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"Theodore Dreiser's Sister Carrie (1900) broke new literary ground in a number of ways. Its graphic documentary style, urban setting, and concern with economic and sociological issues set it apart from popular fiction of the period. In his characteristically detailed and awkwardly methodical style, Dreiser crafted characters and situations that dramatize the forces of economic necessity, social censure, and urban anonymity. Set in turn-of-the-century Chicago and New York, the novel explores the life of Carrie Meeber, a poor rural woman whose naivete and poverty make her an ideal target for the dangers of urban life. Dreiser depicts the dilemma created by Carrie's desire to succeed and find security in a morally and financially compromised society that lures her with its glitter." "David E. E. Sloane's study proposes that Dreiser's sociological tragedy uses the details of the cityscape and the lives of its urban characters to build a drama in which none of the characters are able to achieve real happiness. Sloane demonstrates how Dreiser used themes already of concern to his readers but managed them in ways that challenged the moral and sexual assumptions of the day. Sloane's thesis is that the novel addresses economic inequality by showing that even in the poor and inarticulate like Carrie Meeber there are physical and spiritual drives that need expression but that are repressed by social mores. The study offers a detailed examination of how Dreiser's stylistic and structural choices are perfectly suited to his material, and shows how the novel forged the way for other socially conscious works in the twentieth-century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Selected by the Modern Library as one of the 100 best novels of all time 'American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin,' said H. L. Mencken. Sister Carrie, Dreiser's great first novel, transformed the conventional 'fallen woman' story into a bold and truly innovative piece of fiction when it appeared in 1900. Naïve young Caroline Meeber, a small-town girl seduced by the lure of the modern city, becomes the mistress of a traveling salesman and then of a saloon manager, who elopes with her to New York. Both its subject matter and Dreiser's unsparing, nonjudgmental approach made Sister Carrie a controversial book in its time, and the work retains the power to shock readers today. 'Sister Carrie came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman,' noted Sinclair Lewis. 'Dreiser enlarged, willy-nilly, by a kind of historical accident if you will, the range of American literature,' observed Robert Penn Warren. '[Sister Carrie] is a vivid and absorbing work of art.'
The specially commissioned essays collected in this volume establish new parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available.
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
"Gale Study Guides to Great Literature is a unique reference line composed of three series: "Literary Masters, Literary Masterpieces and "Literary Topics. Convenient, comprehensive and targeted toward current coursework, these guides place authors, titles and topics into context for high school and college students as well as general researchers. Each "Literary Masters volume introduces a significant author, covering basic biographical information. The related "Literary Masterpieces volume explores a major title from this author's works in detail. Finally, the "Literary Topics volume places the author and work within a relevant literary movement or genre.
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
An outstanding research guide for undergraduate students of American literature, this best-selling book is essential when it comes to researching American authors. Bracken and Hinman identify and describe the best and most current sources, both in print and online, for nearly 300 American writers whose works are included in the most frequently used literary anthologies. Students will know exactly what information is available and where to find it.
The environmental imagination does not stop short at the edge of the woods. Nor should our understanding of it, as Lawrence Buell makes powerfully clear in his new book that aims to reshape the field of literature and environmental studies. Emphasizing the influence of the physical environment on individual and collective perception, his book thus provides the theoretical underpinnings for an ecocriticism now reaching full power, and does so in remarkably clear and concrete ways. Writing for an Endangered World offers a conception of the physical environment--whether built or natural--as simultaneously found and constructed, and treats imaginative representations of it as acts of both discovery and invention. A number of the chapters develop this idea through parallel studies of figures identified with either "natural" or urban settings: John Muir and Jane Addams; Aldo Leopold and William Faulkner; Robinson Jeffers and Theodore Dreiser; Wendell Berry and Gwendolyn Brooks. Focusing on nineteenth- and twentieth-century writers, but ranging freely across national borders, his book reimagines city and country as a single complex landscape.
Theodore Dreiser's iSister Carrie/i (1900) broke new literary ground in a number of ways. Its graphic documentary style, urban setting, and concern with economic and sociological issues set it apart from popular fiction of the period. In his characteristically detailed and awkwardly methodical style, Dreiser crafted characters and situations that dramatize the forces of economic necessity, social censure, and urban anonymity. pSet in turn-of-the-century Chicago and New York, the novel explores the life of Carrie Meeber, a poor rural woman whose naivete and poverty make her an ideal target for the dangers of urban life. Dreiser depicts the dilemma created by Carrie's desire to succeed and find security in a morally and financially compromised society that lures her with its glitter. David E. E. Sloane's study proposes that Dreiser's sociological tragedy uses the details of the cityscape and the lives of its urban characters to build a drama in which none of the characters are able to achieve real happiness. Sloane demonstrates how Dreiser used themes already of concern to his readers but managed them in ways that challenged the moral and sexual assumptions of the day. Sloane's thesis is that the novel addresses economic inequality by showing that even in the poor and inarticulate like Carrie Meeber there are physical and spiritual drives that need expression but that are repressed by social mores. The study offers a detailed examination of how Dreiser's stylistic and structural choices are perfectly suited to his material, and shows how the novel forged the way for other socially conscious works in the twentieth-century.