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A beautifully illustrated book exploring a unique take on Venice for curious travellers, lovers of history, art, architecture and the environmentally sensitive. This book also conveys a pervasive message of deep environmental and climactic concerns and the tragedy of how a Renaissance Empire has been turned into a contemporary amusement park. A Sketch of Venetian History will enchant, educate and challenge readers.Venice remains one of the jewels of Italy, of Europe, of the world. It is universally recognized as part of the artistic and architectural patrimony of humanity and in 1987 was designated as a UNESCO World Heritage site. It receives over 22 million visitors each year!Since the fall of the Venetian Republic in 1797, Venezia has held an unrivalled place in the world's imagination and has inspired writers of prose and poetry, artists of all sorts, photographers, film makers, tourists and more. Yet, most people do not know the story of Venice. This book offers a unique portrait of Venice and weaves together many diverse subjects &– art, ecology, travel, history, all enriched by original line drawings of a unique style found on every page.A Sketch of Venetian History illuminates the Venetian Republic's history through six major eras &– from its early ecological formations, through its modest beginnings, to the height and potency of the Grand Republic, to its collapse and to its modern day challenges posed by environmentalism and massive tourism.
Publisher Description
The islands of Murano, in the lagoon of Venice, have been a sheltered community of glass artists for at least 700 years. With 250 stunning color photographs of Murano glass art and a detailed text that includes historical informaltion and family trees, this book is original in its comprehensive presentation of the artists, both past and present.
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
"Examines the intersection of private art collecting, domestic social life, and recreational practices in Renaissance Venice"--
An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand Tour. Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book's generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves.
Discusses the relation of Venetian color to social, cultural, and environmental factors