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Reid Barbour brings the historical evidence of Browne's life together for the first time, allowing readers to contextualise his most celebrated works.
A profound and delightful jeu d'esprit of a book, mixing biography, etymology, cultural history and quixotic scientific experiments. Aldersey-Williams pulls the unfairly neglected yet enormously influential writer Thomas Browne out of the obscure pages of Pseudodoxia Epidemica and into the 21st century, to apply his generous curiosity and rational intelligence to the vagaries and contradictions of life today. Browne has had some impressive fans (Sebald, Woolf, Borges, Poe, Marias) but this book will revive him, bringing his extraordinary genius to a whole new audience.
An impressive line-up of scholars from across the world explore the significance of Sir Thomas Browne (1605-82), a virtuoso in learning whose many interests form a representative portrait of his age. Doctor, linguist, scientist, and natural historian, Browne was also the writer of some of the most remarkable prose in the English language.
This carefully crafted book contains the most influential works of Sir Thomas Browne, including a spiritual testament and an early psychological self-portrait, "Religio Medici" and a work about the discovery of a Roman urn burial in Norfolk, Hydriotaphia. Sir Thomas Browne (1605-1682) was an English polymath and author of varied works which reveal his wide learning in diverse fields including science and medicine, religion and the esoteric. Browne's writings display a deep curiosity towards the natural world, influenced by the scientific revolution of Baconian enquiry.
Sir Thomas Browne was one of the greatest English prose stylists--a physician by vocation, a theologian by inclination, and a writer of great elegance and erudition.This edition of his works, with Introduction, Notes, Comments, and Bibliography, includes all Browne's major pieces and selections from his minor papers and letters. The Notes are designed to help the student understand Browne's references, and the Introduction provides an account of his life and an analysis of his baroque style against the background of seventeenth-century literature.