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This book provides a structured introduction to the life and works of Sir Philip Sidney, and includes a chapter on Sidney's closest literary peers and imitators.
Anthology of a selection of early modern works on memory.
This is the first modern study of the production and circulation of manuscripts during the English Renaissance. H.R. Woudhuysen examines the relationship between manuscript and print, looks at people who lived by their pens, and surveys authorial and scribal manuscripts, paying particular attention to the copying of verse, plays, and scholarly works by hand. It investigates the professional production of manuscripts for sale by scribes such as Ralph Crane and Richard Robinson. The second part of the book examines Sir Philip Sydney's works in the context of Woudhuysen's research, discussing all Sidney's important manuscripts, and seeking to assess his part in the circulation of his works and his role in the promotion of a scribal culture. A detailed examination of the manuscripts and early prints of his poems, his Arcadias, and of Astrophil and Stella shed new light on their composition, evolution, and dissemination, as well as on Sidney's friends and admirers.
Sidney's sonnet cycle, consisting of 100 sonnets, followed by 11 Songs, is, after Shakespeare's, the finest sonnet cycle in the English language. Sidney explores all the aspects of what it means to be in love and does so in language that is memorable and striking. All lovers of poetry will enjoy exploring this classic work from the Elizabethan era. Check out our other books at www.dogstailbooks.co.uk
This book rejects the Calvinist and deconstructionist interpretations of Sidney and argues instead for a man of humane and generous sympathies who thought deeply about human experience and the art and function of writing.
The structure of Philip Sidney's Astrophil and Stella is governed by a distinctive and complex set of proportions, found also in the sonnet sequences of Fulke Greville and Robert Sidney written under its influence. For all these works to be ordered around the same set of proportions indicatesa remarkable degree of careful planning and precise execution, and in turn affects their meaning. The tremendous effort of constructing the sequences according to intricate mathematical patterns suggests that the patterns themselves held a particular significance, one that requires investigation forthe light it throws on these authors' intentions in composition. In this study Tom Parker reveals cosmological ideas implicit in the form of Astrophil and Stella, ideas which not only undermine much of the romantic and biographically-based criticism of the sequence, but call into question how we should read the sonnet sequences that were influenced bySidney, both within and beyond his immediate circle. As well as those of Greville and Robert Sidney, the book looks in detail at the sonnet sequences of Giordano Bruno, Mary Wroth, Henry Constable, Barnabe Barnes, and Michael Drayton, to determine the extent to which the sonnet vogue of the 1590sincorporated Sidney's broader cosmological concerns.