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Caldecott Medalist Allen Say presents a stunning graphic novel chronicling his journey as an artist during WWII, when he apprenticed under Noro Shinpei, Japan's premier cartoonist DRAWING FROM MEMORY is Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.
Edmund White’s charming, funny, telling series of vignettes of the Paris neighborhood where he and his lover, French architect and illustrator Hubert Sorin, lived. In this ode to Pairs, the everyday becomes extraordinary with White’s observations accompanied by Sorin’s illustrations. With characters like Father Pierre Riches, the “kind and elegant” catholic priest whose hair had been stroked by Cavafy, to Billy Boy, the jewelry designer with 16,000 Barbies, there is delightful eccentricity to this collaboration. Written during Sorin’s decline to AIDS, Our Paris is a poignant look at the couple and the city they loved.
From the Introduction: If you think about it, all life drawing and painting is at some point being done from the artist's memory, even if that memory is only a few seconds old. Every time the artist takes their eyes off of the model or scene and looks at their paper or canvas, their visual memory is involved. What if that artist's visual memory was highly trained? That artist might need the model for a shorter period of time, or she might have a more productive time when the model is in pose. He might be better at painting all of the fleeting effects that nature throws at us when we are landscape painting en plein air. Although I encourage you to consistently engage in memory-drawing practice, it should not supplant your regular art exercises. Memory-drawing ought to be done in addition to your regular art training, not instead of it. In a perfect world it would be integrated into traditional arts instruction, but the reality is that you will most likely be training your visual memory on your own. Memory Drawing: Perceptual Training and Recall exists to guide you in doing just that. It will also help you improve your abilities to remember fleeting effects, seize essentials, and even enhance your imagination.
DigiCat Publishing presents to you this special edition of "Sketches from Memory (From "Mosses from an Old Manse")" by Nathaniel Hawthorne. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Stuart Barnes has spent over forty years of his life immersed in rugby union, remembered as one of the most controversial playing names during the dying days of the English amateur era and now regarded as a controversial observers in the media – on both television and in print – with over two decades of broadcasting and journalistic experience to draw upon. Sketches from Memory combines autobiography with an objective and off-beat study of the sport from the author's childhood in the 1970s, through the revolution of the transition to professionalism in the 1980s and 1990s, right up until the present day. Eschewing the more traditional form of the sports book, Barnes abandons chronology to allow past and present to mingle, presenting his memoirs as an alphabetical soup with the letters of the alphabet and not the numbers, dates and years of his life leading the narrative. It is a refreshing, beguiling and absorbing approach that allows the dedicated reader to complete the book in sequence, or the bed-side reader to flick from one letter to the next without losing the thread. Honest, insightful, funny and wise, Sketches from Memory is a fascinating study of the game of rugby union, exploring its myriad enchantments, controversies and world-famous characters like no other book has done before.
This beautiful book is a collection of Georgia O'Keeffe's major drawings, done between 1915 and 1963. Each drawing is accompanied by the artist's comments, usually on how, why, where, or when she made the drawing. The book was originally published in 1974 in a signed, limited edition of one hundred copies, which has since become a collectors' item. O'Keeffe's text was her first writing intended for book publication. This new edition, including an updated bibliography, is intended, in Doris Bry's words, as "a tribute to O'Keeffe's drawings, an appreciation of her use of the written word, and a proof that a beautifully designed and printed book can be made available to a wide public at an affordable cost."
In 1952 and 1953 as he wandered around America, Jack Kerouac jotted down spontaneous prose poems, or "sketches" as he called them, on small notebooks that he kept in his shirt pockets. The poems recount his travels—New York, North Carolina, Lowell (Massachusetts, Kerouac’s birthplace), San Francisco, Denver, Kansas, Mexico—observations, and meditations on art and life. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. Published for the first time, Book of Sketches offers a luminous, intimate, and transcendental glimpse of one of the most original voices of the twentieth century at a key time in his literary and spiritual development.
Galway artist Roisin Cure presents snapshots of life in the City of the Tribes in bold ink and vibrant watercolor. Her sketches show the beautiful details of Galway's pubs, the musicians and buskers, the exquisite medieval stonework, the marine environment, the vibrant nightlife culture, and the local colorful characters. These striking pictures are accompanied by recollections of conversations the artist had while sketching. This book is a unique souvenir of Galway, of a city that is famous for the arts and yet has so little in the way of visual art. It is a very timely book, released in advance of Galway 2020, when the city celebrates being European Capital of Culture.