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In 2002 Xinran’s Good Women of China became an international bestseller, revealing startling new truths about Chinese life to the West. Now she returns with an epic story of love, friendship, courage and sacrifice set in Chinese-occupied Tibet. Based on a true story, Xinran’s extraordinary second book takes the reader right to the hidden heart of one of the world’s most mysterious and inaccessible countries. In March 1958, Shu Wen learns that her husband, an idealistic army doctor, has died while serving in Tibet. Determined to find out what happened to him, she courageously sets off to join his regiment. But to her horror, instead of finding a Tibetan people happily welcoming their Chinese “liberators” as she expected, she walks into a bloody conflict, with the Chinese subject to terrifying attacks from Tibetan guerrillas. It seems that her husband may have died as a result of this clash of cultures, this disastrous misunderstanding. But before she can know his fate, she is taken hostage and embarks on a life-changing journey through the Tibetan countryside — a journey that will last twenty years and lead her to a deep appreciation of Tibet in all its beauty and brutality. Sadly, when she finally discovers the truth about her husband, she must carry her knowledge back to a China that, in her absence, has experienced the Cultural Revolution and changed beyond recognition. . .
This is a riveting firsthand account by Blake Kerr, an American doctor who inadvertently walked into one of the grimmest scenes of political oppression in the world. Kerr was visiting Tibet with his old college friend John Ackerly. They were enjoying the sights and sounds of Lhasa, the capital of Tibet, and hitchhiking to Everest, where they "humped loads" for an American expedition assaulting the mountain. Upon returning to Lhasa, Kerr and Ackerly witnessed a series of demonstrations by Tibetan monks greater than anything witnessed by foreigners since China entered Tibet in 1949.
"Readers will find that this work carries the pulse of their darkest sorrows, in the breath of their humanity. Highly recommended."--Library Journal "Intimate and hypnotic."--Ploughshares "Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."--Rain Taxi "Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."--Boston Review "Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgmentsof the Old Testament." They took you in an ambulance even though you were dead, they took you and my sister said Why are you saving her if she is dead? shey shey-- Curve of sky a crescent blade. Vultures wheeling on thermal parapets, shunyata, void that flays-- Yak butter, barley flour and tea: you watch him make the paste. Dana Levin's debut volumeIn the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.
Vivid and varied images of Tibet spring to life in this first collection of fiction on the country ever translated into English. As the storytellers portray Tibetan hunting traditions, Buddhist lore, and burial rites, they lure readers into a haunting and unfamiliar land.
A New York Times and Los Angeles Times Bestseller “Doughty chronicles [death] practices with tenderheartedness, a technician’s fascination, and an unsentimental respect for grief.” —Jill Lepore, The New Yorker Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.
Gathered from over thirty years of work, the poems in this generous selection strike a dynamic balance of honesty, emotion, intellectual depth and otherworldly resonance - in Gizzi's work, poetry itself becomes a primary ground of human experience. Haunted, vibrant and saturated with luminous detail, Gizzi enlists the American vernacular in a magical and complex music. Sky Burial is an immensely valuable introduction to his work.
From pet keeping to sky burials, a posthuman and ecocritical interrogation of and challenge to human particularity in medieval texts Mainstream medieval thought, like much of mainstream modern thought, habitually argued that because humans alone had language, reason, and immortal souls, all other life was simply theirs for the taking. But outside this scholarly consensus teemed a host of other ways to imagine the shared worlds of humans and nonhumans. How Not to Make a Human engages with these nonsystematic practices and thought to challenge both human particularity and the notion that agency, free will, and rationality are the defining characteristics of being human. Recuperating the Middle Ages as a lost opportunity for decentering humanity, Karl Steel provides a posthuman and ecocritical interrogation of a wide range of medieval texts. Exploring such diverse topics as medieval pet keeping, stories of feral and isolated children, the ecological implications of funeral practices, and the “bare life” of oysters from a variety of disanthropic perspectives, Steel furnishes contemporary posthumanists with overlooked cultural models to challenge human and other supremacies at their roots. By collecting beliefs and practices outside the mainstream of medieval thought, How Not to Make a Human connects contemporary concerns with ecology, animal life, and rethinkings of what it means to be human to uncanny materials that emphasize matters of death, violence, edibility, and vulnerability.
A sorrowful daughter works through her grief after her father dies.
Surveys centuries of folklore about vampires and offers a scientific explanation for the origins of the legends.
A memoir both bittersweet and inspiring by an American pediatric oncologist who spent seven years in Jerusalem treating children—Israeli Jews, Muslims, and Christians, and Palestinian Arabs from the West Bank and Gaza—who had all been diagnosed with cancer. In 2007, Elisha Waldman, a New York–based doctor in his mid-thirties, was offered his dream job: attending physician at Jerusalem’s Hadassah Medical Center. He had gone to medical school in Israel and spent time there as a teenager; now he was going to give something back to the land he loved. But in the wake of a financial crisis at the hospital, Waldman, with considerable regret, left Hadassah in 2014 and returned to the United States. This Narrow Space is his poignant memoir of seven years that were filled with a deep sense of accomplishment but also with frustration when regional politics got in the way of his patients’ care, and with tension over the fine line he had to walk when the religious traditions of some of his patients’ families made it difficult for him to give those children the care he felt they deserved. Navigating the baffling Israeli bureaucracy, the ever-present threat of full-scale war, and the cultural clashes that sometimes spilled into his clinic, Waldman learned to be content with small victories: a young patient whose disease went into remission, brokenhearted parents whose final hours with their child were made meaningful and comforting. Waldman also struggled with his own questions of identity and belief, and with the intractable conflict between Israelis and Palestinians that had become a fact of his daily life. What he learned about himself, about the complex country that he was now a part of, and about the brave and endearing children he cared for—whether they were from Rehavia, Me’ah She’arim, Ramallah, or Gaza City—will move and challenge readers everywhere.