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Sites, Bodies and Stories examines the intimate links between history and heritage as they have developed in postcolonial Indonesia. Sites discussed in the book include Borobudur in Central Java, a village in Flores built around megalithic formations, and ancestral houses in Alor. Bodies refers to legacies of physical anthropology, exhibition practices and Hollywood movies. The Stories are accounts of the Mambesak movement in Papua, the inclusion of wayang puppetry in UNESCO s List of the Intangible Cultural Heritage of Humanity, and subaltern history as written by the people of Blambangan in their search for national heroes. Throughout the book, citizenship entitlement figures as a leitmotif in heritage initiatives. Contemporary heritage formation in Indonesia is intrinsically linked to a canon of Indonesian art and culture developed during Dutch colonial rule, institutionalized within Indonesia's heritage infrastructure and in the Netherlands, and echoed in museums and exhibitions throughout the world. The authors in this volume acknowledge colonial legacies but argue against a colonial determinism, considering instead how contemporary heritage initiatives can lead to new interpretations of the past.
Body stories capture a nuanced, interconnected, interactive, and complex telling of our understanding, perception, and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body, unmitigated through our social interactions and varying times and spaces. This book is not a "how-to" guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like. This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance, and beyond, is radical and rigorous. It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete—rather it is a million small actio
Imagine a graph with two lines. One indicates happiness, the other tracks how you feel about your body. If you’re like millions of people, the lines do not intersect. But what if they did? This practical, inspirational, and visually lively book shows you how to create a healthier and happier life by treating yourself with compassion rather than shame. It shows the way to a sense of well-being attained by understanding how to love, connect, and care for yourself—and that includes your mind as well as your body. Body Kindness is based on four principles. WHAT YOU DO: the choices you make about food, exercise, sleep, and more HOW YOU FEEL: befriending your emotions and standing up to the unhelpful voice in your head WHO YOU ARE: goal-setting based on your personal values WHERE YOU BELONG: body-loving support from people and communities that help you create a meaningful life With mind and body exercises to keep your energy spiraling up and prompts to help you identify what YOU really want and care about, Body Kindness helps you let go of things you can't control and embrace the things you can by finding the workable, daily steps that fit you best. Think of it as the anti-diet book that leads to a more joyful and meaningful life!
"Emilia Dilke" (1840-1904) was christened Emily Francis Strong and known by her middle name throughout her childhood as the daughter of an army officer-cum-bank manager in Iffley, England, near Oxford, and her days as an art student in London. During her first marriage, she was Francis Pattison or Mrs. Mark Pattison, while her published works of art history and criticism were neutrally signed E. F. S. Pattison. Later, in the 1870s, she privately changed her first name to Emilia, a switch made public when she remarried in 1885. By this second nuptial union she became Lady Dilke, the famous intellectual, feminist, art critic, author, and, eventually, the active and popular President of the Women's Trade Union League for nearly twenty years. A rich work of biography, literary criticism, aesthetic history, and sociocultural inquiry, Names and Stories traces the life of this fascinating and remarkable woman as it was lived under many different appellations and guises. In doing so, the book investigates the full spectrum of nineteenth-century British thought and custom. By studying not only an individual life but the many stories that informed, determined, and challenged that life, author Kali Israel considers Dilke as both subject and object--author and character, player and pawn--in the Victorian world of which she was a part. As they are chronicled, explained, and contextualized in this book, these stories--however they were created, told, or interpreted--move through realms both historical and fictional. Israel's central character experienced not one but two highly visible marriages marked by rampant gossip, high-profile sex scandals, and inconclusive courtroom battles; was considered by some to be the model for the character of Dorothea in Eliot's Middlemarch; and similarly "appeared" in many other novels, plays, and even poems in her own time and up through the mid-twentieth century. Names and Stories is not a conventional "life and times" book, even though it recounts a birth-to-death adventure that is both unique and epochal. Rather, the work utilizes Dilke's myriad narratives as the means to broader critical, historical, and theoretical engagements. Debating the very nature of life-study and biography-writing, Israel employs a wide array of published and primary sources to argue that the "names and stories" of Emilia Dilke can help us understand key conflicts and tensions within Victorian Britain, as well as ongoing cultural arguments. This book thus examines several nineteenth-century pressure-points in this light, among them gender, representation, authority, authorship, knowledge, and political thought. Israel's contemporary and cross-disciplinary study also illuminates such broader themes as the family, the body, narrative, figuration, and historical writing and reading.
On women authors and women in literature
Ours is a wasteful society, consumed with care for its remains, according to the contributors of Waste-Site Stories. Here scholars from around the world probe current notions of waste and the ways in which remains of different kinds recover value in the act of recollection and recycling. In the wake of destructive experiences that continue to trouble memory, there is something compelling about today's theoretical and artistic interest in waste and recycling. The two terms provide a purchase on changing conditions of cultural memory, on technological development and its sometimes toxic ecological and social fallout, and on the legacy of personal and historical trauma. They suggest new resources for the stories of our engagement with the things of the past and the sites where traces of history survive.
How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments? This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how ‘site-based body practice’ can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.
Following the great success of our Gothic Fantasy deluxe edition short story compilations, including Cosy Crime, Murder Mayhem and Lost Worlds, this exciting title in the series is packed with amateur detectives solving mysterious murders, suspicious butlers and terrifying encounters set in locked rooms, stately mansions, haunted castles and eerily silent libraries. This collection contains our usual mix of classic and brand new writing, with delightful tales of dastardly dealings from authors such as Wilkie Collins, Anna Katharine Green, Gaston Leroux, Edgar Wallace and Oscar Wilde. Of course, new stories from contemporary authors give a voice to new writers through our open submission windows. The modern writers chosen from submissions and included here are: Steve Carr, Deborah L. Davitt, Lucy Ann Fiorini, Sahara Frost, Philip Brian Hall, Amanda Justice, Felicia Lee, Tom Mead, Wendy Nikel, Patsy Pratt-Herzog, Louise Taylor, and E.G. Thompson.
Finalist for the National Book Award for Fiction “[These stories] vibrate with originality, queerness, sensuality and the strange.”—Roxane Gay “In these formally brilliant and emotionally charged tales, Machado gives literal shape to women’s memories and hunger and desire. I couldn’t put it down.”—Karen Russell In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies. A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.
A landmark book of popular science that gives us a lucid and engaging account of how the human body evolved over millions of years—with charts and line drawings throughout. “Fascinating.... A readable introduction to the whole field and great on the making of our physicality.”—Nature In this book, Daniel E. Lieberman illuminates the major transformations that contributed to key adaptations to the body: the rise of bipedalism; the shift to a non-fruit-based diet; the advent of hunting and gathering; and how cultural changes like the Agricultural and Industrial Revolutions have impacted us physically. He shows how the increasing disparity between the jumble of adaptations in our Stone Age bodies and advancements in the modern world is occasioning a paradox: greater longevity but increased chronic disease. And finally—provocatively—he advocates the use of evolutionary information to help nudge, push, and sometimes even compel us to create a more salubrious environment and pursue better lifestyles.