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A poignant biography of Jacob Davidovitch Sudermann, a teacher and artist from a Russian Mennonite community who, like so many others, fell victim to the bloodthirsty paranoia of the Stalinist purges and died in a Siberian gulag in 1937. Sketches from Siberia is pieced together from letters, sketches, and paintings done by Sudermann himself during his imprisonment as well as the unpublished memoir of his sister Anna. It was Anna and other family members that brought these documents with them when they immigrated to Canada in the late forties. This important biography also serves as a valuable cultural history of the plight of the Russian Mennonite community. At once moving and chilling, it is a story that shows the strength that lies at the heart of kindness, the light that outlives the darkness. A timely story even eighty years after Sudermann’s death, it reminds us of the plight of displaced communities around the world today that are struggling to survive.
A poignant biography of Jacob Davidovitch Sudermann, a teacher and artist from a Russian Mennonite community who, like so many others, fell victim to the bloodthirsty paranoia of the Stalinist purges and died in a Siberian gulag in 1937. Sketches from Siberia is pieced together from letters, sketches, and paintings done by Sudermann himself during his imprisonment as well as the unpublished memoir of his sister Anna. It was Anna and other family members that brought these documents with them when they immigrated to Canada in the late forties. This important biography also serves as a valuable cultural history of the plight of the Russian Mennonite community. At once moving and chilling, it is a story that shows the strength that lies at the heart of kindness, the light that outlives the darkness. A timely story even eighty years after Sudermann’s death, it reminds us of the plight of displaced communities around the world today that are struggling to survive.
Describes the path of a young ordinary Russian across the desolation of the Siberian countryside, and through the labyrinths of the Soviet system -from construction site, to his military service in Mongolia, all the way to the psychiatric hospital where he was admitted after the death of his brother. Drawn entirely in pencil on paper, Siberia bears witness to the life of the Russian people. It draws on images of faces deformed by alcohol, the fat, laughing mouths of officers, the bullying, the violence, and the cynicsim of Soviet Russia.
A Dazzling Russian travelogue from the bestselling author of Great Plains In his astonishing new work, Ian Frazier, one of our greatest and most entertaining storytellers, trains his perceptive, generous eye on Siberia, the storied expanse of Asiatic Russia whose grim renown is but one explanation among hundreds for the region's fascinating, enduring appeal. In Travels in Siberia, Frazier reveals Siberia's role in history—its science, economics, and politics—with great passion and enthusiasm, ensuring that we'll never think about it in the same way again. With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known—Dostoyevsky, Lenin (twice), Stalin (numerous times)—to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago. Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia—a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.
The art of Siberia is a fascinating subject, and the artifacts discovered in the hidden archives of the Russian Museum of Ethnography in St. Petersburg are nothing less than extraordinary. Artwork, day-to-day subjects and photos dating from the turn of the century all represent the testimonies of the Siberian people who refused to yield to the hegemony of a modern world.
In The Merchants of Siberia, Erika Monahan reconsiders commerce in early modern Russia by reconstructing the trading world of Siberia and the careers of merchants who traded there. She follows the histories of three merchant families from various social ranks who conducted trade in Siberia for well over a century. These include the Filat'evs, who were among Russia’s most illustrious merchant elite; the Shababins, Muslim immigrants who mastered local and long-distance trade while balancing private endeavors with service to the Russian state; and the Noritsyns, traders of more modest status who worked sometimes for themselves, sometimes for bigger merchants, and participated in the emerging Russia-China trade. Monahan demonstrates that trade was a key component of how the Muscovite state sought to assert its authority in the Siberian periphery. The state’s recognition of the benefits of commerce meant that Russian state- and empire-building in Siberia were characterized by accommodation; in this diverse borderland, instrumentality trumped ideology and the Orthodox state welcomed Central Asian merchants of Islamic faith. This reconsideration of Siberian trade invites us to rethink Russia’s place in the early modern world. The burgeoning market at Lake Yamysh, an inner-Eurasian trading post along the Irtysh River, illuminates a vibrant seventeenth-century Eurasian caravan trade even as Europe-Asia maritime trade increased. By contextualizing merchants and places of Siberian trade in the increasingly connected economies of the early modern period, Monahan argues that, commercially speaking, Russia was not the "outlier" that most twentieth-century characterizations portrayed.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
This heartwarming story told from Gina's (a terrier) perspective details her family's journey from Cold War Siberia into the USA.
"In The Conquest of a Continent, the historian W. Bruce Lincoln details Siberia's role in Russian history, one remarkably similar to that of the frontier in the development of the United States.... It is a big, panoramic book, in keeping with the immensity of its subject."--Chicago Tribune"Lincoln is a compelling writer whose chapters are colorful snapshots of Siberia's past and present.... The Conquest of a Continent is a vivid narrative that will inform and entertain the broader reading public."--American Historical Review"This story includes Genghis Khan, who sent the Mongols warring into Russia; Ivan the Terrible, who conquered Siberia for Russia; Peter the Great, who supported scientific expeditions and mining enterprises; and Mikhail Gorbachev, whose glasnost policy prompted a new sense of 'Siberian' nationalism. It is also the story of millions of souls who themselves were conquered by Siberia.... Vast riches and great misery, often intertwined, mark this region."--The Wall Street JournalStretching from the Urals to the Arctic Ocean to China, Siberia is so vast that the continental United States and Western Europe could be fitted into its borders, with land to spare. Yet, in only six decades, Russian trappers, cossacks, and adventurers crossed this huge territory, beginning in the 1580s a process of conquest that continues to this day. As rich in resources as it was large in size, Siberia brought the Russians a sixth of the world's gold and silver, a fifth of its platinum, a third of its iron, and a quarter of its timber. The conquest of Siberia allowed Russia to build the modern world's largest empire, and Siberia's vast natural wealth continues to play a vital part in determining Russia's place in international affairs.Bleak yet romantic, Siberia's history comes to life in W. Bruce Lincoln's epic telling. The Conquest of a Continent, first published in 1993, stands as the most comprehensive and vivid account of the Russians in Siberia, from their first victories over the Mongol Khans to the environmental degradation of the twentieth century. Dynasties of incomparable wealth, such as the Stroganovs, figure into the story, as do explorers, natives, gold seekers, and the thousands of men and women sentenced to penal servitude or forced labor in Russia's great wilderness prisonhouse.