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When Paul Two Persons joins the fight against a highway that would run right through the Red Lake Reservation, he also has to deal with "a murdered state cop, development plans mapped in indigenous code, a missing boy who witnesses too much, . [and] an Indian fetish accidentally dropped by a mysterious man who is involved in the scheme."--Jacket.
Brian Wilson and The Beach Boys, Bob Dylan, Bruce Springsteen, and Paul Simon-these familiar figures have written road music for half a century and continue to remain highly-regarded artists. But there is so much more to say about road music. This book fills a glaring hole in scholarship about the road and music. In a collection of 13 essays, Music and the Road explores the origins of road music in the blues, country-western, and rock 'n' roll; the themes of adventure, freedom, mobility, camaraderie, and love, and much more in this music; the mystique and reality of touring as an important part of getting away from home, creating community among performers, and building audiences across the country from the 1930s to the present; and the contribution of music to popular road films such as Bonnie and Clyde, Easy Rider, Thelma and Louise, and On the Road.
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Most remote islands of the imagination conjure up paradise. Japan is an archipelago of puzzlement. From the sands that forged their swords and serenity, they traveled a Samurai Road of temples and shrines, feudal fortresses, and flowing mountain streams of wasabi. On sashimi and soy sauce, and green tea over rice, they lived a thousand years of pathos, under cherry blossoms and ephemeral moonlight, in Zen gardens and futon dreams. It was all so perfect.
Through the lens of four seminal concerts,acclaimed poet and biographer DanielMark Epstein offers an intimate, nuancedlook at Bob Dylan: a vivid, full-bodiedportrait of one of the most influential artistsof the twentieth century, from his birth tothe Never Ending Tour. Beginning with 1963’s Lisner Auditoriumconcert in Washington, D.C., Epstein revisitsDylan’s astonishing rise as the darling ofthe folk revival, focusing on the people andbooks that shaped him, and his struggle tofind artistic direction on the road in the1960s. Madison Square Garden, 1974, shedslight on Dylan’s transition from folk iconto rock star, his family life in seclusion,his subsequent divorce, and his highly anticipatedreturn to touring. Tanglewood,1997, reveals how Dylan revived his flaggingcareer in the late 1990s—largelyunder the influence of Jerry Garcia—discoveringnew ways of singing and connectingwith his audience, and assembling the greatbands for his Never Ending Tour. In abreathtaking account of the Time Out of Mindsessions, Epstein provides the most completepicture yet of Dylan’s contemporary workin the studio, his acceptance of his laurels,and his role as the éminence grise ofrock and roll today. Aberdeen, 2009, bringsus full circle, detailing the making of Dylan’striumphant albums of the 2000s, as well ashis long-running radio show. Drawing on anecdotes and insights fromnew interviews with those closest to theman—including Maria Muldaur, Happy Traum,D. A. Pennebaker, Nora Guthrie, Ramblin’ JackElliott, and Dylan’s sidemen throughout the years—The Ballad of Bob Dylan is a singulartake on an artist who has transformed generationsand, as he enters his eighth decade,continues to inspire and surprise today.
Steve Ponty researched the topography of the Cotswolds and unearthed J.R.R. Tolkien's 'Shire' by comparison between the maps of Middle- and Mother-earth. Apart from the secrets of geography hidden in the epic story, there are allusions, never revealed before this brand new perspective, to personalities contemporary with Tolkien’s writings.