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A teaching aid and companion guide to some of the best Canadian stories for young readers. This guidebook is intended for use with the ten titles in Lorimer's Kids of Canada series: Mike and the Bike, Six Darn Cows, Anna's Pet, Afraid of the Dark, The Pillow, Hockey Showdown, Who's a Soccer Player? , The Hungry Time, Kids in the Kitchen, We Make Canada Shine. Kids of Canada Teacher's Guidebook has been designed primarily for use in Guided Reading lessons with small groups of students.
The most complete consideration of all the major writings of Margaret Laurence.
Travel was closely connected to Margaret Laurence’s creativity. Laurence realized that her travels, especially to Africa, provided her with new perspectives on Canada. Heart of a Stranger, originally published in 1976, is a fascinating travelogue chronicling Laurence's geographical journeys to many lands and historic places. She notes "I saw, somewhat to my surprise, that they are all, in one way or another, travel articles. And by travel, I mean both those voyages which are outer and those voyages which are inner." Laurence writes about her travels to Egypt in "Good Morning to the Grandson of Ramesses the Second," to Scotland in "Road from the Isles," and to Greece in "Sayonara, Agamemnon." In "The Very Best Intentions" Laurence sees herself as a "stranger in a strange land" in Ghana. She reflects on the many places she lived in "Put Out One or Two More Flags," "Down East," "The Shack" and "Where the World Began." Professor Nora Foster Stovel’s new introduction "Heart of a Traveller" explores how Laurence’s experiences in other lands influenced and shaped her writing. She contends that "Heart of a Stranger constitutes a concealed autobiography, for, in chronicling her literal life journey, Laurence also reveals her spiritual odyssey."
An edited, annotated collection of funny, affectionate, and insightful letters between two Canadian literary icons.
The culmination and completion of Margaret Laurence’s celebrated Manawaka cycle, The Diviners is an epic novel. This is the powerful story of an independent woman who refuses to abandon her search for love. For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers. The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance. The Diviners received the Governor General’s Award for Fiction for 1974.
This new volume of the Literary History of Canada covers the continuing development of English-Canadian writing from 1972 to 1984. As with the three earlier volumes, this book is an invaluable guide to recent developments in English-Canadian literature and a resource for both the general reader and the specialist researcher. The contributors to this volume are Laurie Ricou, David Jackel, Linda Hutcheon, Philip Stratford, Barry Cameron, Balachandra Rajan, Robert Fothergill, Brian Parker, Cynthia Zimmerman, Frances Frazer, Edith Fowke, Bruce G. Trigger, Alan C. Cairns, Douglas Williams, Carl Berger, Shirley Neuman, Raymond S. Corteen, and Francess G. Halpenny.
In a postmodern and postcolonial age, how do we approach the writing of Margaret Laurence? Challenging Territory demands of the reader a re-evaluation of the basic assumptions that underlie their understanding of Laurence's life and writing by addressing the full range of her writing. Laurence is presented as Canadian, colonial and postcolonial subject; as feminist, humanist and political active individual; and as essayist, translator, journalist, memoir writer and fiction writer. The essays stake out a critical territory as well as offer a challenge to territory previously mapped by the criticism - in addition to charting critical space never before traced.
Margaret Laurence, best known for her germinal novels set in the Canadian prairies, is one of the nation's most respected authors. She was also an accomplished essayist, yet today her nonfiction writing is largely unavailable and therefore little known. In Recognition and Revelation Nora Foster Stovel brings together Laurence's short nonfiction works, including many that have not previously been collected and some that have never before been published. These works, including over fifty essays and addresses that span Laurence's writing career from the 1960s to the 1980s, reveal her passionate concern for Canadian literature and for the land and peoples of Canada. Based on extensive archival research, Stovel's introduction contextualizes Laurence's nonfiction writings in her life as a creative artist and political activist and as a woman writing in the twentieth century. The texts range from essays on Laurence's own writings and on other works of Canadian literature to autobiographical essays, several focusing on environmental concerns, to sociopolitical essays and writing advocating for peace and nuclear disarmament. By revealing Laurence as a socially and politically committed artist, this collection of lively and provocative essays illuminates the undercurrents of her creative writing and places her fiction - often informed by her nonfiction writing - in a new light.
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.
Although at times painfully insecure about her creative ability and achievement, Margaret Laurence nevertheless remained fiercely loyal to her artistic vision, an archetypal vision of loss, exile and redemption that sought comprehensive expression in the epic mode that shapes the Bible, Dante's Divine Comedy, Milton's Paradise Lost, and ultimately the Manawaka world of Hagar Shipley, Rachel Cameron, Stacey MacAindra, and Morag Gunn. Paul Comeau traces the development of Margaret Laurence's epic voice from its tentative beginnings in her African fiction to its culmination in the epic Manawaka Cycle, a Dantesque journey through an infernal state of self-destructive pride, out of a purgatorial paralysis of self-doubt, and on to a kind of paradisal fulfillment in self-knowledge. Laurence discovered in epic a fitting mode at once to requite her debt to the ancestors and to break free of their influence to portray the world through the sight of her own eyes. In so doing, she became the enduring epic voice of a country and a generation.