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DIVDIVIn these twenty-eight magnificent tales, which include two Nebula Award winners, Jane Yolen puts a provocative spin on familiar storybook worlds and beloved fairy tale characters/divDIV One of the most acclaimed and honored authors in science fiction and fantasy, Jane Yolen has been called “the Hans Christian Andersen of America” for her brilliant reimagining of classic fairy tales. In her first collection of short stories written for an adult audience (after Tales of Wonder and Dragonfield), Yolen explores themes of freedom and justice, truth and consequence, and brings new life to our most cherished fables and myths./divDIV /divDIVHere are storybook realms rendered more contemporary, and cautionary tales made grimmer than Grimm: Snow White is transported to Appalachia to match wits with a snake-handling evil stepmother and Beauty’s meeting with the Beast takes a twisty, O. Henry–esque turn; in Yolen’s Nebula Award–winning “Lost Girls,” a feminist revolt rocks Peter Pan’s Neverland and in the collection’s glorious title story—also a Nebula winner—the poet Emily Dickinson receives some unexpected and otherworldly inspiration. Sometimes dark, sometimes funny, and always enthralling, Sister Emily’s Lightship is proof positive that Yolen is truly a folklorist of our times. /divDIV /divDIVThis ebook features a personal history by Jane Yolen including rare images from the author’s personal collection, as well as a note from the author about the making of the book. /div/div
Sister Emily's Lightship and Other Stories is Jane Yolen's first collection of short stories written for adults. It includes the award-winning title story, as well as three new, never-before published, works.
From Africa, Burma, and Czechoslovakia to Turkey, Vietnam, and Wales here are more than 150 of the world's best-loved folktales from more than forty countries and cultures. These tales of wonder and transformation, of heroes and heroines, of love lost and won, of ogres and trolls, stories both jocular and cautionary and legends of pure enchantment will delight readers and storytellers of all ages. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library
A warrior woman and her dark twin are destined to remake the world in this “powerful” tale, the first in a trilogy by a World Fantasy Award winner (Newsweek). Legend foretold the child named Jenna, who was three-times orphaned before she could crawl, a fate that would leave her in the hands of women who worshipped the benevolent goddess Great Alta. In this world without men, Jenna comes of age, learning quickly the skills of close combat. But her most powerful gift lies elsewhere: a mirror sister who emerges only in the darkness—a twin named Skada—and shares the soul of the young, white-haired warrior who might well be the goddess reborn. But if Jenna is, in truth, the one whose coming is awaited, there is cause for great alarm among those who rule the Dales, for the prophecy speaks of upheaval and change, and a devastating end of all things. An incomparable world-builder and one of America’s premier fantasists, the remarkable Jane Yolen begins a three-part saga as inventive, intelligent, and exciting as anything that has ever been produced in the literature of the fantastic. Brilliantly contrasting the “true” story of Jenna with the later myths, poetry, and so-called scholarship that her coming engendered, Yolen creates a culture as richly imagined as those found in the acclaimed novels of Ursula K. Le Guin. A truly magnificent work, Sister Light, Sister Dark takes fantasy fiction to wondrous places it has never gone before.
"Strong storytelling and new takes on a beloved fantasy topic result in a welcome addition to the literature of dragons." (Library Journal) Whether portrayed as fire-breathing reptilian beasts or as noble creatures of power and grace, dragons have been found in nearly every culture's mythology. Now, in The Dragon Book, today's greatest fantasists reignite the fire... Includes stories by New York Times bestselling authors Jonathan Stroud, Gregory Maguire, Garth Nix, Diana Gabaldon, Tamora Pierce, Harry Turtledove, Sean Williams, and Tad Williams, as well as tales by Peter Beagle, Jane Yolen, Adam Stemple, Cecelia Holland, Naomi Novik, Kage Baker, Samuel Sykes, Diana Wynne Jones, Mary Rosenblum, Tanith Lee, Andy Duncan, and Bruce Coville.
Neil Gaiman, Eoin Colfer, and many more join this magical brew [that] will enchant young adult readers and their elders as well. (Publishers Weekly) In Wizards, today's master fantasists turn their hands to tales of these magical beings, living in both ancient and modern times, as well as in fantasy realms that never were. Featuring stories by New York Times bestselling authors Neil Gaiman, Eoin Colfer and Garth Nix as well as tales from Kage Baker, Peter S. Beagle, Terry Bisson, Orson Scott Card, Terry Dowling, Andy Duncan, Jeffrey Ford, Elizabeth Hand, Nancy Kress, Tanith Lee, Patricia A. McKillip, Mary Rosenblum, Tad Williams, Gene Wolfe, and Jane Yolen.
2018 World Fantasy Award winner “The best book I’ve read in a long time.” —Brandon Sanderson, author of Mistborn Where is Wendy? Leading a labor strike against the Lost Boys, of course. In Jane Yolen’s first full collection in more than ten years discover new and uncollected tales of beloved characters, literary legends, and much more. A Scottish academic unearths ancient evil in a fishing village. Edgar Allan Poe’s young bride is beguiled by a most unusual bird. Dorothy, lifted from Kansas, returns as a gymnastic sophisticate. Emily Dickinson dwells in possibility and sails away in a starship made of light. Alice’s wicked nemesis has jaws and claws but really needs a sense of humor. Enter the Emerald Circus and be astonished by the transformations within. -- Jane Yolen
In culture and scholarship, science-fictional worlds are perceived as unrealistic and altogether imaginary. Seo-Young Chu offers a bold challenge to this perception of the genre, arguing instead that science fiction is a form of “high-intensity realism” capable of representing non-imaginary objects that elude more traditional, “realist” modes of representation. Powered by lyric forces that allow it to transcend the dichotomy between the literal and the figurative, science fiction has the capacity to accommodate objects of representation that are themselves neither entirely figurative nor entirely literal in nature. Chu explores the globalized world, cyberspace, war trauma, the Korean concept of han, and the rights of robots, all as referents for which she locates science-fictional representations in poems, novels, music, films, visual pieces, and other works ranging within and without previous demarcations of the science fiction genre. In showing the divide between realism and science fiction to be illusory, Do Metaphors Dream of Literal Sleep? sheds new light on the value of science fiction as an aesthetic and philosophical resource—one that matters more and more as our everyday realities grow increasingly resistant to straightforward representation.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.