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Introduction to the life, times, and key achievements of Woodrow Wilson while including step-by-step illustrations with easy to follow directions that allow readers to draw what they are learning.
This book presents a new approach to introductory graduate courses on atomic structure. The author's approach utilizes conceptually powerful semiclassical modeling methods, and demonstrates the degree to which the Maslov-indexed EBK quantization elucidates the quantum mechanical formulation of level energies and lifetimes. It merges this with an update and extension of semiempirical data systematizations developed by Bengt Edlén to describe complex atoms, and adapts them to include the specification of lifetimes. The text emphasizes the historical basis of the nomenclature and methodologies of spectroscopy. However, interaction mechanisms are presented deductively, based on quantum mechanical and field theoretical models, rather than tracing their indirect paths of discovery. Many worked examples provide applications to areas such as astrophysics, hyperfine structure, and coherent anisotropic excitation. The book presents a firm foundation for specialists in atomic physics, as well as a capstone application for specialists in astrophysics, chemistry, condensed matter, and other related fields.
This volume collects a number of Perry’s classic works on personal identity as well as four new pieces, The Two Faces of Identity,Persons and Information,Self-Notions and The Self, and The Sense of Identity. Perry’s Introduction puts his own work and that of others on the issues of identity and personal identity in the context of philosophical studies of mind and language over the past thirty years.
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This book deals with the mathematical aspects of survival analysis and reliability as well as other topics, reflecting recent developments in the following areas: applications in epidemiology; probabilistic and statistical models and methods in reliability; models and methods in survival analysis, longevity, aging, and degradation; accelerated life models; quality of life; new statistical challenges in genomics. The work will be useful to a broad interdisciplinary readership of researchers and practitioners in applied probability and statistics, industrial statistics, biomedicine, biostatistics, and engineering.
Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood's marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America's largest animation union, Sito offers a unique insider's account of animators' struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito's history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry's past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests -- and for the betterment of their art form.