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Winner of the 2012 LAMBDA Literary Award for Best Lesbian Fiction and of the 2011 Rainbow Awards Ismail Boxwala made the worst mistake of his life one summer morning twenty years ago: he forgot his baby daughter in the back seat of his car. After his daughter’s tragic death, he struggles to continue living. A divorce, years of heavy drinking, and sex with strangers only leave him more alone and isolated. But Ismail’s story begins to change after he reluctantly befriends two women: Fatima, a young queer activist kicked out of her parents’ home; and Celia, his grieving Portuguese-Canadian neighbour who lives just six metres away. A slow-simmering romance develops between Ismail and Celia. Meanwhile, dangers lead Fatima to his doorstep. Each makes complicated demands of him, ones he is uncertain he can meet.
Winner of the 2012 LAMBDA Literary Award for Best Lesbian Fiction and of the 2011 Rainbow Awards Ismail Boxwala made the worst mistake of his life one summer morning twenty years ago: he forgot his baby daughter in the back seat of his car. After his daughter’s tragic death, he struggles to continue living. A divorce, years of heavy drinking, and sex with strangers only leave him more alone and isolated. But Ismail’s story begins to change after he reluctantly befriends two women: Fatima, a young queer activist kicked out of her parents’ home; and Celia, his grieving Portuguese-Canadian neighbour who lives just six metres away. A slow-simmering romance develops between Ismail and Celia. Meanwhile, dangers lead Fatima to his doorstep. Each makes complicated demands of him, ones he is uncertain he can meet.
FINALIST FOR THE 2021 TRILLIUM AWARD • FINALIST FOR THE 2021 EVERGREEN AWARD • AN INDIGO BEST BOOK OF 2020 • A GLOBE AND MAIL BEST INDEPENDENT READ FOR FALL 2020 • AN APPLE BOOKS BEST BOOK OF 2020 • A CBC BOOKS BEST CANADIAN FICTION BOOK OF 2020 • A NOW MAGAZINE TOP TEN BOOK OF 2020 "Be prepared for this novel to stay with you for a long time, especially its ending."—GLOBE AND MAIL "[An] extraordinary book... packed with discovery and jarring emotional arcs."—TORONTO STAR "Penetrating and subtle ... [An] immersive, absorbing portrait."—EDEN ROBINSON "Explores with courage and storytelling finesse the harsh truths within the ideals of kinship and community." —DAVID CHARIANDY "An urgent and passionate read." —VIVEK SHRAYA "Visceral and emotional... a courageous feat."—QUILL & QUIRE (starred review) A brave, soulfully written feminist novel about inheritance and resistance that tests the balance between kinship and the fight against customs that harm us. When Sharifa accompanies her husband on a marriage-saving trip to India in 2016, she thinks that she’s going to research her great-great-grandfather, a wealthy business leader and philanthropist. What captures her imagination is not his rags-to-riches story, but the mystery of his four wives, missing from the family lore. She ends up excavating much more than she had imagined. Sharifa’s trip coincides with a time of unrest within her insular and conservative religious community, and there is no escaping its politics. A group of feminists is speaking out against khatna, an age-old ritual they insist is female genital cutting. Sharifa’s two favourite cousins are on opposite sides of the debate and she seeks a middle ground. As the issue heats up, Sharifa discovers an unexpected truth and is forced to take a position.
A story about one all-inclusive resort, the ghost of an unknown father, and the tragedies we can’t forget. What’s it like when everyone’s dream vacation is your job? Ameera works at a Mexican all-inclusive resort, where every day is paradise — if “paradise” means endless paperwork, quotas to meet, and entitled tourists. But it’s not all bad: Ameera’s pastime of choice is the swingers scene, and the resort is the perfect place to hook up with like-minded couples without all the hassle of having to see them again. Despite Ameera’s best efforts to keep her sideline a secret, someone is spreading scandalous rumours about her around the resort, and her job might be at stake. Meanwhile, she’s being plagued by her other secret, the big unknown of her existence: the identity of her father and why he disappeared. Unbeknownst to Ameera, her father, Azeez, is looking for her, and they both must come to terms with the reason why he abandoned her. A moving new work from award-winning author Farzana Doctor, All Inclusive blurs the lines between the real world and paradise, and life and death, and reminds us that love is neither easily lost nor found. Now Magazine Best Author • Kobo Best Book of the Year — Canadian Favourites Category
Set in Toronto with back story in Mumbai, Nasreen, an Indo-Canadian lesbian and burnt-out psychologist, becomes enmeshed in the lives of Shaffiq and his wife Salma, new immigrants to Canada.
In this "impressive debut" from award-winning speculative fiction author Nalo Hopkinson, a young woman must solve the tragic mystery surrounding her family and bargain with the gods to save her city and herself. (The Washington Post) The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
Finalist, Lambda Literary Award In the beginning, there is no he. There is no she. Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own. This is why we are so lonely. She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart. Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times. Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. His most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. He is also author of God Loves Hair. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.
Introducing an eloquent, sensual new Canadian voice that rings out in a first novel that is exquisitely rich and stunningly original. Roop is a sixteen-year-old village girl in the Punjab region of undivided India in 1937 whose family is respectable but poor -- her father is deep in debt and her mother is dead. Innocent and lovely, yet afraid she may not marry well, she is elated when she learns she is to become the second wife of a wealthy Sikh landowner, Sardarji, whose first wife, Satya, has failed to bear him any children. Roop trusts that the strong-willed Satya will treat her as a sister, but their relationship becomes far more ominous and complicated than expected. Roop's tale draws the reader immediately into her world, making the exotic familiar and the family's story startlingly universal, but What the Body Remembers is also very much Satya's story. She is mortified and angry when Sardarji takes Roop for a wife, a woman whose low status Satya takes as an affront to her position, and she adopts desperate measures to maintain her place in society and in her husband's heart. Yet it is also Sardarji's story, as the India he knows and understands -- the temples, cities, villages and countryside, all so vividly evoked -- begins to change. The escalating tensions in his personal life reflect those between Hindu and Muslim that lead to the cleaving of India and trap the Sikhs in a horrifying middle ground. Deeply imbued with the languages, customs and layered history of colonial India, What the Body Remembers is an absolute triumph of storytelling. Never before has a novel of love and partition been told from the point of view of the Sikh minority, never before through Sikh women's eyes. This is a novel to read, treasure and admire that, like its two compelling heroines, resists all efforts to be put aside.
Shauna Singh Baldwin first heard of the mysterious story of Noor Inayat Khan (codename Madeleine) at The Safe House, an espionage-themed restaurant in Milwaukee. A former Dutch spy told her of the brave and beautiful Indo-American woman who left her family in London, England to become a spy in Nazi-occupied France during the Second World War. The story immediately intrigued Baldwin, inspiring her to travel to Europe, seek out the places where Noor lived, interview the people who knew her and discover more about the enigmatic woman. The Giller Prize finalist The Tiger Claw — Baldwin’ s follow-up novel to her award-winning What The Body Remembers — was born from the silences, conflicting stories and significant gaps she discovered along the way. As the novel begins, we’re thrown into a bleak German prison cell with Noor, where she is shackled hand and foot and freezing from the winter’s cold. It is December 1943, the turning point in the war raging in Europe. Noor’s captor, Herr Vogel, allows her onionskin paper on which he directs her to write children’s stories. She does so, but also secretly writes letters to someone she addresses as “ma petite,” the spirit of the child she had conceived with Armand Rivkin, a French Jewish musician and the love of her life. Although she must keep the letters hidden from her captor, it is through these words to her unborn child, alternating with a thrilling third-person narrative, that we learn Noor’s courageous and heartbreaking story. Noor’s mother is an American from Boston who married a Sufi musician and teacher from India. Growing up in France, Noor is extremely close with her liberal Muslim father, but when he dies, Noor’s conservative uncle Tajuddin and her brother Kabir govern the family. Uncle Tajuddin and Kabir disapprove of Noor’s love for Armand, and as the men of the family in 1930s France, they have the legal right to stop her engagement. Noor is faced then with the choice between defying her family and turning against her heart. She stops seeing Armand, but is devastated and lonely. Once the war begins, Noor’s family heads to England while Armand’s family stays. When Germany invades France, Noor despairs of ever seeing Armand again, until Kabir unwittingly introduces her to his new friend who is recruiting bilingual women for the resistance. Noor is offered training, and she accepts. She will help defeat the Germans, but her true purpose will be to find and reunite with Armand. As a resistance agent, Noor trains to be a radio operator, taking on a second identity — Nora Baker — one of many names she will eventually assume. When she arrives in France, she plays Anne-Marie Régnier — a woman caring for her sick aunt — and to other spies in her resistance network, she is known as “Madeleine.” She has secret rendezvous with other agents, transmits messages from various safe houses, and risks capture at every turn. She rents an apartment across the street from Drancy, the concentration camp where she knows Armand is being held. At great peril, she sends him a message — the tiger claw pendant she always wears for luck and courage. Noor must wade her way through oppression and hypocrisy from all sides: h her beloved Armand could be killed by the Germans at any time; her French and British colleagues fight the occupation of France while Britain still occupies India; she learns of dark family secrets; and, one by one, members of the spy network are being ratted out by a double agent. Betrayal can come from anyone. We know from the beginning that Noor will end up imprisoned, but who betrays her? Will she ever be released? Will Kabir find her? Will she and Armand be reunited? Baldwin paces the story like a nail-biting thriller, revealing only a little bit at a time. The Tiger Claw is packed with complex characters riding the line between good and evil. In the end, it is the reader who must be the judge, and decide where he or she stands.