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How a certain Jewish family mourns a dead patriarch. The term is 'sitting Shiva' (mourning for seven days), when friends and relatives commiserate, usually in the home of the deceased. As children, we always understood this to be 'sit and shiver', which also seemed most appropriate. While death has claimed the old man and triggered the usual inflated eulogies - 'how important a man becomes when they die' - it has also brought to the surface hidden anxieties and grievances, only exacerbated when a visitor shows up bearing strange news that threatens to tear the family apart. A Jewish black comedy in the Berkoff tradition. Sit and Shiver was first presented at the Odyssey Theater, Los Angeles, in March 2004. The European premiere was held at the New End Theatre, London, in association with Saw Productions, in May 2006.
Steven Berkoff plunders his own East End Jewish roots for this revealing comedy set around the tradition of sitting shiva - seven days of mourning after a loved one has passed away
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.
A World Elsewhere is Steven Berkoff’s bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration and personal exploration. Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world.
In this propulsive locked-room thriller debut, a reunion weekend in the French Alps turns deadly when five friends discover that someone has deliberately stranded them at their remote mountaintop resort during a snowstorm. When Milla accepts an off-season invitation to Le Rocher, a cozy ski resort in the French Alps, she's expecting an intimate weekend of catching up with four old friends. It might have been a decade since she saw them last, but she's never forgotten the bond they forged on this very mountain during a winter spent fiercely training for an elite snowboarding competition. Yet no sooner do Milla and the others arrive for the reunion than they realize something is horribly wrong. The resort is deserted. The cable cars that delivered them to the mountaintop have stopped working. Their cell phones--missing. And inside the hotel, detailed instructions await them: an icebreaker game, designed to draw out their secrets. A game meant to remind them of Saskia, the enigmatic sixth member of their group, who vanished the morning of the competition years before and has long been presumed dead. Stranded in the resort, Milla's not sure what's worse: the increasingly sinister things happening around her or the looming snowstorm that's making escape even more impossible. All she knows is that there's no one on the mountain she can trust. Because someone has gathered them there to find out the truth about Saskia...someone who will stop at nothing to get answers. And if Milla's not careful, she could be the next to disappear...
From beloved New York Times bestselling author and award-winning journalist—the definitive guide to Judaism’s end-of-life rituals, revised and updated for Jews of all backgrounds and beliefs. From caring for the dying to honoring the dead, Anita Diamant explains the Jewish practices that make mourning a loved one an opportunity to experience the full range of emotions—grief, anger, fear, guilt, relief—and take comfort in the idea that the memory of the deceased is bound up in our lives and actions. In Saying Kaddish you will find suggestions for conducting a funeral and for observing the shiva week, the shloshim month, the year of Kaddish, the annual yahrzeit, and the Yizkor service. There are also chapters on coping with particular losses—such as the death of a child and suicide—and on children as mourners, mourning non-Jewish loved ones, and the bereavement that accompanies miscarriage. Diamant also offers advice on how to apply traditional views of the sacredness of life to hospice and palliative care. Reflecting the ways that ancient rituals and customs have been adapted in light of contemporary wisdom and needs, she includes updated sections on taharah (preparation of the body for burial) and on using ritual immersion in a mikveh to mark the stages of bereavement. And, celebrating a Judaism that has become inclusive and welcoming. Diamant highlights rituals, prayers, and customs that will be meaningful to Jews-by-choice, Jews of color, and LGBTQ Jews. Concluding chapters discuss Jewish perspectives on writing a will, creating healthcare directives, making final arrangements, and composing an ethical will.
"A provocative new author. A fascinating debut novel. Read it!” —Jeff VanderMeer In Rachel Heng's debut set in near future New York City—where lives last three hundred years and the pursuit of immortality is all-consuming—Lea must choose between her estranged father and her chance to live forever. Lea Kirino is a “Lifer,” which means that a roll of the genetic dice has given her the potential to live forever—if she does everything right. And Lea is an overachiever. She’s a successful trader on the New York exchange—where instead of stocks, human organs are now bought and sold—she has a beautiful apartment, and a fiancé who rivals her in genetic perfection. And with the right balance of HealthTechTM, rigorous juicing, and low-impact exercise, she might never die. But Lea’s perfect life is turned upside down when she spots her estranged father on a crowded sidewalk. His return marks the beginning of her downfall as she is drawn into his mysterious world of the Suicide Club, a network of powerful individuals and rebels who reject society’s pursuit of immortality, and instead choose to live—and die—on their own terms. In this future world, death is not only taboo; it’s also highly illegal. Soon Lea is forced to choose between a sanitized immortal existence and a short, bittersweet time with a man she has never really known, but who is the only family she has left in the world.
DIVDIVOn a snowy night in 1935, a decades-old secret begins with a killing/divDIV Walter Stachiew has powerful arms, matinee-idol looks, and an easy charm that he uses to distract his neighbors in the Bronx from his bad habits, which include a love of liquor and a fondness for teenage boys. When he is found one night, beaten to death with a shovel, the natural suspect is his drinking buddy, Stanley Paycek, who is tried, convicted, and sentenced to die in the electric chair. He is just a few minutes from death when his son Willie whispers the truth about who killed Walter Stachiew./divDIV Willie is a hateful boy, rat-faced and ostracized, but he and a few of his schoolmates know more about Stachiew’s death than they will ever tell. As they grow into men, finding success all over the globe, the secret of that night binds them together forever. As the hate festers in Willie’s heart, it threatens to one day destroy them all./divDIV/div/div
The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed “Other” into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labor camps. In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.
Thirty hair-raising stories from around the world fill this spooky collection with delicious shivers and spine-tingling chills—perfect for fans of Scary Stories to Tell in the Dark! Sit down and meet "The Vampire Cat," "The Draug" and "The Rolling Head"; or take a stroll with "The Thing in the Woods." You'll find favorites such as "The Golden Arm" and startling new stories such as "Knock...Knock...Knock," vividly told with plenty of ghastly details and spooky endings. There's something here for everyone who likes a good shudder...but be prepared for goose bumps! Twenty delightfully creepy illustrations by Katherine Coville and Jacqueline Rogers highlight this companion to Robert San Souci's first collection of scary stories, Short & Shivery.