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Perform this script about a princess who hasn't slept in four years.
All Philliya Wridall had to do was whip up one simple skincare potion. But her customer has bigger problems at hand than unhealthy skin. Philliya finds herself drawn into a tangle of sorcery as she wracks her wits to try to figure out the source of the chill winds that plague her customer. If she doesn't put a stopper in it soon, her customer might end up a frozen corpse with ravishingly beautiful skin. But will she regret sticking her nose where something powerful may not want it? She might just end up whipping up trouble for herself instead. This cozy fantasy book is a pint sized short read crafted with care for a single session of reading. The books in this series may be read as standalones.
Chloe could have had the perfect childbirth… If only the baby hadn’t come two weeks early If only Jason wasn’t working overtime to save his new television series If only the television crew wouldn’t antagonize the archaeologists working next to the set If only the archaeologists hadn’t found that dead body If only the main suspect wasn’t the beloved boyfriend of sweet Lizzie Warner, a girl who deserves to have it all… Chloe’s first week of motherhood isn’t going at all how she hoped, so she is determined to solve the murder, no matter what it takes. Perhaps then the second week can be magical.
In this updated, rhyming retelling of the traditional fairy tale, Beauty outwits the wicked witch and arranges for her own happy ending.
Dark secrets past and present collide in Sleepless, a haunting novel of guilt and retribution from Romy Hausmann, the international bestselling author of Dear Child. It's been years since Nadja Kulka was convicted of a cruel crime. After being released from prison, she's wanted nothing more than to live a normal life: nice flat, steady job, even a few friends. But when one of those friends, Laura von Hoven--free-spirited beauty and wife of Nadja's boss--kills her lover and begs Nadja for her help, Nadja can't seem to refuse. The two women make for a remote house in the woods, the perfect place to bury a body. But their plan quickly falls apart and Nadja finds herself outplayed, a pawn in a bizarre game in which she is both the perfect victim and the perfect murderer...
In Sleepless Nights a woman looks back on her life—the parade of people, the shifting background of place—and assembles a scrapbook of memories, reflections, portraits, letters, wishes, and dreams. An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick’s finest fiction but one of the outstanding contributions to American literature of the last fifty years.
Emma Montgomery has been having trouble sleeping. Whenever she closes her eyes, all she can see are the horrible nightmares . . . nightmares of gruesome murder. And she’s not alone. All of the students in Dr. Beecher’s secret society have been having terrible dreams and sleepwalking. Now, as their classmates start turning up dead, Emma and her friends race against the clock to keep themselves awake and find out what is causing them to kill in their sleep—before the next victim dies.
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
Jason Vanderholt, Hollywood's hottest actor, falls head over heels for everygirl, Chloe Winters, who hasn't gotten around to watching most of his movies. She becomes the woman every other woman in America is dying to be, but it just isn't her fairytale.
Women have been the subject matter for many decades. Journey starts with polemical premises and continues to be framed by multiple roles she plays day in and out. From writers to social scientists, she has been morphed into an individualistic ideologue. Her reality and identity is being buried under multi- layered discourses that have usually misconstrued her essence of existence. This anthology of essays tries to unravel the gender realism by penetrating the layers of constructed reality.