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Tim Bradford is growing up in a small town in Lincolnshire in the 1970s. Market Rasen is not the most exciting place, but to his teenage mind it was the centre of the universe. Tim is at that in-between phase between childhood and adolescence, where you are trying to be grown up and get your first snogs whilst at the same time still playing with airfix models and making dens. Tim takes us through his first crushes, falling in love with the local beauty queen and an elusive Gallic beauty on a French exchange. His first attempts at getting drunk and trying to impress girls, forming bands which churned out endless numbers of rubbish songs and trying to avoid deckings by the local hards. Tim and his equally hapless friends are gradually working towards breaking free of their childhoods and moving away from their roots. Life in this small town was a rollercoaster of mundane happenings. Small Town paints a portrait of the energy and melancholy at the heart of our generation, the inability to live for now and the feeling that something better is just around the corner. Too young (just) to be baby boomers and too English and uncool to call itself Generation X. It's a universal tale about dreams, ambitions, brass bands, cubs, rugby songs, football stickers, tractors, young love and valve amplifiers connected up to cheap distortion pedals, set at a time of political change and pudding basin hair.
Despite the great wave of publications on European cities and towns in the pre-industrial period, little has been written about the thousands of small towns which played a key role in the economic, social and cultural life of early modern Europe. This collection, written by leading experts, redresses that imbalance. It provides the first comparative overview of European small towns from the fifteenth to the early nineteenth century, examining their position in the urban hierarchy, demographic structures, economic trends, relations with the countryside, and political and cultural developments. Case studies discuss networks in all the major European countries, as well as looking at the distinctive world of small towns in the more 'peripheral' countries of Scandinavia and central Europe. A wide-ranging editorial introduction puts individual chapters in historical perspective.
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NATIONAL BESTSELLER • Considering a trip to a quaint English village? You’ll think twice after learning about the countless murderous possibilities lurking behind the bucolic façades, thanks to this illustrated guide from #1 bestselling author Maureen Johnson and illustrator Jay Cooper—perfect for fans of cozy mysteries. A weekend roaming narrow old lanes, touring the faded glories of a country manor, and quaffing pints in the pub. How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck! And whatever you do, avoid the vicar.
NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.
Brexit – a revolutionary moment in British politics. Voters in long-forgotten English towns made their disenchantment clear, overwhelmingly voting to 'take back control' from a remote and defective economic system. Despite this decisive message in 2016, the concerns of these forgotten towns have continued to be all but ignored. David Skelton grew up in Consett, a north-eastern town where the steel industry has deep roots. When the steelworks closed almost forty years ago it lost everything, a story echoed in towns across England. Skelton uses Consett's experience to discuss what has gone wrong and how we can put it right. He considers a broken social contract and the economic and identity liberalism which has neglected the needs of a great bulk of the population. Little Platoons calls for a revival of One Nation to recognise the needs of people in such towns. It argues that a brave Tory Party can shatter decades-old boundaries and redraw the political map by marrying social reform with private enterprise, enhancing community values and allowing long-ignored voters to genuinely take back control.
British security officer Alan Turner battles radical German students and neo-Nazis after an embassy flack disappears from Bonn with dozens of top secret files.
The British countryside is a national institution; most people aspire to live there, many people use it for leisure and recreation and we can all watch rural life played out on our television screen, read about it in novels or consume its imagery in art and cinematography. The aim of this book is to explore the way that these aspirations and perceptions influence the way that the term "rural" is interpreted across different academic disciplines. Definitions of rural are not exact, leaving room for these interpretations to have a significant impact on the meanings conveyed in different areas of research and across different economic, social and spatial contexts. In this book contributors present research across a range of subjects allowing critical reflections upon their personal and disciplinary interpretations of "rural". This resulting volume is a collection of diverse chapters that gives an emergent sense of how the notion of "rural" changes and blurs as the disciplinary lens is adjusted. In drawing together these strands, it becomes clear that human relations with rural space morph materiality into highly complex representations wherein both disadvantage and social exclusion persist within a rurality that is also commodified, consumed and cherished.