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Over the course of his distinguished career, architect Arthur Erickson (1924-2009) designed numerous houses, each an exercise in transforming the needs of his clients into tangible form in the context of site and place. Artists Gordon Smith (1919-) and Marion Smith (1918-2009) of Vancouver were the only Erickson clients to commission him to design two homes. The first (1955) was a straightforward exercise in post-World War II modernism that represented the transplantation of prevailing North American design thinking to the mountainous rain forests of coastal Vancouver. The second house (1966) - Smith House II as it came to be known - likewise situated in a forest but with the added benefit of ocean and island vistas, was simultaneously a deft reworking of the stylistic and spatial culture of the first house and a remarkable, path-breaking study in cultural transposition, interpretation and adaptation. Emphasizing its disavowal of conventional demarcations of space and the movement within and through it, it translated the material and aesthetic sensibilities of 17th century Japanese domestic architecture to the circumstances of mid-20th century North America (and the northerly Pacific coast).
presents an original and comprehensive overview of the home that local architect Barry Downs built for himself in West Vancouver. This house of modest proportions presents the key and formative qualities that have come to represent a West Coast Modern idiom in architecture.
Howard Van Doren Shaw designed stately country houses in and around Chicago—from affluent Lake Forest, Illinois, and Lake Geneva, Wisconsin, to Iowa, Minnesota, Ohio, and Indiana—from 1894 to 1926, a period in American architecture that spanned the Gilded Age, the adoption of Beaux-Arts classicism as the ideal for civic architecture, the invention of the skyscraper, and the beginning of modernism. Born in 1869, he worked for the leading industrialists of that period, including Reuben H. Donnelley of printing fame, newspaper giant Joseph Medill Patterson, Edward Forster Swift, the meatpacking king, and Edward L. Ryerson of Ryerson Steel. A contemporary of Frank Lloyd Wright, Shaw explored many of the same ideas as the Prairie School Architects within the forms of traditional architecture. Though he was recognized as one of the leading country house architects of the early twentieth century, his name was largely forgotten after his death. Like many traditional architects practicing today, Shaw was skilled at adapting historic precedents to suit contemporary living, in particular the easy flow of interior space that became a design hallmark of the period for traditionalists and modernists alike. For the new and fashionable suburb of Lake Forest, Shaw created Market Square, the town center, which was lauded for its design as both a unique town green and the first American shopping center designed to accommodate automobiles. This timely reappraisal of Howard Van Doren Shaw’s work features many previously unpublished images from the Shaw Archive in the Burnham and Ryerson Library at the Art Institute of Chicago and the Chicago History Museum, rare construction drawings, and new color photography as well as a catalogue of Shaw’s residential work. His legacy includes substantial houses in prosperous communities, many of which are still standing—including Ragdale, once Shaw’s own summer house in Lake Forest, now home to the prestigious artists’ community; the Becker Estate on Chicago’s North Shore; and The Hermann House overlooking Lake Michigan.
Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.
With its pastel green and yellow interior, its dazzling collection of Impressionist paintings, and long, low sofas that look like vintage Cadillac convertibles, Sunnylands was a Versailles for the Space Age. In Palm Springs, the mecca of midcentury modern architecture, this immaculately preserved estate is considered the undisputed masterpiece, envisioned by A. Quincy Jones, one of California's most important architects; and furnished by California's great decorator-to-the-stars, William Haines. Built by media moguls, art collectors, and diplomats Walter and Lenore Annenberg, Sunnylands became a seat of power, where politicians, movie stars, and corporate leaders could meet, relax, reflect, make deals, and run the world - all with nobody watching. For four decades, an invitation to New Year's at Sunnylands was the ultimate social prize. Exquisitely illustrated and with a foreword by Architectural Digest contributor Michael Smith, Sunnylands is a must-have for every fan of midcentury design.
A noted journalist of his day takes notes on and retells the history, in detail, of many places in New York, Virginia, and Pennsylvania. In PA, much detail is offered on Utopian societies and new religions and the like. vol. 2 of 2
A three-volume 1906 edition of the memoirs and diary of Stuart writer John Evelyn, up to his death in 1706.
A companion to the best-selling book by the founder of a top interiors blog, this easy-to-use dictionary of interior design answers all those hard-to-solve decorating questions. The book begins with the most important questions of all: Who? What? Where? Why? How? And When? The aim is to answer these before you start any decorating scheme to avoid the most common mistakes, save money, and, most importantly, create a home that works for you and the people who live there. Mad About the House: The Practical Stuff is the super-practical guide that allows you to dip in and out so you can solve all your decorating dilemmas. The chapters focus on Walls, Floors, Ceilings, Windows, Doors and Skirtings, Furniture Layout, and Lighting, before finally a roundup of Fixtures and Fittings. In addition to the no-nonsense practical answers, there are checklists and step-by-step guides to key decorating challenges--everything from How to Hang Wallpaper, to Arranging a Gallery Wall and Removing Stains from Carpets and Soft Furnishings.