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If we can all agree that poetry, at least the stuff we choose to read, is not the pastoral conceit we were taught in high school but the spit, venom, and tears that come from our real flesh and blood lives, then Christopher Yeates has provided a welcome addition to the world of poetry. In this collection, Yeates maps out a chart of his own troubled universe. But the pathos in Yeates' writing shouldn't be called wistful. He doesn't sit at home stewing like Emily Dickinson or dream of being pulled into the breast of Jesus like Gerard Manley Hopkins. Instead, he strikes out across the ocean and thrusts himself into the human throng. He revels and rejoices at times; he's often enthusiastic and bawdy, carousing with women and relishing in their allure and softness. This is a chronicle of travel, of frailty, of loss and lust and love and doubt. The writing is toxic yet tender, and with a keen and incisive eye this poet gives voice to the often profound complexities of everyday life.
Ben Shapiro discusses hot-button political and social issues of the day. He calls attention to the corruption of the American future due to social liberalism. This is a collection of his nationally syndicated columns from 2014.
An AB Discovery 'After Dark' Book Stories from the Sissy Baby Nursery: The sissy baby is a very big part of the Adult Baby community. Penelope Pansy and Colin Milton brings us four stories of sissy babies and the women than make them who they are. Wet and dirty diapers abound as well as spanking, sissification and heavy ABDL themes. In This Volume: The Re-education and Sissification of a Young Victorian Gentleman The Making of Sissy Baby Charlotte The Story of Penelope Pansy Letters on a Sissy
In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
A second collection, both rebound and relapse, of poems experienced and written by Christopher Yeates.
THE NATIONAL BESTSELLER "Transformative ... If Tobia aspires to the ranks of comic memoirists like David Sedaris and Mindy Kaling, Sissy succeeds." --The New York Times Book Review (A Paperback Row Pick) A heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above. "A beautiful book . . . honest and funny."--Trevor Noah, The Daily Show "Sensational."--Tyler Oakley "Jacob Tobia is a force." --Good Morning America "A trans Nora Ephron . . . both honest and didactic." --OUT Magazine "A rallying cry for anyone who's ever felt like they don't belong." --Woman's Day As a young child in North Carolina, Jacob Tobia wasn't the wrong gender, they just had too much of the stuff. Barbies? Yes. Playing with bugs? Absolutely. Getting muddy? Please. Princess dresses? You betcha. Jacob wanted it all, but because they were "a boy," they were told they could only have the masculine half. Acting feminine labelled them "a sissy" and brought social isolation. It took Jacob years to discover that being "a sissy" isn't something to be ashamed of. It's a source of pride. Following Jacob through bullying and beauty contests, from Duke University to the United Nations to the podiums of the Methodist church--not to mention the parlors of the White House--this unforgettable memoir contains multitudes. A deeply personal story of trauma and healing, a powerful reflection on gender and self-acceptance, and a hilarious guidebook for wearing tacky clip-on earrings in today's world, Sissy guarantees you'll never think about gender--both other people's and your own--the same way again.
In Brenda Peterson's unusual memoir, fundamentalism meets deep ecology. The author's childhood in the high Sierra with her forest ranger father led her to embrace the entire natural world, while her Southern Baptist relatives prepared eagerly and busily to leave this world. Peterson survived fierce "sword drill" competitions demanding total recall of the Scriptures and awkward dinner table questions ("Will Rapture take the cat, too?") only to find that environmentalists with prophecies of doom can also be Endtimers. Peterson paints such a hilarious, loving portrait of each world that the reader, too, may want to be Left Behind.
Over the last few years, culture has swum upstream of politics; social liberalism has deteriorated the American future; and the meaning of the conservative movement has been put up for grabs. Provocative radio host Ben Shapiro is the “principled gladiator” who’s militantly defending conservative ideas amid this chaos. With over 10 million podcast downloads a month and an audience that is 70 percent under the age of 40, Shapiro has been dubbed the voice of conservative millennials. Picking apart liberal arguments and offering sharp, nuanced takes on current events is what he does best. In this column collection, you will be both enlightened and entertained as Shapiro takes you on a journey through the losses conservatives—and America—have endured.
Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be know as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium. By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.
What makes a film a teen film? And why, when it represents such powerful and enduring ideas about youth and adolescence, is teen film usually viewed as culturally insignificant? Teen film is usually discussed as a representation of the changing American teenager, highlighting the institutions of high school and the nuclear family, and experiments in sexual development and identity formation. But not every film featuring these components is a teen film and not every teen film is American. Arguing that teen film is always a story about becoming a citizen and a subject, Teen Film presents a new history of the genre, surveys the existing body of scholarship, and introduces key critical tools for discussing teen film. Surveying a wide range of films including The Wild One, Heathers, Akira and Donnie Darko, the book's central focus is on what kind of adolescence teen film represents, and on teen film's capacity to produce new and influential images of adolescence.