Download Free Singing Like Callas And Caruso Book in PDF and EPUB Free Download. You can read online Singing Like Callas And Caruso and write the review.

"Behind every weakness hides a talent!" is Dr. Karin Wettig's personal revelation. With her divorce came an almost total loss of her speaking voice. When voice therapy didn't heal her, she decided to look for a cure in singing. Mozart Arias & her passion for Belcanto, Maria Callas, Adelina Patti and the divas of Caruso's time found a home in her heart, never to depart. She left her home, her career, her husband, her friends and her business in northern Germany to pursue her dream to be a Belcanto singer. Once settled in Munich, her adventurous journey from a lost speaking voice to becoming a coloratura soprano began. Personal voice trainers, Belcanto teachers & Opera Schools from all over Europe were as disillusioning as her experience in a famous local choir. An inspiring master class with Ann Reynolds gave her the impulse to write her first Belcanto Guide for singing. Still not satisfied with her voice, she started modeling Maria Callas and exploring body therapies such as Alexander Technique, Rolfing, Cantieni and Yoga. The way to her authentic voice was a path paved with lonely nights in dark churches, practicing Belcanto repertoire from Farinelli to Mozart, Bellini, Rossini and Verdi. Studying Belcanto videos, she dove deeply into the physical aspects of opera singing, while her musicological curiosity made her travel to the origins and sources of Belcanto in the Renaissance. Suddenly miracles started happening: Her teeth aligned, her chin and jaw movement became smoother, her stiff tongue melted. In the end, she enjoyed an upright posture, better proportions, 1.5 cm more in height, emotional balance, cured sinusitis and healthy self-esteem. Her efforts were rewarded with a brilliant coloratura soprano voice. Asked for a transcript of her voice classes, she wrote her personal method down. The result is this book: An intuitive, heartfelt, yet practical approach to achieving excellence in Belcanto through effortless singing. "Body & voice awareness is the ke
Two of opera's greatest names offer encouragement and useful, nontechnical advice in this classic guide. Topics include care and training of the voice, breath control, tone, diction, other aspects of training.
The Italian singing technique Bel Canto instructs, "He who knows how to breathe and how to pronounce, knows how to sing." Singing: The First Art incorporates the techniques of Bel Canto along with those of masters like Berton Coffin and Manuel Garcia to promote and facilitate vocal excellence. Many concepts are described, from correct posture and alignment to improving and maintaining proper breathing, from good pronunciation and diction to producing an even, pure tone, and from vocal ranges to singing within and smoothly shifting between vocal registers. Mannes Vocal Faculty member Dan H. Marek effectively breaks down these complicated concepts with clear exercises, helping the vocal student to achieve freedom and complete control over his or her instrument. A primary section on the history of singing stresses the importance of understanding vocal history while inspiring and motivating the student through the experiences of opera stars such as Enrico Caruso, Maria Callas, and Jussi Björling. The second section explains vocal techniques, including the use and proper pronunciation of the IPA (International Phonetic Alphabet), and provides 64 specific exercises with clearly defined goals designed to overcome faults and to develop vocal virtuosity. Complete instructions for transposing the exercises for both male and female voices are included, as well as drawings of the exercises, musical examples from vocal literature, excellent anatomical illustrations by Frank Netter, MD, and copious photographs of opera stars. Singing: The First Art is an invaluable text for students, professionals, singers, conductors, composers, and vocal medical professionals, or anyone interested in understanding and appreciating the vocal art.
Penetrating, sometimes controversial insights into her genius, commenting on her choice of repertory, and speculating about the reasons behind the concert cancellations that brought her so much publicity. The book also features a discography, a complete list of Callas's performances, and 31 photographs, many previously unknown. With enthusiasm and vitality, Michael Scott has brilliantly captured Callas's life and artistic milieu in a fascinating exploration of one of.
Major composers including Mozart, Wagner, Verdi, Puccini, and Strauss * Legendary singers from the great divas to the Three Tenors * What to look for and listen to at the opera * The history of opera and why it endures * Stylistic variations and basic theoretical underpinnings * Appreciating the art form * Biographies of the opera's greatest artists * A survey of classic operas
Facelifting without Surgery is written by Dr. Karin Wettig about her favourite magic recipe for longlasting beauty and a young face for women and men. Since her youth, Dr. Karin Wettig liked to experiment with healthy products for beauty, but a journey to Egypt and Israel brought her a special insight about the mud of the dead sea and its special ingredients. The recommendation she gives for face care without any make up is a combination of products everybody can find in normal shops and easy to combine with the preferred personal cream. No reason to change what you like, but to combine it with Silicea and Dead Sea Mud. Even men will feel the difference with this special face treatment that takes only 5 minutes of the daily time. Apart from some very useful treatment tips, Karin Wettig offers information and photos how to decorate a face in some minutes only and how to observe the right colours for your type as she is a living proof for what she demonstrates in her books. Enjoy!
“Opera is enjoyed only by those who know something about it. This is the idea behind this book... It was written for people who love opera and want to know a little more about its history and evolution, its lore and lure, and the people who create and re-create it.” — Joseph Wechsberg, Foreword to The Opera Joseph Wechsberg — musician and lifelong opera addict, claqueur, listener and critic — takes the reader on a journey through centuries of operatic history, from Dafne, performed during the 1590s, generally thought to be the first opera, to productions at La Scala, the Metropolitan or Vienna’s Staatsoper. He explains why, of the 42,000 operas said to have been written, only a few hundred survive. These classics are discussed, with analyses of their thematic components and musical qualities and biographical vignettes of their composers, and performers. “Mr. Wechsberg has written this book very much with the inexperienced opera-goer in mind... a readable and enjoyable summary of all that the novice to the opera house should know about. Within his survey appears a short account of operatic history and material on all the people concerned with opera: composers and librettists, singers, players, managers, conductors, producers, audiences, claques and critics.” — M.F.R., Music & Letters “Even the informed reader can learn from Wechsberg how to integrate his material and achieve a degree of perspective when viewing the enormous historical landscape that provides the background for the evolution of [the opera].” — Elaine Brody, Notes