of imagination, shaped by art, music, literature, and new glimpses of the world. Written in both traditional and formless verse, as well as in English and Jamaican patois, Far District is an indelible, urgent collection. As the PEN/Joyce Osterweil Award committee said of its 2011 winner, “Far District is a classic, which is to say a rare and exemplary first book.”
Finalist, Trillium Book Award From one of the defining poets of his generation, a new collection that plumbs the depth of beauty, history, responsibility, and love. As Far As You Know, acclaimed poet A. F. Moritz’s twentieth collection of poems, begins with two sections entitled “Terrorism” and “Poetry.” The book unfolds in six movements, yet it revolves around and agonizes over the struggle between these two catalyzing concepts, in all the forms they might take, eventually arguing they are the unavoidable conditions and quandaries of human life. Written and organized chronologically around before and after the poet’s serious illness and heart surgery in 2014, these gorgeously unguarded poems plumb and deepen the reader’s understanding of Moritz’s primary and ongoing obsessions: beauty, impermanence, history, social conscience and responsibility, and, always and most urgently, love. For all its necessary engagement with worry, sorrow, and fragility, As Far As You Know sings a final insistent chorus to what it loves: “You will live.”
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Sometimes the most compelling landscapes are the ones where worlds collide: where a desert meets the sea, a civilization, no-man’s land. Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake. Excerpt from “Bonfire Opera” In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.
These works are very political in nature and comment on the current matters of interest during the period of the 1970s and 1980s.
There was once a little brown bat who couldn't sleep days-he kept waking up and looking at the world. Before long he began to see things differently from the other bats, who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way. Here in The Bat-Poet are the bat's own poems and the bat's own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can't make beads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell's funny, lovable, truthful fable. Best Illustrated Children's Books 1964 (NYT) Year's Best Juveniles 1964 (NYT)
A collection of poems in which the author draws upon her experiences as a Palestinian-American living in the Southwest, and her travels in Central America, the Middle East, and Asia, to comment upon the shared humanity of different cultures throughout the world.