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Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
"From an insider's perspective, Robert C. Post ... offers insight into the politics of display and the interpretation of history. Never before has a book about the Smithsonian detailed the recent and dramatic shift from collection-driven shows, with artifacts meant to speak for themselves, to concept-driven exhibitions, in which objects aim to tell a story, displayed like illustrations in a book"--Dust jacket flap.
The Smithsonian Institution has grown and prospered since the first edition of this book appeared in 1970, and Paul Oehser's revised edition is badly needed. New and expanded structures (the Air and Space Museum, the Hirshhorn, the National Museum of American Art, the National Portrait Gallery) and new undertakings (Smithsonian magazine, the Handbook of North American Indians series, the Woodrow Wilson Center, and prestigious symposia) richly serve the original purpose James Smithson envisioned in his will: " To found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men." The heart of Oehser's original work has been left intact in this second edition. His is the only survey that combines the dramatic story of the Smithsonian's influence and expansion with the behind-the-scenes details of daily operations, structure, and administrative problems. The book has been updated to include all important developments of the last thirteen years, as well as to describe current plans for future expansion and program additions. The whole picture leads one to the conclusion that the world's largest museum complex, housing over seventy million objects, has succeeded—despite its air of old-fashioned traditionalism—in reflecting the adventure of the American experience and the insatiable curiosity and dynamics of the American spirit.
"Maps, research, and writing completed April 1970 ; April 1972."--T.p.
Upon a Stone Altar tells the history of a remarkable people who inhabit the island of Pohnpei in the Eastern Caroline Islands of Micronesia. Since the beginnings of intensive foreign contact, Pohnpei has endured numerous disruptive conflicts as well as attempts at colonial domination. Pohnpeians creatively adapted to change and today live successfully in a modern world not totally of their own making. Hanlon uses the vast body of oral tradition to relate the early history of Pohnpei, including the story of the building of a huge complex of artificial stone islets, Nan Madol.