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An incisive history of early American archaeology—from reckless looting to professional science—and the field’s unfinished efforts to make amends today, told "with passion, indignation, and a dash of suspense" (New York Times). American archaeology was forever scarred by an 1893 business proposition between cowboy-turned-excavator Richard Wetherill and socialites-turned-antiquarians Fred and Talbot Hyde. Wetherill had stumbled upon Mesa Verde’s spectacular cliff dwellings and started selling artifacts, but with the Hydes’ money behind him, well—there’s no telling what they might discover. Thus begins the Hyde Exploring Expedition, a nine-year venture into Utah’s Grand Gulch and New Mexico’s Chaco Canyon that—coupled with other less-restrained looters—so devastates Indigenous cultural sites across the American Southwest that Congress passes first-of-their-kind regulations to stop the carnage. As the money dries up, tensions rise, and a once-profitable enterprise disintegrates, setting the stage for a tragic murder. Sins of the Shovel is a story of adventure and business gone wrong and how archaeologists today grapple with this complex heritage. Through the story of the Hyde Exploring Expedition, practicing archaeologist Rachel Morgan uncovers the uncomfortable links between commodity culture, contemporary ethics, and the broader political forces that perpetuate destructive behavior today. The result is an unsparing and even-handed assessment of American archaeology’s sins, past and present, and how the field is working toward atonement.
r.h. Sin’s final volume in the Whiskey, Words, and a Shovel series expands on the passion and vigor of his first two installments. His stanzas inspire strength through the raw, emotional energy and the vulnerability of his poems. Relationships, love, pain, and fortitude are powerfully rendered in his poetry, and his message of perseverance in the face of emotional turmoil cuts to the heart of modern-day life. At roughly 300 pages, this culminating volume will be his lengthiest yet.
The fourteen essays in this collection explore the place of women in archaeology in the twentieth century, arguing that they have largely been excluded from "an essentially all-male establishment."
" ... story about a Christian couple who falls away from the Lord, their faith, and the Lord's church; returning to a world of sin far worse than before their conversion ... Does God intervene? ... Can they return to the Lord, the faith and the church? This true story ... addresses the seriousness of Christians who fall away, the possibility of God's love, His grace and His incredible forgiveness"--Back cover
Only a few years after the discovery in Europe in the late 1850s that humanity had roots predating history and the Biblical chronicles, and reaching deep into the Pleistocene, came the suggestion that North American prehistory might be just as old. And why not? There seemed to be an "exact synchronism [of geological strata] between Europe and America," and so by extension there ought to be a "parallelism as to the antiquity of man." That triggered an eager search for traces of the people who may have occupied North America in the recesses of the Ice Age. "The Great Paleolithic War "is the history of the longstanding and bitter dispute in North America over whether people had arrived here in Ice Age times.
Learn the timeless art of blacksmithing or simply admire the beautiful illustrations of vintage tools of the...
A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his series, Planting Gardens in Graves.
Luke Burgoa is an ex-Marine on a solitary covert mission to infiltrate the Basque separatist organization ETA in Spain and help bring down its military commander, Peru Madariaga. Luke hails from a Basque ancestry that came with the Spanish empire to Cuba, Argentina, Mexico, and, seventy-five years ago, to a Texas ranch. Neighbors consider the Burgoas Mexican immigrants and exiles of that nation’s revolution, but the matriarch of the family speaks the ancient language Euskera and honors traditions of the old country. Luke’s orders are to sell guns to the ETA and lure Peru into a trap. Instead he falls in love with Peru’s estranged wife, Ysolina, who lives in Paris and pursues a doctorate about an Inquisition-driven witchcraft frenzy in her native land. From the day they cross the border into the Basque Pyrenees, their love affair on the run conveys the beauty, sensuality, exoticism, and violence of an ancient homeland cut in two by Spain and France. Their trajectory puts Luke, Ysolina, and Peru on a collision course with each other and the famed American architect Frank Gehry, whose construction of a Guggenheim art museum seeks to transform the Basque city of Bilbao, a decrepit industrial backwater haunted by the Spanish Civil War—and a hotbed of ETA extremism. Ranging from the Amazon rain forest to a deadly prison in Madrid, Sins of the Younger Sons is a love story exposed to dire risk at every turn.
Paleobiology struggled for decades to influence our understanding of evolution and the history of life because it was stymied by a focus on microevolution and an incredibly patchy fossil record. But in the 1970s, the field took a radical turn, as paleobiologists began to investigate processes that could only be recognized in the fossil record across larger scales of time and space. That turn led to a new wave of macroevolutionary investigations, novel insights into the evolution of species, and a growing prominence for the field among the biological sciences. In The Quality of the Archaeological Record, Charles Perreault shows that archaeology not only faces a parallel problem, but may also find a model in the rise of paleobiology for a shift in the science and theory of the field. To get there, he proposes a more macroscale approach to making sense of the archaeological record, an approach that reveals patterns and processes not visible within the span of a human lifetime, but rather across an observation window thousands of years long and thousands of kilometers wide. Just as with the fossil record, the archaeological record has the scope necessary to detect macroscale cultural phenomena because it can provide samples that are large enough to cancel out the noise generated by micro-scale events. By recalibrating their research to the quality of the archaeological record and developing a true macroarchaeology program, Perreault argues, archaeologists can finally unleash the full contributive value of their discipline.