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Synopsis: An updated edition of the first new and substantial biography for over 15 years. Stephen Miller goes behind the larger-than-life image to find out what really makes Dolly Parton tick. What emerges is a unique portrait of a strong woman who came to town looking like a burlesque hooker but who took control of her life, her music and her career with resolute determination.
Born in poverty in Tennessee, Dolly Rebecca Parton had ambition and determination in spades. Her first single, the ironic Dumb Blonde, launched the now legendary career of a singer-songwriter with a pure country voice and a gift for story-telling. Smart as a whip, Dolly Parton shrugged aside the male-dominated world of Nashville to command her own destiny, creating huge business enterprise in the process: She owns Dollywood theme park and other hospitality venues; she has hosted her own television programs and appeared in films with Jane Fonda, Burt Reynolds and Sylvester Stallone; her Imagination Library project sends free books to children all over the world – For Dolly, dreams are everything and nothing – you gotta roll your sleeves up and get stuck in. Collating interviews and encounters with Dolly Parton from 1967 onwards, Not Dumb Not Blonde proves just that. As in her songs, she is unfailingly entertaining, frank and feisty. These are the words of an artist and performer who, beneath the bravado, is deadly serious about her music and career, and this duality proves to be a touching, insightful and joyous read.
In this Time Top 100 Book of the Year, the National Book Award finalist and New York Times bestselling author of Heartland “analyzes how Dolly Parton’s songs—and success—have embodied feminism for working-class women” (People). Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings aren’t discussed.” And no one provided that language better than Dolly Parton. In this “tribute to the woman who continues to demonstrate that feminism comes in coats of many colors,” Smarsh tells readers how Parton’s songs have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as “trailer trash.” Parton’s broader career—from singing on the front porch of her family’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from “girl singer” managed by powerful men to self-made mogul of business and philanthropy—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh’s trademark insight, intelligence, and humanity, this is “an ambitious book” (The New Republic) about the icon Dolly Parton and an “in-depth examination into gender and class and what it means to be a woman and a working-class hero that feels particularly important right now” (Refinery29).
The legendary Dolly Parton shares her heartfelt hopes and dreams for everyone. Expanding on the popular commencement speech Dolly Parton gave at the University of Tennessee, Dream More is a deeper and richer exploration of the personal philosophy she has forged over the course of her astonishing career as a singer, songwriter, performer, and philanthropist. Dolly elaborates on the four great hopes she wants us all to embrace: Dream more, Learn more, Care more, and Be more. She offers examples from her own life, from her childhood in the hills of eastern Tennessee to her life as the iconic performer she is today. From one of the legends of our time, Dream More is an honest, funny, and uplifting anthem for all who want to take charge of their lives and forge a future on their own terms.
Born in a little cabin in Tennessee, Dolly Parton always dreamed big, and she was right to! She wrote her first song at age five and became a country music star by the time she was in her early twenties. Of course, her success didn't stop there. Dolly Parton is also an actress, author, businesswoman, and philanthropist whose "Imagination Library" reading initiative reaches children throughout the US, Canada, and the UK. There is simply no one like Dolly Parton!
In essence, she shows us the difference between simply having blonde hair and being a blonde."--BOOK JACKET.
Take a deep dive into Dolly Parton’s almost 60 year career with this complete guide featuring more than 400 photographs, little-known stories behind each album, and behind-the-scenes details about the recording of each track, the musicians involved, and the songwriting process. Organized chronologically, and covering every album and every song that Dolly has ever released, Dolly Parton All the Songs is the result of years of research by three Dolly megafans and longtime music journalists. Beginning with a childhood famously spent making music with her family in Tennessee's Great Smoky Mountains, Dolly Parton All the Songs follows along as the country music superstar conquers Nashville, Hollywood, and then the world with her captivating music, unforgettable style, and unmatched humor and kindness. At 608 pages, Dolly Parton All the Songs is filled with amazing photographs of Dolly in all her glory, and it features tons of fascinating details about Dolly's recording process, including which musicians appeared on each track, and little-known details about her working relationship with Porter Wagoner (she wrote the classic track "I Will Always Love You" about him), as well as looking at her forays into film stardom with appearances in classic movies like 9 to 5, Steel Magnolias, and the recent Netflix series, Heartstrings. This is a must-have book for any fan of Dolly Parton and country music.
The Foreword Indies Gold Medal Winner that “analyzes Dolly Parton as a performance art project designed to subvert gender and class expectations” (Shondaland). Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes—the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly’s media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly’s roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly’s gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously “real” and “fake,” she offers new perspectives on country music’s claims of authenticity. “A valuable contribution to studies of celebrity, gender, music, media, and popular culture that should be useful to scholars working in any of these areas.” —Celebrity Studies “A stellar exploration of how Parton deftly balanced traditional country aesthetics with her willingness to rebel against those same trappings by completely owning her image and how she performed her femininity.” —Bearded Gentlemen Music
A discussion of White Limozeen, from Dolly's self-fashioning to a rigorous critique of her genre. White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments. The album reflects dense and complex production, shredding ideas of purity, studio craft, slickness, and authenticity. In it, Dolly seems to be imagining the limits of her own personae - the country girl, the blonde burlesque, the pop legend, the gospel singer. To study this album is to investigate Dolly's calculated role in fashioning her image into the icon she is today.