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Timothy Cheek’s revised edition of Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with its accompanying audio accessible online, builds on the original pioneering work of 2001 that set “a new and very welcome high standard for teaching lyric diction,” according to Notes: The Journal of the Music Library Association. It offers users updated information, important clarifications, and expanded repertoire in a more accessible, easier to use format. Singing in Czech is divided into two parts. Using IPA, the first part takes the reader systematically through each sound of the Czech language, enhanced by recordings of native Czech opera singers. Chapters cover the Czech vowels, consonants, rules of assimilation, approaches to singing double consonants, stress and length, Moravian dialect, and an introduction to singing in Slovak. Fine points of formal pronunciation have been clarified in this revised edition. In the second part, Cheek offers a thorough overview of Czech art song, expanded from the first edition. Texts to major song literature and opera excerpts by Smetana, Dvořák, Janáček, Martinů, and Haas, with timings, editions, word-for-word translations, idiomatic translations, and IPA transcriptions follow. In this revision, Cheek has included additional cycles by Dvořák and Martinů, and two new chapters on Czech female composers Vítězslava Kaprálová and Sylvie Bodorová. This revised edition of Singing in Czech is useful for all those who are interested and engaged in the performance of the rich Czech vocal repertoire.
Singing in Polish: A Guide to Polish Lyric Diction and Vocal Repertoire stands as the first book-length resource for non-Polish–speaking singers, voice teachers, and vocal coaches that offers the essential tools for learning how to sing in Polish. Scholar and singer Benjamin Schultz offers a rich repertory of works virtually unknown outside of Poland, providing a unique catalyst for the introduction of Polish vocal music into the English-speaking world of performance. Never before has Polish vocal music been made so accessible to the musical world. With a foreword by Timothy Cheek, the author of Singing in Czech, as well as an overview of the development of Polish music by renowned violinist, Polish music specialist, and scholar Tyrone Greive, Singing in Polish concisely outlines the science and art of Polish lyric diction through the use of the International Phonetic Alphabet (IPA). The included texts of more than 60 art songs and arias from some of the most distinguished Polish composers of all time each feature IPA transcriptions and English translations. Appendixes include lists of key Polish music publishing companies, cultural centers, and Polish poets. Singing in Polish fills a void for singers, voice teachers, and vocal coaches in the Western tradition. It is a invaluable resource for anyone looking to add global variety to vocal performance in the studio, classroom, concert hall, or on the operatic stage.
This book serves as an aid to anyone seeking to perform and gain a deeper understanding of this multi-layered opera, which so trenchantly asks what it means to be human, to love, and to be loved in return.
Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities. Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
Access audio files at:https://soundcloud.com/k-chu-j-petrus/sets/singing-in-mandarin-recorded The success of Chinese artists internationally across many art forms has focused the world's attention on the developing cultural phenomenon in China, an emerging stage for the vocal arts. As one of the most widely spoken languages in the world, Mandarin is poised to become the next addition to lyric languages. Singing in Mandarin: A Guide to Chinese Lyric Diction and Vocal Repertoire is a comprehensive guide to unlocking the mysteries of Chinese contemporary vocal literature. In part one, Chu and Petrus focus on diction and language, providing detailed descriptions and exercises for creating the sounds of the language. They take a uniquely systematic approach, fusing together best practices from international music conservatories for diction study, with those for Chinese language learning. Part two outlines the historical context of Chinese vocal literature, chronicling the development of the language and its repertoire over the last one hundred years. Audio files narrated by native speakers demonstrating the sounds are also included. Singing in Mandarin provides guidance for both novices and those with previous experience singing or speaking Mandarin and is the first book of its kind to help bring the fascinating and previously inaccessible treasure of Chinese vocal music to Western audiences.
This volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.
This book features a panorama of the lives of selected personalities, whose roots had origin in the Czech lands and who, in the US, reached extraordinary success and who, with their activities, substantially influenced the growth and development of their new homeland. It is a saga of plain, as well as powerful, people whose influence and importance often exceeded the borders of the US. A great portion of included individuals may be unknown to readers since it concerns persons whose Czech origin was usually not known. The book covers the total period from the times of the discovery of New World to the end of the twentieth century. During the selection, little concern was given to nationalistic or ethnographic criteria, the only prerequisite was that the respected individuals were either born on the territory of the Czech lands or were descendants of emigrants from the Czech lands. The image on the front cover is a portrait of Augustine Herman, Lord of Bohemia Manor, the first documented Czech immigrant in the United States. The portrait comes from his famous Map of Maryland and Virginia, dated 1670. The colorful story of his life would be unbelievable if made into a movie. Pioneer, merchant, explorer, surveyor, map maker, patriot, rebel, diplomat, and finally Lord! Read more about him in the book.