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Individuals of all persuasions have become deeply interested in contemporary Sioux religious practices. These essays by tribal religious leaders, scholars, and other members of the Sioux communities in North and South Dakota deal with the more important questions about Sioux ritual and belief in relation to history, tradition, and the mainstream of American life. Contents: (1) "Lakota Belief and Ritual in the Nineteenth Century," by Raymond J. DeMallie; (2) "Lakota Genesis: The Oral Tradition," by Elaine A. Jahner; (3) "The Sacred Pipe in Modern Life," by Arval Looking Horse; (4) "The Lakota Sun Dance: Historical and Contemporary Perspectives," by Arthur Amiotte; (5) "The Establishment of Christianity Among the Sioux," by Vine V. Deloria, Sr.; (6) "Catholic Mission and the Sioux: A Crisis in the Early Paradigm," by Harvey Markowitz; (7) "Contemporary Catholic Mission Work Among the Sioux," by Robert Hilbert, S.}.; (8) "Christian Life Fellowship Church," by Mercy Poor Man; (9) "Indian Women and the Renaissance of Traditional Religion," by Beatrice Medicine; (10) "The Contemporary Yuwipi," by Thomas H. Lewis, M.D.; (11) "The Native American Church of Jesus Christ," by Emerson Spider, Sr.; (12) "Traditional Lakota Religion in Modern Life," by Robert Stead, with an Introduction by Kenneth Oliver; Suggestions for Further Reading; Bibliography.
Surveys past and present religious beliefs and practices of the Oglala Sioux, relating them to Oglala social and cultural identity and the preservation of that identity
Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually." Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination. The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.
Classic of American anthropology explores messianic cult behind Indian resistance, from Pontiac to the 1890s. Extremely detailed and thorough. Originally published in 1896 by the Bureau of American Ethnology. 38 plates, 49 other illustrations.
Briefly traces the history of the Sioux along with their customs and culture.
The definitive account of the Ghost Dance religion, which led to the infamous massacre at Wounded Knee in 1890 Winner of the Bancroft Prize in American History In 1890, on Indian reservations across the West, followers of a new religion danced in circles until they collapsed into trances. In an attempt to suppress this new faith, the US Army killed over two hundred Lakota Sioux at Wounded Knee Creek. In God's Red Son, historian Louis Warren offers a startling new view of the religion known as the Ghost Dance, from its origins in the visions of a Northern Paiute named Wovoka to the tragedy in South Dakota. To this day, the Ghost Dance remains widely mischaracterized as a primitive and failed effort by Indian militants to resist American conquest and return to traditional ways. In fact, followers of the Ghost Dance sought to thrive in modern America by working for wages, farming the land, and educating their children, tenets that helped the religion endure for decades after Wounded Knee. God's Red Son powerfully reveals how Ghost Dance teachings helped Indians retain their identity and reshape the modern world.
In this religious history of the spiritual life of the great Lakota leader Black Elk, Clyde Holler reconstructs the development of the Lakota Sun Dance—the central religious ritual of the Lakota tradition, which is essential to understanding Black Elk's thought. This comprehensive study of the dance, which was banned by the U.S. government in 1883, shows how Black Elk adapted the dance to the conditions and circumstances of reservation life and reinterpreted it in terms commensurate with Christianity. A creative thinker, rather than a passive informant on his people's past, Black Elk was both a sincere traditionalist and a sincere Christian, seeing the two religious traditions as expressions of the sacred. Through a firsthand account of the dance associated with Frank Fools Crow at Three Mile Camp, near Kyle, South Dakota, the author demonstrates how the contemporary Sun Dance reflects Black Elk's vision. Holler's book is a penetrating model of philosophical engagement with native North American religion that is carried out in close dialogue with anthropology. Readers who were captivated by John G. Neihardt's gripping portrait of Black Elk in Black Elk Speaks may be surprised to learn that he was a vital and creative leader until his death in 1950, and not the broken, despairing old man made famous by Neihardt. As the greatest native American religious thinker of North America, much has been written about Black Elk, his life and influence; but of those works, Roller's is likely to stand out as the most capacious in breadth and analysis.
"The real value of Lakota Belief and Ritual is that it provides raw narratives without any pretension of synthesis or analysis, as well as insightful biographical information on the man who contributed more than any other individual to our understanding of early Oglala ritual and belief." Plains Anthropologist"In the writing of Indian history, historians and other scholars seldom have the opportunity to look at the past through 'native eyes' or to immerse themselves in documents created by Indians. For the Oglala and some of the other divisions of the Lakota, the Walker materials provide this kind of experience in fascinating and rich detail during an important transition period in their history." Minnesota History"This collection of documents is especially remarkable because it preserves individual variations of traditional wisdom from a whole generation of highly developed wicasa wakan (holy men). . . . Lakota Belief and Ritual is a wasicun (container of power) that can make traditional Lakota wisdom assume new life." American Indian Quarterly"A work of prime importance. . . . its publication represents a major addition to our knowledge of the Lakotas' way of life" Journal of American FolkloreRaymond J. DeMallie, director of the American Indian Studies Research Institute and a professor of anthropology at Indiana University, is the editor of James R. Walker's Lakota Society (1982) and of The Sixth Grandfather: Black Elk's Teachings Given to John G. Neihardt (1984, a Bison Book), both published by the University of Nebraska Press. Elaine A. Jahner, a professor of English at Dartmouth College, has edited Walker's Lakota Myth (1983), also a Bison Book.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
2021 Scholarly Writing Award in the Saskatchewan Book Awards This book presents two of the most important traditions of the Dakota people, the Red Road and the Holy Dance, as told by Samuel Mniyo and Robert Goodvoice, two Dakota men from the Wahpeton Dakota Nation near Prince Albert, Saskatchewan, Canada. Their accounts of these central spiritual traditions and other aspects of Dakota life and history go back seven generations and help to illuminate the worldview of the Dakota people for the younger generation of Dakotas, also called the Santee Sioux. "The Good Red Road," an important symbolic concept in the Holy Dance, means the good way of living or the path of goodness. The Holy Dance (also called the Medicine Dance) is a Dakota ceremony of earlier generations. Although it is no longer practiced, it too was a central part of the tradition and likely the most important ceremonial organization of the Dakotas. While some people believe that the Holy Dance is sacred and that the information regarding its subjects should be allowed to die with the last believers, Mniyo believed that these spiritual ceremonies played a key role in maintaining connections with the spirit world and were important aspects of shaping the identity of the Dakota people. In The Red Road and Other Narratives of the Dakota Sioux, Daniel Beveridge brings together Mniyo and Goodvoice's narratives and biographies, as well as songs of the Holy Dance and the pictographic notebooks of James Black (Jim Sapa), to make this volume indispensable for scholars and members of the Dakota community.