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Men in this town were born with mouths that can right wrongs with a few words. Why are you too timid to speak? As she is about to be executed for a murder she didn't commit, young widow Dou Yi vows that, if she is innocent, snow will fall in midsummer and a catastrophic drought will strike. Three years later, a businesswoman visits the parched, locust-plagued town to take over an ailing factory. When her young daughter is tormented by an angry ghost, the new factory owner must expose the injustices Dou Yi suffered before the curse destroys every living thing. A contemporary re-imagining by acclaimed playwright Frances-Ya Chu Cowhig of one of the most famous classical Chinese dramas, which breathes new life into this ancient story, haunted by centuries of retelling. The world premiere of Snow in Midsummer on 23 February 2017 at the Swan Theatre, Stratford-Upon-Avon, launched the RSC's Chinese Translations Project, a cultural exchange bringing Chinese classics to a contemporary Western audience.
The only book to document artist Andy Goldsworthy's most astonishing & largest ephemeral work to date -- thirteen huge snowballs, each weighing about a ton -- removed from the wilderness & placed on the streets of London in a unique symbolic confrontation.
Celebrating 50 years of Tove Jansson's classic, bestselling novel Featured in the BBC 2 Between the Covers Bookclub Special (Eurovision series 2023) 'Distils the essence of summer' Robert Macfarlane 'Magical, life-affirming' Elizabeth Gilbert The Worldwide Classic about a tiny island and larger love. An elderly artist and her six-year-old grand-daughter while away a summer together on a tiny island in the gulf of Finland. As the two learn to adjust to each other's fears, whims and yearnings, a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the very island itself. Written in a clear, unsentimental style, full of brusque humour, and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own life and spirit in the book, which was her favourite of her adult novels. With a foreword by Esther Freud and an afterword by Sophia Jansson (on whom the child 'Sophia' is based) who returns to the island during the pandemic at the point of becoming a grandmother herself. Includes a 15pp epilogue by Tove's niece Sophia Jansson - the inspiration for 'Sophia' - on a personal and moving return to the island. 'Eccentric, funny, wise, full of joys and small adventures. This is a book for life.' Esther Freud 'Tove Jansson was a genius. This is a marvellous, beautiful, wise novel, which is also very funny.' Philip Pullman
Sequel To The Hugo Award-Winning Bestseller The Snow Queen The Summer Queen is the extraordinary sequel to one of science fiction's most celebrated novels, The Snow Queen. Set in a fully realized universe of wonders, this spectacular space epic, itself a finalist for the Hugo Award, is one of the most remarkable novels in the field. A story that spans millennia, from the ruins of an ancient interstellar empire to the planets of the Hegemony that rules human space, The Summer Queen is the multi-layered story of Tiamat, a world where the dolphin-like mers are harvested for the youth-prolonging serum extracted from their blood. But Tiamat is much more, for beneath Carbuncle, its capital, lies the old empire's greatest secret: an enormous forgotten technology which, though decaying, continues to affect the fates of the fallen empire's remnant cultures via the sybil-network--a data bank that binds the past and the future in its web of knowledge, As the Smith, genius mastermind of the hidden interstellar Brotherhood, tries feverishly to unlock its secrets, BZ Gundhalinu desperately strives to save the Hegemony, while the Summer Queen herself dares to create a new future for her people and her planet. And though each is acting alone, their fates will entwine in an astonishing climax that will change the universe forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Acclaimed as a "gifted, courageous writer"(The New York Times), Chris Adrian brings all his extraordinary talents to bear in The Great Night—a brilliant and mesmerizing retelling of Shakespeare's "A Midsummer Night's Dream." On Midsummer Eve 2008, three people, each on the run from a failed relationship, become trapped in San Francisco's Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage, which broke up in the wake of the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues will threaten the lives of immortals and mortals alike. Selected by The New Yorker as one the best young writers in America, Adrian has created a singularly playful, heartbreaking, and humorous novel—a story that charts the borders between reality and dreams, love and magic, and mortality and immortality.
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
The brilliant playwright Kuan Han-ching, one of the great names of Chinese literature, was the most outstanding dramatist of the Yuan dynasty. After overthrowing the Kingdom of Chin, the Mongols in 1264 set up their capital in Cambaluc. In 1279, after the overthrow of the Southern Sung dynasty, Cambaluc became the political and economic center of the whole of China. Some famous writers in the north founded the Yu-ching Book Society there, and Kuan Han-ching was one of its most active members. In his youth he had been a keen student and learned to write all forms of poetry and song. He soon became well-known in the capital for his versatility, his strong sense of humor, remarkable proficiency in music, dancing and singing, and his skill in the football game then in vogue. From the middle of the thirteenth century to the beginning of the fourteenth was the great age of Yuan drama, when many playwrights of note were assembled in the capital. While there, Kuan Han-ching formed his own company of players and sometimes trod the boards himself. Thus he knew every aspect of the theatre.
"I was nineteen years old, still soft at the edges, but with a confident belief in good fortune. I carried a small rolled-up tent, a violin in a blanket, a change of clothes, a tin of treacle biscuits, and some cheese. I was excited, vain-glorious, knowing I had far to go; but not, as yet, how far." Despite this romantic and optimistic opening, what Lee finds is the most primitive and feudal country in Europe, a peninsula untouched by the modern world, a land of labor without dignity, a church devoid of compassion, and a country ripe for revolutionary change.