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The author of Continental Drift, Rule of the Bone and The Sweet Hereafter returns with a very original, riveting mystery about a young outcast, and a contemporary tale of guilt and redemption. The perfect convergence of writer and subject, Lost Memory of Skin probes the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion. Suspended in a modern-day version of limbo, the young man at the centre of Russell Banks's uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, he is shackled to a GPS monitoring device and forbidden to go near where children might gather. He takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders. Barely beyond childhood himself, the Kid, despite his crime, is in many ways an innocent. Enter the Professor, a university sociologist of enormous size and intellect who finds in the Kid the perfect subject for his research. But when the Professor's past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men's relationship shifts. Banks has long been one of our most acute and insightful novelists. Lost Memory of Skin is a masterful work of fiction that unfolds in language both powerful and beautifully lyrical.
2020 Next Generation Indie Book Award Finalist in Poetry A stark, visceral collection of free verse and prose poetry, Skin Memory scours a wild landscape haunted by personal tragedy and the cruel consequences of human acts in search of tenderness and regeneration. In this book of daring and introspection, John Sibley Williams considers the capriciousness of youth, the terrifying loss of cultural identity and self-identity, and what it means to live in an imperfect world. He reveals each body as made up of all bodies, histories, and shared dreams of the future. In these poems absence can be held, the body’s dust is just dust, and though childhood is but a poorly edited memory and even our well-intentioned gestures tend toward ruin, Williams nonetheless says, “I’m pretty sure, everything within us says something beautiful.”
The brain ... There is no other part of the human anatomy that is so intriguing. How does it develop and function and why does it sometimes, tragically, degenerate? The answers are complex. In Discovering the Brain, science writer Sandra Ackerman cuts through the complexity to bring this vital topic to the public. The 1990s were declared the "Decade of the Brain" by former President Bush, and the neuroscience community responded with a host of new investigations and conferences. Discovering the Brain is based on the Institute of Medicine conference, Decade of the Brain: Frontiers in Neuroscience and Brain Research. Discovering the Brain is a "field guide" to the brainâ€"an easy-to-read discussion of the brain's physical structure and where functions such as language and music appreciation lie. Ackerman examines: How electrical and chemical signals are conveyed in the brain. The mechanisms by which we see, hear, think, and pay attentionâ€"and how a "gut feeling" actually originates in the brain. Learning and memory retention, including parallels to computer memory and what they might tell us about our own mental capacity. Development of the brain throughout the life span, with a look at the aging brain. Ackerman provides an enlightening chapter on the connection between the brain's physical condition and various mental disorders and notes what progress can realistically be made toward the prevention and treatment of stroke and other ailments. Finally, she explores the potential for major advances during the "Decade of the Brain," with a look at medical imaging techniquesâ€"what various technologies can and cannot tell usâ€"and how the public and private sectors can contribute to continued advances in neuroscience. This highly readable volume will provide the public and policymakersâ€"and many scientists as wellâ€"with a helpful guide to understanding the many discoveries that are sure to be announced throughout the "Decade of the Brain."
The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.
Since the 1970s, the performance and conceptual artist Suzanne Lacy has explored women’s lives and experiences, as well as race, ethnicity, aging, economic disparities, and violence, through her pioneering community-based art. Combining aesthetics and politics, and often collaborating with other artists and community organizations, she has staged large-scale public art projects, sometimes involving hundreds of participants. Lacy has consistently written about her work: planning, describing, and analyzing it; advocating socially engaged art practices; theorizing the relationship between art and social intervention; and questioning the boundaries separating high art from popular participation. By bringing together thirty texts that Lacy has written since 1974, Leaving Art offers an intimate look at the development of feminist, conceptual, and performance art since those movements’ formative years. In the introduction, the art historian Moira Roth provides a helpful overview of Lacy’s art and writing, which in the afterword the cultural theorist Kerstin Mey situates in relation to contemporary public art practices.
Winner of the 2021 ALA Book of the Year Award - Scholarship The author uses the image of blood under the skin as a way of understanding cultural and literary forms in contemporary South Africa. Chapters deal with the bloodied histories of apartheid and blood as trope for talking about change.
Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada. The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.
Motivated by the remarkable fluidity of memory the way in which items are pulled spontaneously and effortlessly from our memory by vague similarities to what is currently occupying our attention "Sparse Distributed Memory "presents a mathematically elegant theory of human long term memory.The book, which is self contained, begins with background material from mathematics, computers, and neurophysiology; this is followed by a step by step development of the memory model. The concluding chapter describes an autonomous system that builds from experience an internal model of the world and bases its operation on that internal model. Close attention is paid to the engineering of the memory, including comparisons to ordinary computer memories."Sparse Distributed Memory "provides an overall perspective on neural systems. The model it describes can aid in understanding human memory and learning, and a system based on it sheds light on outstanding problems in philosophy and artificial intelligence. Applications of the memory are expected to be found in the creation of adaptive systems for signal processing, speech, vision, motor control, and (in general) robots. Perhaps the most exciting aspect of the memory, in its implications for research in neural networks, is that its realization with neuronlike components resembles the cortex of the cerebellum.Pentti Kanerva is a scientist at the Research Institute for Advanced Computer Science at the NASA Ames Research Center and a visiting scholar at the Stanford Center for the Study of Language and Information. A Bradford Book.
An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
Doug Rice is haunted-by what we can only guess. He is trapped; he goes nowhere. He is a modern day hysteric, a psychoanalyst's dream. He writes the same thing over and over, runs the same spinning track, as if somehow, through the repetition of extremes, he could eliminate the trauma, break its foul-smelling, icy-fingered spell. Only it is a spell of beauty --the beauty that comes from devastation, from the constant struggle to rise again in that roaring fire's shouldered wake. You will find no plot or answers here, only the unbearable loss of abandonment and grief. Make no mistake: Doug Rice kills us again and again and he does not want us to survive it, for he has been burned at the stake and is burning still. He is a ghost who can do nothing but plead with his bones and remind us with the choking beauty ghosts bring. Despite his pleas, you will not like him. You will not like him, and yet . . .Skin Prayer is the power of redemption in the word when life has failed us. It has no inside or outside, it is only itself. It is the self-enclosed, hermetic world of obsessive need, a space where one can't breath. And yet it is breath. In its own suffocated space, if we survive it, or are patient enough not to throw it aside, it gives us insufferable hope.