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There is always a time for love . . . Victoria Carswell will not be bound by society’s dictates, least of all the clothes that constrict her. But while brazenly skinny-dipping in view of her beloved Bodiam Castle—abandoned for many years, or so she thinks—she’s overcome by a distinct—and thrilling—sensation of being watched. When she decides to explore the castle, the ancient hallways and dusty byways take her on an unexpected journey into the distant past . . . Swept back from her staid Victorian era to the comparatively bawdy times of Georgian England, Victoria is quickly wooed by a pirate smuggler. In Falcon’s arms, she revels in expressing herself unreservedly in a liberating spirit of adventure and recklessness. And she is rightly devastated when she suddenly finds herself back in her world, separated from her pirate seemingly forever. But she may learn that time might just be on her side . . . Previously published in Lords of Desire.
Smuggling was rife in Britain between the seventeenth and mid-nineteenth centuries, and since then smugglers have come often to be romanticised as cheeky rogues – as highwaymen of the coasts and Robin Hood figures. The reality could be very different. Cut-throat businessmen determined to make a profit, many smugglers were prepared to use excessive force as often as they used cunning, and the officers whose job it was to apprehend them were regularly brutally intimidated into inaction. Trevor May explains who the smugglers were, what motivated them, where they operated, and how items ranging from barrels of brandy to boxes of tea would surreptitiously be moved inland under the noses of, and sometimes even in collusion with, the authorities.
R. A. Streatfeild's classic novel "The Opera" provides readers with an enthralling insight into the realm of the performing arts. Some stories are gruesome and bizarre, while others softly creep up on you and pull you in. The story unfolds against the backdrop of London's opera scene in the beginning of the twentieth century, providing a rich tapestry of individuals and action. The book follows different significant people, including aspiring singers, musicians, and actors, as they traverse the ups and downs of the opera industry. The work's core themes involve ambition, love, rivalry, and the quest of artistic perfection. The linked journeys of the characters create a dynamic story which keeps readers fascinated from beginning to end. Streatfeild's writing style is distinguished by vivid descriptions and complex character development. Readers are immersed into the glamorous and challenging world of opera production through the pages of "The Opera," experiencing the joys and heartaches of its heroes.
Revealing the astonishing story of how Afghanistan's booming opium trade is bankrolling Al Qaeda and the Taliban, "Seeds of Terror" follows the drugs from the fields of the small farmers to the clandestine deals of the weapons merchants.
An artistic periodical.
This comprehensive study of George Gissing's short stories and related non-fiction is essential reading for students of nineteenth-century realism. For the first time readers will be able to follow the development which transformed Gissing's unremarkable early stories into the very individual tales that elevated his work to the vanguard of realistic short fiction. Gissing's American period is notable for its accumulation of themes that were repeatedly refined and adapted for his later work, causality emerging as the dominant voice. On his return to England, shifting political and philosophical beliefs expressed in his non-fiction had a vital impact on his second phase of short fiction, and the part played by realism in the author's short stories and his writings on Charles Dickens added further dimensions to his work as a whole. By the final phase of Gissing's remarkable development, it is evident that his interest in the concept of causality as the major force in his short work had been replaced by a more challenging preoccupation with the human psyche. This introduced philosophical, sociological and psychological dimensions to Gissing's work that established him in the field of short fiction as a leading exponent of late nineteenth-century realism