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This book, first published in 1987, provides important information on reference publishing, including valuable guidelines on evaluating publications and sources. The articles contained here are all written by leading experts in the field.
Small Press is an annotated guide to the sources for the study of the literary small press, focusing on small press publishing since 1960 when the Mimeo Revolution occurred allowing small presses in the United States to flourish in unprecedented numbers. The guide provides a selected enumeration of sources from 1960 to 1992 about the small press phenomenon, its constituent small presses and little magazines, and its cultural and commercial significance. The volume first examines sources of current information, such as directories, indexes, guides, and trade journals. It then reviews sources on the cultural and business activities of the small press. In the end, it provides a beginning base of core secondary materials essential to librarians, scholars, book collectors, and anyone working in the field of the small press.
***Updated 2020 Edition*** LEARN THE RIGHT WAY... ...to set your book up for long-term success, improve sales opportunities, and protect your investment, including: Everything you need to know about ISBNs, Barcodes, Copyright, & LCCNs. Make sure your book can be distributed by any distributor. Never have to abandon your hard-earned reader reviews. Ensure your book can be printed by any printer. Add your book to the major book industry databases. Prevent your advance reading copies from being re-sold. Avoid legal headaches and missed filing deadlines. “Straightforward and easy to digest, this is one how-to that every new author or publisher should have in their arsenal!" —Brooke Warner, Publisher of She Writes Press and author of Green-Light Your Book: How Writers Can Succeed in the New Era of Publishing “An essential guide to publishing identifiers, their benefits and uses, and (most importantly) what NOT to do. Required reading for every new entrant into book publishing – and for those who have been here a while, it’s never too late to go back to the sound fundamentals that David Wogahn provides here." —Laura Dawson, Numerical Gurus “...proceed with confidence in spending your time and dollars to get it done right, the first time.” —Carla King, Self-Pub Boot Camp “…a thorough and deceptively simple guide for independent authors and publishers…”
If the heart of the library is its collection, this textbook provides the keys to the heart of your library. Alongside standards of basic principles and processes, you'll find practical guidance on everything from acquisitions to preservation. Managing collections in today's libraries is more complicated and challenging than ever. Electronic formats, new options for collaboration and sharing, and the drive to use data for evaluation purposes are just a few of the changes now driving collection management. This updated edition of a classic text addresses changes in the field and provides a thorough overview of what collection development specialists now need to know to effectively and efficiently manage processes that range from selection and assessment to sharing resources, handling challenges, weeding, and preservation. Readers will find increased coverage of technical services, intellectual freedom and censorship, and collection policy development, as well as budget development and tracking, joint purchasing, and negotiating with vendors. Updates on e-resources, user needs assessment (including data visualization), and disaster management, along with suggestions for further reading, are also included. Engagingly written and easy to understand, this is a valuable text for students preparing for careers in public, academic, school, and special libraries. It will additionally serve as a training resource and professional refresher for practitioners.
Perhaps the best-kept secret in the publishing industry is that many publishers--both periodical publishers and book publishers--make available writer's guidelines to assist would-be contributions. Written by the staff at each publishing house, these guidelines help writers target their submissions to the exact needs of the individual publisher. The American Directory of Writer's Guidelines is a compilation of the actual writer's guidelines for more than 1,600 publishers. A one-of-a-kind source to browse for article, short story, poetry and book ideas.
Who exactly — them or me — first came up with the idea, I'm not certain. No matter. The Institute for Southern Studies staff asked if I would take out six months to travel the South as a reporter for the Institute's then-new syndicated weekly column, Facing South. Captive to Southern fondness for poking about the region and to that larger American myth about freedom deriving from travel, I claimed the job before any list of applicants could be gotten up. A new van was purchased and fitted out with a bed, typing stand, CB and regular AM-FM radio, specially cut mosquito netting, and a fan. The Institute's charge dictated that I'd see the rural South, not too much of the Interstate/urbanized South. Places like Ville Platte, Louisiana; Ink, Arkansas; Ripley, Mississippi; Pickens, South Carolina; and Fincastle, Virginia. The blessings of this constraint came vividly to mind when my path intersected an Interstate cloverleaf in Georgia — typically crammed with service stations, motels and fast food franchises. Over the door of one eatery hung a banner proclaiming "Join the Fun — Eat and Run." All told, I logged nearly 28,000 miles between May and October, 7977. I kept an eye out for the little things. Graffiti, for example. In the rest room of a Charlottesville, Virginia, vegetarian restaurant I found: "Mother made me a homosexual." Below, in another's writing, "Fantastic! If I bought her the yarn, would she make me one?" Or signs, like one on a New Orleans building: Straight Business College. And listened for larger themes, not at all certain I could hear them — but knowing that these, too, were a Southern tradition going back at least to the days of Fannie Kemble's Journal of a Residence on a Georgia Plantation in 1838-1839, the powerful attack on slavery, and William Byrd 's History of the Dividing Line Betwixt Virginia and North Carolina, the travel log some assert first described "the good ol' boy."