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A young man trudges from a tiny Chola village to Kanchi, the great city of art and learning, hoping to discover his destiny. A bikshu wanders around the Pallava empire, befriending lonely souls. Spies lurk in the shadows, and even statues of the Lord Buddha conceal secrets. Emperor Mahendra Pallava, connoisseur beyond compare, rules with compassion and justice, while his son, Kumara Chakravarthy Narasimhar, falls deeply in love with the greatest dancer of the empire, Sivakami. Somewhere in the distance can be heard the drums of war. The fearsome Chalukyas are planning an invasion: their war elephants, horses and infantry sweep towards the Pallava empire. Emperor Pulikesi eyes Kanchi as the crowning glory to his martial achievements. Paranjyothi's Journey, the first in the four-volume Sivakami's Vow series, is a riveting tale of war, betrayal, secret passages, guarded forts, passions and a Pallava emperor who will do anything to save his kingdom. It was written by Kalki, a master storyteller who raised Tamil literature and history to new heights almost single-handedly.
The political stature of the Pallava crown prince, Narasimha Varmar, has grown considerably after defeating the king of Ganga Nadu at the historic Pullalur battle. But he has more obstacles to overcome. Emperor Mahendra Pallavar, after restraining the Chalukya forces for nine months at the northern border of the Pallava kingdom, is on his way back to Kanchi and continues to oppose the crown prince's relationship with the dancer, Sivakami. Meanwhile, the Machiavellian Naganandi adigal has convinced Sivakami and Aayanar to leave their home in the forest against Narasimha Varmar wishes. And the Chalukya army marches towards Kanchi, causing destruction and damage across the countryside. Yet, the emperor remains unwilling to cross swords with them. Expecting the enemy to lay siege to the Kanchi fort, Mamallar must find a way to balance his duties as crown prince and his love for Sivakami. Expertly weaving suspense, romance and drama, Kalki's gripping narrative describes the tremendous efforts of the Pallavas to counter the Chalukya invasion and the growing intimacy between Mamallar and Sivakami in the action-packed second volume of Sivakami's Vow: The Siege of Kanchi.
To meditate lifelong at the feet of our lord-Kalki's choice of Thirunavukkarasar's words to end his magnum opus, Sivakami's Vow, is indicative of the shift from romance to reflection, from the mundane to the spiritual. Nine years have passed since Narasimha Varmar has ascended the throne to the Pallava kingdom ... nine years that the dancer Sivakami has spent as a captive of the Chalukya emperor, Pulikesi. In that time, the Pallava emperor has been preparing to wage a bloody war against the Chalukyas-to fulfil his promise to Sivakami and his father. But the duties of a sovereign have driven him to make difficult choices in his personal life. Will friendships and allegiances change on account of this? With the passage of so much time, does Sivakami still yearn for vengeance? And what have the last nine years meant for the Pallava commander-in-chief, Paranjyothi, and the conniving bikshu, Naganandi? As Kalki expertly weaves together various strands of honour, love and friendship in this fourth and final volume of Sivakami's Vow, he takes the reader through a gamut of emotions. It is no surprise that this novel is considered a classic.
After successfully fending off the Chalukya's siege of Kanchi the Pallava emperor Mahendra Varmar drives the enemy king Pulikesi to call for a truce. The statesman in Pallavar is keen to convert a foe into a friend but a vengeful Pulikesi reneges on his commitment. While the Pallavas are successful in chasing the Chalukyas away Pallava Nadu bears the brunt of Pulikesi's wrath. Fate wields its unpredictable hand further. A rash decision by the sculptor Aayanar and his daughter Sivakami results in her being abducted by the Chalukyas. Sivakami takes a momentous vow little realizing how far-reaching the consequences will be. How will the Pallava crown prince Narasimha Varmar who is in love with Sivakami act? Will Mahendra Varmar shape his son's future in a manner he had always envisaged? And what role will the Machiavellian bikshu play in Sivakami's life as a captive? The Bikshu's Love the action-packed third volume of Sivakami's Vow is unputdownable and sets the stage for the startling climax of this magnum opus in the fourth and final book in the series.
Structured As A Biography Of A Fictional Malayalam Writer-It Is At One Level A Critique Of The World Of Tamil Letters And On Another, A Novel Of Ideas Engaged With The Burning Questions Of To Bring And Existece. Represents The Best Of Tamil Writing Even To-Day, More Than 20 Years After Its First Apperance.
A cultural and political history of Tamilnadu through its most colourful personalities. The fascinating history of Tamilnadu comes alive in this archive of cultural and political knowledge, thoughtfully assembled by the prize-winning historian A. R. Venkatachalapathy. From glamorous film stars turned politicians such as Jayalalithaa and M. G. Ramachandran to a revolutionary anti-caste movement that began over a century ago and the ongoing struggle against Hindi hegemony, Tamilnadu has at once reshaped the mainstream and profoundly influenced the trajectory of the nation. As informative as it is entertaining, Tamil Characters is an essential deep dive into the modern history of India’s most idiosyncratic state.
In south India in 1896, ten-year old Sivakami is about to embark on a new life. Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years. Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age. When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family. With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.
T. S. Eliot greatly enhanced Dante's profound influence on European literature. The essays in this volume explore Dante's importance through a focus on Eliot. Probing the questions what Eliot made of Dante, and what Dante meant to Eliot, the essays here assess the legacy of modernism by engaging its "classicist" roots, covering a wide spectrum of topics stemming from Dante's relevance to the poetry and criticism of Eliot. The essays reflect on Eliot's aesthetic, philosophical, and religious convictions in relation to Dante, his influence upon literary modernism through his embracing and championing of the Florentine, and his desire to promote European unity. The first section of the book deals with aesthetic and philosophical issues related to Eliot's engagement with Dante, beginning with Jewel Spears Brooker's masterful essay on the concepts of immediate experience and primary consciousness in Eliot's work, and moving on to essays considering his idea of a "unified sensibility," as well as Eliot's engagement with Hindu-Buddhist and Christian themes and motifs. The second part of the book focuses on Dante's importance to Eliot's founding work in the modernist movement. In what ways did Dante directly and indirectly influence the exemplary path that Eliot blazed for his contemporaries, especially Ezra Pound? How early did Dante's influence show itself in Eliot's work? Why was he unable to complete the great trilogy he seems to have sought to write, based on Dante's Inferno, Purgatorio, and Paradiso? These questions and their answers lead to the book's final section, which considers Eliot's (and Dante's) role in the formation of a twentieth-century concept of Europe. Incisive essays on Eliot's varied sources of "tradition" in his attempt to promote the idea of a European union and his anxiety over the heritage of Romanticism are capped by a magisterial contribution from Dominic Manganiello showing precisely how Eliot's reformulation of the Dantesque "European Epic" continues to influence the work of Anglo-European and Commonwealth writers.
This book includes meticulous research papers that focus on literature and culture. This research proceeding paints the reality of life in a cultural overview. This collection has been brought out by the Department of English, st Joseph College of Arts and Science, Vaikalipatti, Mettur, Tenkasi district, Tamil Nadu, India. Research papers were contributed by participants from more than 8 states in India and more than 12 districts in Tamilnadu. UG students, PG students, M. Phil scholars, PhD scholars, NET aspirants, faculty members and academicians have contributed to this book. This book is an outcome of the Two Days National Conference on 'Revisiting Literature through Culture', conducted on 21&22 September, 2023. By all means, it will remain a treasure of reference for the forthcoming researchers and enthusiasts.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Tamil one of the languages spoken in southern region of India.