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Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life.
Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.
In Singing of the Dead, the next installment in Dana Stabenow's acclaimed crime series, Kate Shugak hires onto the staff of a political campaign to work security for a Native woman running for state senator. The candidate has been receiving anonymous threats, and Kate, who went to college with two of the staffers, is to become her shadow, watching the crowds at rallies and fundraisers. But just as she's getting started the campaign is rocked by the murder of their staff researcher, who, Kate discovers, was in possession of some damning information about the pasts of both candidates. In order to track the killer, Kate will have to delve into the past, in particular the grisly murder of a "good-time girl" during the Klondike Gold Rush in 1915. Little can she guess the impact a ninety-year-old unsolved case could have on a modern-day psychotic killer.
It is the run-up to Christmas when two seven-year-old boys are abducted from the streets of Glasgow. For DI Colin Anderson the case is especially disturbing, because the boys look so much like his own young son Peter. When a simple house fire turns into a full-scale murder investigation, and with cold and flu season having taken many officers off the street, the force is stretched to breaking point. DS Costello’s hunch is the crimes are connected, and a killer is ingeniously hiding his trail. As the squad continues to struggle working both cases, for DI Anderson the nightmare is about to get terrifyingly close to home.
A cycle of poetry and stories by the Navajo writer explores her memories of home in Shiprock, New Mexico; of significant events such as birth, partings, and reunions; and of life with her family. By the author of Seasonal Woman. Simultaneous.
In the ten years since 90 Minutes in Heaven was published, millions of people worldwide have read the incredible true story of Don Piper's experience with death and life--and in reading they have found their own lives changed. After a semi-truck collided with Don Piper's car, he was pronounced dead at the scene. For the next ninety minutes, he experienced the glories of heaven. Back on earth, a passing minister felt led to stop and pray for the accident victim even though he was told Piper was dead. Miraculously, Piper came back to life, and the pleasure of heaven was replaced by a long and painful recovery. With a personal update from Don on the impact the book has had on him, his family, and the millions who have heard his story, even those who have read the original book will want to be part of the continuing story of 90 Minutes in Heaven with this new edition. Also includes a note from the publisher, stories from readers, favorite Scriptures and quotations on heaven from Don Piper, and a photo insert.
The Singing News Presents Praise Reports So many times in our lives, God answers our prayers in an unexpected yet miraculous way. In Praise Reports, you will find hundred of stories from ordinary people just like you who share their true-life experiences with God's supernatural intervention in their lives. From faith-building foibles to medical miracles, you will read about times when the hand of God reached down and touched lives in extraordinary ways. The stories contained within these pages will inspire you to trust God's plan for your life, and believe that He has a miracle in store for you. In Praise Reports you'll read about: A miraculous recovery from a near-fatal collision A prophetic word come true Two babies delivered from illness by an unseen hand Let our book reaffirm your faith and remind you that God still works miracles in our everyday lives!
This retelling of the Christmas story, through poetry and biblical references, inspires thoughtful meditation and joyful singing. Several poems can be sung to the tune of well-known Christmas carols and other songs. Reflections on the reason for Jesus’ birth remind us that we can still have hope for our broken world. The opening theme is the birth of Jesus, a miraculous display of God’s love for us celebrated at Christmas. However, Christmas is only the beginning. What follows His birth is even more astounding and life-transforming. The first part of the book resounds with joy and celebration at this phenomenal love-gift sent to us by a holy and loving God seeking to reconnect with his lost sheep. The celebration is not just because of His birth, but because He was born to die for mankind’s redemption from sin’s bondage. What is more praiseworthy is His resurrection, the foundation of the Christian faith. Because Jesus is alive, His power and light will always outshine the darkness. This is clearly a reason for singing. With the life of Jesus as our example, the remaining poems cover various aspects of Christian living: forgiveness, righteousness, justice, compassion for our neighbor and resisting temptation. Some poems cover controversial issues like the sanctity of life and the sanctity of marriage. They remind us that we are in a spiritual battle and must daily make choices between good and evil. We are exhorted to love God and obey His precepts in order to flourish. Loving and caring for each other are some of the daily choices we must make. Without that, our human society sinks into chaos. While the explosion of evil around us is frightening, we also struggle with our own personal weaknesses and failures and need reminders that Jesus will meet us in those struggles. Several of the poems are prayers from a burdened heart wrestling with the enticement of sin and the need to receive or grant forgiveness. Some are the expressions of grief and pain in moments of despair so common to mankind. Other poems are songs of praise and thanksgiving for God’s faithfulness in delivering from trials of various kinds. The book ends with poems of victory in anticipation of Jesus’ triumphant return to fulfill His promise to abolish sin and suffering. It is a time of rejoicing for those who love Him, but a time of fear and trembling for those who do not. The goal of this book is to point people to the God who sees all and who does not desire anyone to perish. His mercy is extended to all who would receive it. The biblical references that follow the poems will challenge the reader to a deeper dive into the very words of God to glean strength, wisdom and courage for daily living. These poems are meant to serve as a springboard to that end, and there is something here for everyone and for every season.
For readers of Being Mortal and When Breath Becomes Air, the acclaimed founder of Death over Dinner offers a practical, inspiring guide to life's most difficult yet important conversation. Of the many critical conversations we will all have throughout our lifetime, few are as important as the ones discussing death—and not just the practical considerations, such as DNRs and wills, but what we fear, what we hope, and how we want to be remembered. Yet few of these conversations are actually happening. Inspired by his experience with his own father and countless stories from others who regret not having these conversations, Michael Hebb cofounded Death Over Dinner—an organization that encourages people to pull up a chair, break bread, and really talk about the one thing we all have in common. Death Over Dinner has been one of the most effective end-of-life awareness campaigns to date; in just three years, it has provided the framework and inspiration for more than a hundred thousand dinners focused on having these end-of-life conversations. As Arianna Huffington said, "We are such a fast-food culture, I love the idea of making the dinner last for hours. These are the conversations that will help us to evolve." Let's Talk About Death (over Dinner) offers keen practical advice on how to have these same conversations—not just at the dinner table, but anywhere. There's no one right way to talk about death, but Hebb shares time—and dinner—tested prompts to use as conversation starters, ranging from the spiritual to the practical, from analytical to downright funny and surprising. By transforming the most difficult conversations into an opportunity, they become celebratory and meaningful—ways that not only can change the way we die, but the way we live.