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Step into the heart of the Civil War era with Louisa May Alcott's Hospital Sketches. This poignant collection of letters offers a firsthand account of life in a Union hospital, filled with the courage, suffering, and humanity of soldiers and nurses alike. Alcott's vivid descriptions and personal reflections immerse you in a world of war, illness, and compassion. Through her eyes, you'll witness the strength of the human spirit even in the darkest of times.But here's the question that will challenge your perspective: How would you endure the trials of war, if you were caught between the suffering of others and the desire to help? What does Alcott's account teach us about resilience in the face of adversity? As you read, you'll encounter the raw emotions and unwavering determination of both nurses and soldiers. Alcott’s intimate portrayal of their struggles offers a window into a world shaped by conflict, yet filled with hope and kindness. Are you ready to explore the true cost of war through the eyes of one who lived it?Immerse yourself in these unforgettable sketches, where Alcott's powerful words bring history to life. Her personal experiences in the hospital offer a unique glimpse into the Civil War and the unspoken courage of those who served. This is more than a memoir—it's a call to honor the resilience of the human spirit. Purchase Hospital Sketches now, and step into a world where compassion triumphs over fear.Don't miss the chance to experience Louisa May Alcott’s powerful reflections on war and humanity. Buy Hospital Sketches today and witness history through the eyes of one of its most insightful chroniclers.
Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England.Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte's 'L'Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.
From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window. As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective—Alberti's metaphorical window—has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple 'windows' coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Includes "List of books indexed" (published also separately)