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In the Introduction, Ramchandra Gandhi raises the Ayodhya issue to international and universal levels. In the text, he offers a solution on the local and national levels. The temple mound in Ayodhya - the sacred hill on which the present Babri Masjid was built, also known as "Sita's Kitchen" - was originally a sacred place of the Adivasis (the aboriginal inhabitants of the subcontinent). It was sacred to the Goddess, the great nurturing earth, the fecund source of all life, the aboriginal presupposition of all later religions. As an aboriginal place sacred to the Mother Goddess, the hill in Ayodhya brings together all religions. Rather than a source of conflict, Ayodhya should become a meeting ground for the divergent religious traditions of the world to see their ultimate harmony.
Exploring the meaning of a Buddhist story, this book is a testimony of faith in the urgent relevance of India's spiritual traditions to the future of life on Earth, and it is an inquiry into the meaning of some central notions of these traditions. The value of spiritual traditions and of life itself is at stake here. In the Introduction, Ramchandra Gandhi raises the Ayodhya issue to international and universal levels. In the text, he offers a solution on the local and national levels. The temple mound in Ayodhya --the sacred hill on which the present Babri Masjid was built, also known as "Sita's Kitchen"--was originally a sacred place of the Adivasis (the aboriginal inhabitants of the subcontinent). It was sacred to the Goddess, the great nurturing earth, the fecund source of all life, the aboriginal presupposition of all later religions. As an aboriginal place sacred to the Mother Goddess, the hill in Ayodhya brings together all religions. Rather than a source of conflict, Ayodhya should become a meeting ground for the divergent religious traditions of the world to see their ultimate harmony. In the Buddhist story, the principal female character is an adivasi named Ananya ("not other"). The opposing sides come to see their oneness in Ananya. The frame-story is taken from the Vinaya-pitaka of the Pali Canon. It is the Bhaddavaggiyavatthu or "The Story of the Group of Well-Off Ones."
London-based restaurateur Arun and his assistant Ben are on a business trip. They stop at a roadside café in Himachal Pradesh and are astonished with its European looks and Italian menu. A cynical Arun samples a dish and is blown away by its authenticity. His astonishment turns into disbelief when he learns that the cook is Sita, a simple mountain girl who has never in her life stepped outside her village. Ever since her mother passed away, Sita started helping her deaf-mute father run their small tea stall. Sita loves cooking and when a travelling Italian chef gifts her a cookbook, the passion becomes an obsession. Aided by YouTube videos, Sita soon revamps the tea stall and turns it into an elfin café. Arun recognizes Sita's extraordinary talents and convinces her to move to London and become a chef at his restaurant. However, Sita's lack of professional training is soon apparent. Help comes in the form of Anwar Khan, a veteran butcher, who takes a floundering Sita under his wings. She embarks on a journey, navigating the cut-throat and often ugly world of gourmet chefs where gender conventions and racial undercurrents can make or break careers. As she strives to carve a niche for herself, Arun starts feeling differently towards Sita. Just when Sita starts believing in her special destiny, one incident alters her inside out and leads her to rediscovering herself.
In self, society, religion and politics we are used to the language and discourse of Kingdom of God. But in this God is presented as an omnipotent king who is also angry at slight deviation. We get glimpses of such powerful and angry God in Old Testament as well as in many other religious traditions of the world. In such a discourse and portrayal of God, we fail to realize that God is mercy, rahim, karuna and compassion. God is our ever-awakened nurturer and He and She is continuously walking and meditating with us with mercy as well as firm challenges for self-development, mutual realizations and responsible cosmic engagement and participation. The vision and discourse of Kingdom of God has many a time been confined within a logic of power where we are prone to valorize God’s power in order to valorize our own power on Earth, especially the logic of sovereignty at the level of self and society, rather than realize God’s mercy. This book strives to transform this to Gardens of God.
This book cultivates visions and practices of integral development of the self, society, and the world. It builds upon deconstructions of development discourse and practice and strives to reconstruct and reconstitutes it as integral development. It addresses entrenched dualisms in development studies and practices such as between the self and the other, the providers of development and its recipients, materialism, and spirituality, and cultivates pathways of integral development. The book explores the many challenges facing development studies and practice such as poverty, creativity, political economy, moral economy, leadership, sustainable development, and evolutionary flourishing. It also opens the discourse and practice of development to cross-cultural dialogues by undertaking discussions between Euro-centric approaches to development and other visions and practices of development such as Purusartha, Swadhyaya, Sarvodaya, integral yoga, and Lokasasamgraha from Indic traditions. Drawing on multiple cultural and philosophical resources and traditions, Cultivating Integral Development is a pioneering work and will be of great interest to scholars, researchers, and actors of development studies, political science, and philosophy as well as concerned human beings around the world.
With appendices.
Ramchandra Gandhi, famous for his rich and varied interests, left behind a large corpus of writings, both philosophical and non-philosophical. Introducing the readers to the creative Indian philosopher, this volume highlights the principal thrust of his works, critically locates them within the larger political, philosophical, literary and socio-cultural context, and accounts for his lasting influence. For the first time, essays on Ramchandra Gandhi’s earlier works and later writings have been brought together to take stock of his contribution to contemporary Indian thought as a whole. Written by philosophers as well as those belonging to literature and the social sciences, the essays record his experimental ventures both in form and content, and shed light on key themes in language, communication, religion, aesthetics, spirituality, consciousness, self, knowledge, politics, ethics, and non-violence. The book will appeal to those in philosophy, political science, history, sociology, literature, and Gandhian studies.
Has appendices.
This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture.Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well.This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.