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The Sky series continues. Ten years before the events of Sky1, Nick embarks on the assignment of a lifetime, descending deep within the World to Ground 42, the city of Muldoin. In this city, personal space is shockingly restricted and scarcity governs all aspects of life. Nick's job is to investigate recent government policies that are more brutal than any the world has seen. Then, people start showing up. People who don't belong there. Men who wish only to perpetrate violence on the repressed population. A woman searches for a life without killing while the city aches for release, shuddering with anticipation of open rebellion. This is the legend of Muldoin, the story of Nick and Anna.
This book describes the most complex machine ever sent to another planet: Curiosity. It is a one-ton robot with two brains, seventeen cameras, six wheels, nuclear power, and a laser beam on its head. No one human understands how all of its systems and instruments work. This essential reference to the Curiosity mission explains the engineering behind every system on the rover, from its rocket-powered jetpack to its radioisotope thermoelectric generator to its fiendishly complex sample handling system. Its lavishly illustrated text explains how all the instruments work -- its cameras, spectrometers, sample-cooking oven, and weather station -- and describes the instruments' abilities and limitations. It tells you how the systems have functioned on Mars, and how scientists and engineers have worked around problems developed on a faraway planet: holey wheels and broken focus lasers. And it explains the grueling mission operations schedule that keeps the rover working day in and day out.
How science fiction forged a unique Russian vision of modernity distinct from Western models
“Quite a read. It's a post-post - apocalyptic fiction filled with action, drama, and the will to survive.” –Library of Lashea “Wow! Where do I even start with this book? The one thing I can say with absolute certainty is that this book will grip you . . . and won't let you go until you finish it.” –A Dose of Reviews Nick Burke’s family is trapped on Ground 134. A new quarantine erected in the middle of the night seals off his neighborhood from the rest of the city. But Nick isn’t sick and his family isn’t, either. In fact, no one seems to be sick. More disturbing still, rumors circulate that quarantines on distant Grounds are becoming permanent, the affected people never heard from again. If he stays, he risks his family becoming sick or worse. The only way out is to break laws that carry a penalty of death. Fearing for his life and the safety of his family, Nick joins forces with a local group. But can he trust anyone with the lives of his family? Seven hundred years ago, a city walled itself off from the rest of earth's population, becoming N. Aarde. Decades after first containment, N. Aarde expanded upward, becoming a world unto itself. The inhabitants of this city-world have boomed to over eighty million people, but the history of why the world was built and what lies outside has been lost. This world is Nick's world.
Michael Onfray passionately defends the potential of hedonism to resolve the dislocations and disconnections of our melancholy age. In a sweeping survey of history's engagement with and rejection of the body, he exposes the sterile conventions that prevent us from realizing a more immediate, ethical, and embodied life. He then lays the groundwork for both a radical and constructive politics of the body that adds to debates over morality, equality, sexual relations, and social engagement, demonstrating how philosophy, and not just modern scientism, can contribute to a humanistic ethics. Onfray attacks Platonic idealism and its manifestation in Judaic, Christian, and Islamic belief. He warns of the lure of attachment to the purportedly eternal, immutable truths of idealism, which detracts from the immediacy of the world and our bodily existence. Insisting that philosophy is a practice that operates in a real, material space, Onfray enlists Epicurus and Democritus to undermine idealist and theological metaphysics; Nietzsche, Bentham, and Mill to dismantle idealist ethics; and Palante and Bourdieu to collapse crypto-fascist neoliberalism. In their place, he constructs a positive, hedonistic ethics that enlarges on the work of the New Atheists to promote a joyful approach to our lives in this, our only, world.
Italo Calvino's beloved, intricately crafted novel about an Emperor's travels—a brilliant journey across far-off places and distant memory. “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.” In a garden sit the aged Kublai Khan and the young Marco Polo—Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.
The Music and Art of Radiohead provides compelling close readings of the English band's music, lyrics, album cover art and music videos as well as critical commentary on interviews, reviews and the documentary film Meeting People is Easy. Established and emerging academic scholars engage with Radiohead's music and art via concerns of broader implication to contemporary cultural studies. Topics range from the band's various musical and multivalent social contexts to their contested situation within a global market economy; from asking the question, 'how free is art?' to considering the band's musical influences and radical sonic explorations. Together, the essays form a comprehensive discussion of Radiohead's entire oeuvre, from Pablo Honey to Hail to the Thief, with a special focus on the critically acclaimed best-selling albums Kid A and Amnesiac.
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