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Essays om O.O. Potebnja, V. Jagić, A.M. Peškovskij, S. Ivšić, Baudouin de Courtenay, Roman Jakobson, L.V. Ščerba, J. Bauer, M. Vasmer, A. Schmaus, R. Ekblom, A. Sjöberg, N.Å. Nilsson
The present work is founded on an essay, which appeared in the Biblical Repository for April and July, 1834, then conducted by the undersigned. The essay was received with favour by the public ; and awakened an interest in many minds, as laying open a new field of information, hitherto almost inaccessible to the English reader. A few copies were printed separately for private distribution. Some of these were sent to literary men in Europe ; and several scholars of high name among those acquainted with Slavic literature, expressed their approval of the work. Since that time, and even of late, inquiries have repeatedly been made, by scholars and by public libraries in Europe, for copies of that little treatise ; which, of course, it was impossible to satisfy. These circumstances, together with the fact, that in these years public attention has been more prominently directed to the character and prospects of the Slavic nations, have induced the author to recast the work ; and to lay it anew before the public, corrected, enlarged, and continued to the present time ; as a brief contribution to our knowledge of the intellectual character and condition of those nations, in the middle of the nineteenth century. -- Preface.
One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.
New, specially commissioned essays providing an in-depth scholarly introduction to the great thinker of the European Enlightenment. Johann Gottfried Herder (1744-1803) is one of the great names of the classical age of German literature. One of the last universalists, he wrote on aesthetics, literary history and theory, historiography, anthropology, psychology, education, and theology; translated and adapted poetry from ancient Greek, English, Italian, even from Persian and Arabic; collected folk songs from around the world; and pioneered a better understanding of non-European cultures.A student of Kant's, he became Goethe's mentor in Strasbourg, and was a mastermind of the Sturm und Drang and a luminary of classical Weimar. But the wide range of Herder's interests and writings, along with his unorthodox ways of seeing things, seems to have prevented him being fully appreciated for any of them. His image has also been clouded by association with political ideologies, the proponents of which ignored the message of Humanität in histexts. So although Herder is acknowledged by scholars to be one of the great thinkers of European Enlightenment, there is no up-to-date, comprehensive introduction to his works in English, a lacuna this book fills with seventeennew, specially commissioned essays. Contributors: Hans Adler, Wulf Koepke, Steven Martinson, Marion Heinz and Heinrich Clairmont, John Zammito, Jürgen Trabant, Stefan Greif, Ulrich Gaier, Karl Menges, Christoph Bultmann, Martin Keßler, Arnd Bohm, Gerhard Sauder, Robert E. Norton, Harro Müller-Michaels, Günter Arnold, Kurt Kloocke, and Ernest A. Menze. Hans Adler is Halls-Bascom Professor of Modern Literature Studies at the Universityof Wisconsin-Madison. Wulf Koepke is Distinguished Professor Emeritus of German, Texas A&M University and recipient of the Medal of the International J. G. Herder Society.