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Sir John Soane's Greatest Treasure describes one of the most important antiquities ever found in Egypt - the beautiful calcite sarcophagus of the pharaoh Seti I. Discovered in 1817 in the tomb of Seti I in the Valley of the Kings by the flamboyant explorer Giovanni Belzoni, the sarcophagus now resides in John Soane's Museum in London's Lincoln's Inn Fields. Leading Egyptologist John H. Taylor outlines the life of Seti I, the background to the creation of the sarcophagus, the excitement surrounding its discovery and the fascinating story of its journey to London and its acquisition by John Soane. At the heart of the book is a fully illustrated interpretation of the complex imagery and hieroglyphic inscriptions which cover the delicately carved surfaces of the sarcophagus. The book also includes an essay by Helen Dorey on the celebrations held at the Museum to welcome the arrival of the sarcophagus of Seti I in 1825. John Soane's Greatest Treasure is published to mark the 200th anniversary of the discovery of the sarcophagus in 1817, and to accompany a major exhibition at John Soane's Museum, opening in October 2017.
The great architect Sir John Soane (1753-1837) carried out over four hundred recorded architectural commissions in London. Although many never resulted in a finished building, these little-known commissions formed the backbone of his life and practice and were the key to its development. Sir John Soane and London pulls together this vast archive of work for the first time to illustrate Soane's remarkable and extensive involvement in the fabric of the city.Soane's work in London falls naturally into four areas: London townhouses, surveyorships, commissions for monuments, mausolea and churches, and public-works commissions. Soane's London townhouse practice was the most substantial, and the architect often had to act more like a modern-day estate agent, gathering and arranging properties for his clients in the hope that lucrative architectural commissions would follow. Surveyorships, particularly the long-destroyed Bank of England, provided Soane with a regular stream of work which he could use to develop his architectural themes, and informed the important public-works commissions in Westminster which came at the end of Soane's life. There was also a surprising amount of church and mausoleum work. All of these projects fed into Soane's wider desire to give London the buildings he felt worthy of a major European capital.Sir John Soane and London is organized in the same way as Sir John Soane and the Country Estate (Ashgate, 1999), with a sequence of eight case studies on important surviving Soane London buildings followed by a fully updated gazetteer of Soane's known London projects. The buildings are illustrated by newly commissioned black-and-white photographs by Martin Charles and the author's own watercolour drawings. Combined, Sir John Soane and London and Sir John Soane and the Country Estate provide the most accurate and complete record to date of Soane's work.
In Georgian London: Into the Streets, Lucy Inglis takes readers on a tour of London's most formative age - the age of love, sex, intellect, art, great ambition and fantastic ruin. Travel back to the Georgian years, a time that changed expectations of what life could be. Peek into the gilded drawing rooms of the aristocracy, walk down the quiet avenues of the new middle class, and crouch in the damp doorways of the poor. But watch your wallet - tourists make perfect prey for the thriving community of hawkers, prostitutes and scavengers. Visit the madhouses of Hackney, the workshops of Soho and the mean streets of Cheapside. Have a coffee in the city, check the stock exchange, and pop into St Paul's to see progress on the new dome. This book is about the Georgians who called London their home, from dukes and artists to rent boys and hot air balloonists meeting dog-nappers and life-models along the way. It investigates the legacies they left us in architecture and art, science and society, and shows the making of the capital millions know and love today. 'Read and be amazed by a city you thought you knew' Jonathan Foyle, World Monuments Fund 'Jam-packed with unusual insights and facts. A great read from a talented new historian' Independent 'Pacy, superbly researched. The real sparkle lies in its relentless cavalcade of insightful anecdotes . . . There's much to treasure here' Londonist 'Inglis has a good ear for the outlandish, the farcical, the bizarre and the macabre. A wonderful popular history of Hanoverian London' London Historians
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.
• The first evaluation for many years of Scott as a traveller, and the first ever single treatment of all his Continental travels • Detailed discussion of his late-in-life venture to the Mediterranean in 1831-1832, drawing on fresh source material and re-evaluating evidence for his time in Naples and Rome in a new light • Deals as much with those trips dreamed of and planned – but not accomplished – as with those actually achieved: projected journeys to Spain and Portugal, Germany and Switzerland • Profusely illustrated with some unpublished colour and mono photographs from the author’s and other private collections Sir Walter Scott (1771-1832) wrote frequently of his desire to travel widely in Europe. He made, however, only three Continental ventures. Two were to Belgium and Paris. Shortly before his death, he at last journeyed to the Mediterranean. His time in Naples and Rome provoked both interest and sadness: most of all, it caused him to reflect on the Scotland of his mind and heart. These trips are full of interest – but so are the many other schemes Scott entertained for wider travelling, notably to Spain and Portugal, Switzerland and Germany. In Frolics in the Face of Europe: Sir Walter Scott, Continental Travel and the Tradition of the Grand Tour, all are examined in the context of the Grand Tour tradition, and in the new kind of ‘romantic’ travel that, after 1815, came to replace it. By drawing on Scott’s letters and journal, on his verse, prose fiction and the literature of travel, which gave him such a wide knowledge of the world without even leaving his library at Abbotsford, many social, literary and artistic connections are made. Events, places and personalities are linked, often in surprising ways. This book offers a fresh view of Scott as the 250th anniversary of his birth approaches.
It is easy to forget in our own day of cheap paperbacks and mega-bookstores that, until very recently, books were luxury items. Those who could not afford to buy had to borrow, share, obtain secondhand, inherit, or listen to others reading. This book examines how people acquired and read books from the sixteenth century to the present, focusing on the personal relationships between readers and the volumes they owned. Margaret Willes considers a selection of private and public libraries across the period—most of which have survived—showing the diversity of book owners and borrowers, from country-house aristocrats to modest farmers, from Regency ladies of leisure to working men and women. Exploring the collections of avid readers such as Samuel Pepys, Thomas Jefferson, Sir John Soane, Thomas Bewick, and Denis and Edna Healey, Margaret Willes also investigates the means by which books were sold, lending fascinating insights into the ways booksellers and publishers marketed their wares. For those who are interested in books and reading, and especially those who treasure books, this book and its bounty of illustrations will inform, entertain, and inspire.
Egyptian coffins stand out in museum collections for their lively and radiant appearance. As a container of the mummy, coffins played a key role by protecting the body and, at the same time, integrating the deceased in the afterlife. The paramount importance of these objects and their purpose is detected in the ways they changed through time. For more than three thousand years, coffins and tombs had been designed to assure in the most efficient way possible a successful outcome for the difficult transition to the afterlife. This book examines eight non-royal tombs found relatively intact, from the plains of Saqqara to the sacred hills of Thebes. These almost undisturbed burial sites managed to escape ancient looters and so their discoveries, from Mariette’s exploration of the Mastaba of Ti in Saqqara to Schiaparelli’s discovery of the Tomb of Kha and Merit in Deir el-Medina, were sensational events in Egyptian archaeology. Each one of these sites unveils before our eyes a time capsule, where coffins and tombs were designed together as part of a social, political and religious order. From Predynastic times to the decline of the New Kingdom, this book explores each site revealing the interconnection between mummification practices, coffin decoration, burial equipment, tomb decoration and ritual landscapes. Through this analysis, the author aims to point out how the design of coffins changed through time in order to empower the deceased with different visions of immortality. By doing so, the study of coffins reveals a silent revolution which managed to open to ordinary men and women horizons of divinity previously reserved for the royal sphere. Coffins thus show us how identity was forged to create an immortal and divine self.
First published in 1999, this volume examines Sir John Soane (1753-1837) who was one of Britain's most inventive architects. His achievements include the Bank of England and the world's first picture gallery at Dulwich, buildings of international importance. His country estate work, inspired by classical antiquity, ranges in scale from the remodelling of existing country houses, such as Wimpole Hall in Cambridgeshire and Aynhoe Park in Northamptonshire, to simple outbuildings. Here we see the emergence of the key themes of his style and the results of his precise attention to proportion, design detail, and light and shade. These are among Soane's finest works. Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author's own drawings in watercolour to illustrate Soane's use of light and space, and beautiful photographs by Martin Charles, Sir John Soane and the Country Estate offers an enthralling insight into the work of a great architect. An illustrated inventory, the first fully researched guide to Soane's country house practice, details an architectural legacy that has rarely been matched.
"First published on the occasion of the exhibition ... Royal Academy of Arts, London, 11 September-3 December 1999"--Title page verso.